After inheriting her uncle's homesteading claim in Montana, 16-year-old orphan Hattie Brooks travels from Iowa in 1917 to make a home for herself and encounters some unexpected problems related to the war being fought in Europe.

    A new reading-group guide written by the author is included in the back of this paperback edition.

    Harley Blevins, local king and emperor of Standard Oil, is in hot pursuit to clinch his fuel monopoly. To keep him at bay and her family out of foster care, Melia must come up with a father, and fast. And so when a hobo rolls out of a passing truck, Melia grabs opportunity by its beard. Can she hold off the hounds till she comes of age?

    Most of her relatives have emigrated to the United States, her Tío Toni has disappeared, Papi has been getting mysterious phone calls about butterflies and someone named Mr. Smith, and the secret police have started terrorizing her family for their suspected opposition to the country’s dictator. While Anita deals with a frightening series of events, she also struggles with her adolescence and her own personal fight to be free.

    Trevor’s idea is simple: do a good deed for three people, and instead of asking them to return the favor, ask them to “pay it forward” to three others who need help. He envisions a vast movement of kindness and goodwill spreading across the world, and in this “quiet, steady masterpiece with an incandescent ending” (Kirkus Reviews), Trevor’s actions change his community forever.This middle grade edition of Pay It Forward is extensively revised, making it an appropriate and invaluable complement to lesson plans and an ideal pick for book clubs, classroom use, and summer reading. Includes an author's note and curriculum guide.

    Even the dead tell stories.”It's 1910. In a cabin north of the Arctic Circle, in a place murderously cold and desolate, Sig Andersson is alone. Except for the corpse of his father, frozen to death that morning when he fell through the ice on the lake.The cabin is silent, so silent, and then there's a knock at the door. It's a stranger, and as his extraordinary story of gold dust and gold lust unwinds, Sig's thoughts turn more and more to his father's prized possession, a Colt revolver, hidden in the storeroom.A revolver just waiting to be used...but should Sig use it, or not?

    Twelve-year-old Gabe grew up in the foster care system until a social worker located his Uncle Vernon two years before. When he comes home to discover that his uncle has died of a heart attack, he's terrifed of going back into the system--so he tells no one. The next day, he discovers a strange note in his mailbox: I HAVE A SECRET. DO NOT BE AFRAID. And his uncle's body is gone. Thus begins a unique correspondence destined to save the two people that depended on Vernon for everything. Through flashbacks, we learn about Gabe and Vernon's relationship, and how finding each other saved them both from lives of suffering. But eventually, Vernon's death will be discovered, and how will Gabe and the mystery note writer learn to move forward? THE MAILBOX is not a story about death--though it begins with a death. It's also not a story about Vietnam vets, although the author works with Vietnam veterans and wrote this novel, in part, to illuminate their sacrifices and suffering. THE MAILBOX is a story about connections--about how two people in need can save each other.From the Hardcover edition.

    Cole has been stealing and fighting for years. This time he caught Peter Driscal in the parking lot and smashed his head against the sidewalk. Now, Peter may have permanent brain damage and Cole is in the biggest trouble of his life.Cole is offered Circle Justice: a system based on Native American traditions that attempts to provide healing for the criminal offender, the victim, and the community. With prison as his only alternative, Cole plays along. He says he wants to repent, but in his heart, Cole blames his alcoholic mom, his abusive dad, wimpy Peter (everyone but himself) for his situation.Cole receives a one-year banishment to a remote Alaskan island. There, he is mauled by a mysterious white bear of Native American legend. Hideously injured, Cole waits for death. His thoughts shift from anger to humility. To survive, he must stop blaming others and take responsibility for his life. Rescuers arrive to save Cole's body, but it is the attack of the Spirit Bear that may save his soul.Ben Mikaelsen paints a vivid picture of a juvenile offender, examining the roots of his anger without absolving him of responsibility for his actions, and questioning a society in which angry people make victims of their peers and communities. Touching Spirit Bear is a poignant testimonial to the power of a pain that can destroy, or lead to healing.

    The bullies have made him their favorite target, his best (and only) friend seems headed for the dark side (sports and popularity), and his pregnant mother and the step-fascist are eagerly awaiting the birth of the alien life form known as Fanboy’s new little brother or sister.Fanboy, though, has a secret: a graphic novel he’s been working on without telling anyone, a graphic novel that he is convinced will lead to publication, fame, and—most important of all—a way out of the crappy little town he lives in and all the people that make it hell for him.When Fanboy meets Kyra, a.k.a. Goth Girl, he finds an outrageous, cynical girl who shares his love of comics as well as his hatred for jocks and bullies. Fanboy can’t resist someone who actually seems to understand him, and soon he finds himself willing to heed her advice—to ignore or crush anyone who stands in his way.

    A curse that began with his no-good-dirty-rotten-pig-stealing-great-great-grandfather and has since followed generations of Yelnats. Now Stanley has been unjustly sent to a boys’ detention center, Camp Green Lake, where the boys build character by spending all day, every day digging holes exactly five feet wide and five feet deep. There is no lake at Camp Green Lake. But there are an awful lot of holes.It doesn’t take long for Stanley to realize there’s more than character improvement going on at Camp Green Lake. The boys are digging holes because the warden is looking for something. But what could be buried under a dried-up lake? Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment—and redemption.

    (Though this isn't a book for nine-year-olds.) And sooner or later you will arrive with Bruno at a fence.Fences like this exist all over the world. We hope you never have to encounter one.

    Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. Monster.Fade In: Interior Court. A guard sits at a desk behind Steve. Kathy O'Brien, Steve's lawyer, is all business as she talks to Steve.O'BrienLet me make sure you understand what's going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you're in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .SteveYou think we're going to win ?O'Brien (seriously)It probably depends on what you mean by "win."Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.Guilty or innocent, Steve becomes a pawn in the hands of "the system," cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers's writing at its best.

    But with Shakespearean scholar parents who dress in Elizabethan regalia and generally go about in public as if it were the sixteenth century, that’s not terribly easy. It gets worse when they decide that Hamlet’s genius seven year-old sister will attend middle school with her— and even worse when the Shakespeare project is announced and her sister is named the new math tutor. By the time an in-class recitation reveals that our heroine is an extraordinary Shakespearean actress, Hamlet can no longer hide from the fact that she—like her family—is anything but average. In a novel every bit as funny as her debut, Erin Dionne has created another eighth grader whose situation is utterly unique—but whose foibles and farces will resound with every girl currently suffering through middle school.

    The girl, Nya, is fetching water from a pond that is two hours’ walk from her home: she makes two trips to the pond every day. The boy, Salva, becomes one of the "lost boys" of Sudan, refugees who cover the African continent on foot as they search for their families and for a safe place to stay. Enduring every hardship from loneliness to attack by armed rebels to contact with killer lions and crocodiles, Salva is a survivor, and his story goes on to intersect with Nya’s in an astonishing and moving way.

    But her plane never makes it home.Anna’s flight is hijacked by Palestinian guerillas. They land the plane in the Jordanian desert, switch off the engines and issue their demands. If these are not met within three days, they will blow up the plane, killing all the hostages.The heat on board becomes unbearable; food and water supplies dwindle. Anna begins to face the possibility she may never see her family again.Time is running out . . .Based on true events, this is a story about ordinary people facing agonizing horror, of courage and resilience.