Twenty years have passed since Joseph left behind his entire life—his wife Rebecca, his five sons, his father, and the religious Israeli farming community where he grew up—when he fell in love with a man, the genius rabbi Yoel Rosenzweig. Their affair is long over, but its echoes continue to reverberate through the lives of Joseph, Rebecca, and their sons in ways that none of them could have predicted. Now, for his fiftieth birthday, Joseph is preparing to have his five sons and the daughter-in-law he has never met spend the Sabbath with him in the Tel Aviv penthouse that he shares with a man—who is conveniently out of town that weekend. This will be the first time Joseph and all his sons will be together in nearly two decades. The boys’ lives have taken widely varying paths. While some have become extremely religious, another is completely cosmopolitan and secular, and their feelings toward their father range from acceptance to bitter resentment. As they prepare for this reunion, Joseph, his sons, and even Rebecca, must confront what was, what is, and what could have been. Evan Fallenberg is a native of Cleveland, Ohio, and has since 1985 lived in Israel, where he is a writer, teacher, and translator. His recent translations include novels by Batya Gur and Meir Shalev. He is a graduate of the School of Foreign Service at Georgetown University and the Vermont College MFA program. He is the father of two sons.

    Owen, Kentucky, just isn't big enough for Tony Blair. Bored with small-town life, already a problem drinker at 17, Tony is restless--ideal prey for Carlos Reichart, a Warhol-esque filmmaker.

    But the ensuing romance proves short-lived as Jimmy dies of an AIDS-related illness. The grieving Seamus is obliged to keep a promise to Jimmy: “Take me back the way I came.”    And so Seamus sets out by bicycle on a picaresque journey with the ashes, hoping to bring them back to Buffalo. He meets truck drivers, waitresses, college kids, farmers, ranchers, Marines, and other travelers—each one giving him a new perspective on his own life and on Jimmy’s death. When he meets and becomes involved with a young Native American man whose mother has recently died, Seamus’s grief and his story become universal and redemptive.

    J. Rosenthal's only mission is to find himself a boyfriend and avoid setbacks like bad haircuts, bad sex, and Jewish guilt. In post-AIDS 1986, B.J.'s world has changed dramatically -- his friends and lovers are getting sick, everyone is at risk, and B.J. is panicking. Parrying high-wire wit against unbearable human tragedy, Eighty-Sixed now stands as a testament to an era. "If Woody Allen were gay and wrote novels, he'd produce something like David Feinberg's Eighty-Sixed." -- David Streitfeld, The Washington Post Book World "[Feinberg] has given us a painful story of one man coming of age in a terrifying age." -- The Plain Dealer (Cleveland) "Entertaining, harrowing, and powerfully unsensational." -- Booklist "[Eighty-Sixed] stands out for its frankness, ferocious wit, and total lack of sentimentality or self pity." -- Catherine Texier, The New York Times Book Review

    While his sexuality prohibits him from practicing his degree in youth ministry in a church setting, he’s found a fulfilling job as a youth counselor at a residential treatment facility in Colorado. He falls in love, marries the man of his dreams, and makes peace with God. He’s happy.Then his buried past drags him back to the Ozarks.The life Brooke has worked so hard to build is crumbling in his hands in the face of painful memories and past abuse, and his confidence is withering. In El Dorado Springs, where his nightmares come to life, Brooke desperately seeks closure life doesn’t offer. Brooke must find value in himself, in his marriage, and in the world around him—and create the hope and perseverance to keep his past from swallowing him whole.

    But those plans change when his parents are suddenly killed and he finds himself the guardian of his little brother, Nick. Jamus ends up back in the Boston neighborhood where he grew up, with a crying toddler on his knee and the challenge of building a new life for himself and the boy. Jamus somehow finds a way to navigate the ups and downs of single parenting, but over a decade of raising Nick, Jamus never truly overcomes his struggles with loneliness and the guilt he feels as the sole survivor of the crash that killed his parents. That changes when he meets bookishly handsome Sean Malloy. There’s a spark between the two men, but both must face down their own private demons to find love in the Irish enclave of South Boston.For a more in-depth look at "Brothers," check out www.ralphjosiahbardsley.com.

    Meet 'Bob the Book, ' a gay book for sale in a Greenwich Village bookstore, where he falls in love with another book, Moishe. But an unlikely customer separates the young lovers. As Bob wends his way through used book bins, paper bags, knapsacks, and lecture halls, hoping to be reunited with Moishe, he meets a variety of characters, both book and human, including Angela, a widowed copy of Jane Austen's Mansfield Park, and two other separated lovers, Neil and Jerry, near victims of a book burning. Among their owners are Alfred and Duane, whose on-again, off-again relationship unites and separates our book friends. Will Bob find Moishe? Will Jerry and Neil be reunited? Will Alfred and Duane make it work? Read 'Bob the Book' to find all the answers...

    Filled with humor and pathos, with the nearness and danger of life on the edge, these stories chart the anxious inner moments of four related characters.Johnson introduces the teenage Delia in the midst of working up the nerve for a first kiss; and Dooley, who drives a forklift for a living but dreams of a career in music that's been put on ice after a tragic accident. Pudge, an alcoholic who survived a cruel childhood with an abusive father, now hides from his own son, Luis; and Luis, raised without a father, concocts a suitable end for his mother's horrible boyfriend. Determined to save both Pudge and his son from an unhappy end, Johnson's cast of characters huddles together at the local laundromat, scheming.Johnson's stories are sweet, messy, and heart-rending. As we watch her characters through her wide-angle lens, she makes us believe that life is worth living even when the circumstances say otherwise. Irresistible and perfect, More of This World or Maybe Another introduces an original voice in American fiction.

    An amazing first novel, a beautifully written work of historical fiction ( Lambda Book Review), American Studies tells the story of 62-year-old Reeve who, as he recovers from a brutal beating, recalls the troubled and closeted world of his former mentor, a once-famous professor who was driven to suicide during the McCarthy era.

    Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    He lives in the exact center of center-less Los Angeles with his depressed father, Greg, and imaginative younger sister, Sandra. When Greg suddenly dies, more than everything changes and the relatively smooth orbits of family and friends are altered when Adam needs them most. In the middle of the drama, a man in uniform appears—and he is more than interested in Adam. This man, a policeman, is warm, witty and wise. He is 6 foot-something, dirty blond, and . . . well, he’s a California Boy trapped inside the body of a 38 year-old man. But how can Adam consider the possibility of a relationship when he is dealing with his father’s death, his friends’ (and his own) pre-pre-pre mid-life crises, his mother’s ambivalence, and his little sister’s need for him? Then again, how can he not?Half-Life is about being—or at least feeling—young and old at the same time. About loving, or wanting to love, but knowing that life and love are both as exuberant and seductive yet two-dimensional and illusory as a billboard along any of Los Angeles’s endless freeways.Aaron Krach has written for Time Out New York, Out magazine, InStyle, thePosition.com, CBSHealthwatch.com, The Independent Film and Video Monthly, TVTS, Oui, DOX: International Documentary Film, indieWIRE, A&U magazine Instinct, HX, The Villager, Downtown Express, and TWN (Florida). The former editor of Empire Magazine and arts editor of Gay City News, he is now the senior editor of Cargo magazine. He lives in New York City. Half-Life is his first novel.

    As Mike pours beer, wipes glasses and hears everything, he's also witness to the men who come here looking for what they need - sex, direction, friendship, spiritual fulfillment, and love. People like: Stephen Darby - As an accountant, he knows many secrets. But Stephen has his own secret, one he's never been able to share with anyone close to him. Being the perfect son costs him dearly, and now it may take from him the one man he longs for. Pete Thayer - Playing it straight, Pete takes out his frustrations on transmissions and engines during the day, then spends his nights trying to quench his needs through anonymous sex. John and Russell - The golden couple in town has the ideal relationship everyone wants. But behind the scenes, their storybook marriage is on the verge of facing some explosive trials. Father Thomas Dunn - More and more the gentle priest is feeling a need to express the secret desires that conflict with his devotion to the church, sending his faith into a tailspin and making him question what he really wants from life. Simon Bird - He's a fixture in town, an old queen everyone finds amusing and entertaining. Still mourning the loss of his longtime lover, Simon yearns to find love and a place in a culture that worships youth and beauty.With unflinching honesty, keen insight, and his trademark humor, Michael Thomas Ford weaves together the unforgettable stories of these seven men, chronicling their dreams, hurts, heartbreaks, joys, and hopes, while taking readers on an emotional journey to find what it is we're all looking for.

    Tropez -- dapper American expatriate Stuart Cosling, his ravishing French wife Helene, and their stunningly handsome son Robbie. To his parents, Robbie was still a boy, but in the spring of 1938, on a cruise of the Greek islands, Robbie discovered the pleasures of manhood. It wasn't until a certain season in St. Tropez that Robbie discovered the endless passion that comes only once with first love.

    A secretary in a small-town Southern Baptist church in Texas, she bristles at Greg’s secular beliefs. Through passive-aggressive manipulation, subtle deceit, or outright battle, Vivien resolves to banish Greg and return Danny to the fold, come hell or high water. Greg’s hold on Danny’s heart is pitted against Vivien’s crusade for Danny’s soul.All the while, Greg devotes himself to keeping Danny happy while negotiating the cultural differences of his life in America. Danny’s new career as a lawyer takes them from his native Texas to New York. But with Vivien testing Greg’s stiff upper lip at every turn, something has to give.The British Devil is a semiautobiographical novel exploring culture, religion, and love in a bi-national relationship.

    They share a 15-year-old son, Wesley, who lives on the upper East Side with his mother and doctor stepfather. Trying to get to know his impressive, distant father better, he moves in for a semester with him his male partner in a mid-town brownstone. George, the partner, is a former actor — by his own account “fifteen years past fabulous.” Charming, funny, smart and compassionate, George manages a struggling theater district restaurant and becomes the model for the kind of man Wesley would someday like to be.