Nine years old, Andy embarks on the trip by bus, alone for the first time. He decides it will be a rite of passage and his first step into manhood. Sometimes a handful at home, Andy was a good boy when visiting his Grandparents' houses, and he looked forward to the little spoiling certain to come his way. Set during the Christmas of 1943, young Andy's experiences on this solitary voyage become pivot points of the entire epic of Port William. The old ways are in retreat, modern life is crowding everything in its path, and as Andy looks back many years later, he hears the stories again of his neighbors and friends. A beautiful short novel, this book is a perfect introduction into the whole world of Port William and will be a new chapter for those already familiar with this rich unfolding story.

    His evocations of small-town Pennsylvania life, and of his own religious, artistic, and sexual awakening, transfixed readers of The New Yorker and of the early collections Pigeon Feathers (1962) and The Music School (1966). In these and the works that followed—the formal experiments and wickedly tart tales of suburban adultery in Museums and Women (1972) and Problems (1979), the portraits of middle-aged couples in love and at war with aging parents and rebellious children in Trust Me (1987) and The Afterlife (1994), and the fugue-like stories of memory, desire, travel, and unquenched thirst for life in Licks of Love (2000) and My Father’s Tears (2009)—Updike displayed the virtuosic command of character, dialogue, and sensual description that was his signature.   Here, in two career-spanning volumes, are 186 unforgettable stories, from "Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to "The Full Glass” (2008), the author’s toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure.

    

    When the decision is taken out of his hands--he's hit by a car and his head is severed from his body--he must come to terms with himself. At his funeral, he sits up in his own coffin with the stitches that bind his head to his body clearly visible. Everyone is horrified by this resurrection. He becomes a source of fear and embarrassment to his daughter, and an object of derision and morbid curiosity to the press and the scientific communities, and is anointed as a sort of devil by an obscure religious cult. In the process, Theodore manages to reestablish his relationship with his estranged wife and family and to rediscover the value of his life. In this experimental, satirical, and bizarre novel, critically acclaimed author Percival Everett once again takes on the assumptions of a culture whose priorities have gone out of whack. He lampoons the press, religion, and academia while offering, ultimately, an existential meditation of what constitutes being alive.

    Pearla is a born hustler, and Cash was born to steal. Pearla sets her sights on Cash and motivates him to take his petty crimes to the next level.Together, the two get money throughout the tri-state, while friends and family want to be upgraded without putting in work. At first, the couple makes it rain in the hood, taking care of those they love, but a hustler always knows when to draw the line.Suddenly, Pearla proclaims the ATM closed, and a quiet storm begins to brew. When the beggars can't beg anymore and the borrowers can't borrow anymore, friends become enemies. Words and bullets are exchanged, leaving The House that Hustle Built under attack and at risk of collapse.

    Jefferson, a young black man, is an unwitting party to a liquor store shoot out in which three men are killed; the only survivor, he is convicted of murder and sentenced to death. Grant Wiggins, who left his hometown for the university, has returned to the plantation school to teach. As he struggles with his decision whether to stay or escape to another state, his aunt and Jefferson's godmother persuade him to visit Jefferson in his cell and impart his learning and his pride to Jefferson before his death. In the end, the two men forge a bond as they both come to understand the simple heroism of resisting and defying the expected. Ernest J. Gaines brings to this novel the same rich sense of place, the same deep understanding of the human psyche, and the same compassion for a people and their struggle that have informed his previous, highly praised works of fiction.

    As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable.  For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. And everywhere there is the anguish of being black in a society that at times seems poised on the brink of total racial war. Overpowering in its vitality, extravagant in the intensity of its feeling, Tell Me How Long the Train's Been Gone is a major work of American literature.

    From the opening "Proem" (prologue poem) he offers in this first book-"I am a Negro: / Black as night is black, / Black the depths of my Africa"-Hughes spoke directly, intimately, and powerfully of the experiences of African Americans, at a time when their voices were newly being heard in our literature. As his Knopf editor Carl Van Vechten wrote in a brief introduction to the original 1926 volume, illuminating the potential of this promising young voice, "His cabaret songs throb with the true jazz rhythm; his sea-pieces ache with a calm, melancholy lyricism; he cries bitterly from the heart of his race...Always, however, his stanzas are subjective, personal" and, he concludes, they are "the expression [of] an essentially sensitive and subtly illusive nature." That illusive nature darts among these early lines and begins to reveal itself, sometimes with shocking confidence and clarity: "Bring me all of your / Heart melodies / That I may wrap them / In a blue cloud-cloth / Away from the too-rough fingers/ Of the world."

    Madu, a young African, is captured by the Elizabethan slave-trader, Sir John Hawkins. Tom Oakley is a young sailor in charge of the slaves. At first the two boys hate each other. But as the story develops their roles are reversed, and each comes to depend on the other more than either would have once thought possible.This is a fast-moving adventure story based around real historical events. History as you never learned it in school!

    Set in the American South in the 1960s it follows Meridian Hill, a courageous young woman who dedicates herself heart and soul to her civil rights work, touching the lives of those around her even as her own health begins to deteriorate. Hers is a lonely battle, but it is one she will not abandon, whatever the costs. This is classic Alice Walker, beautifully written, intense and passionate.

    Sequel to This Can't Be Life

    Originally published in 1946 and hailed by critics as a masterwork, The Street was Ann Petry's first novel, a beloved bestseller with more than a million copies in print. Its haunting tale still resonates today.

    In that instant, the calm existence of this middle-aged New York City man becomes something unrecognizable: he wants revenge, but also something more. Killing Johnny Fry is the story of Cordell's dark, funny, soulful, and outrageously explicit sexual odyssey in search of a new way of life. His guide is a mysterious woman named Sisypha, who leads him deep into the erotic heart of the city.

    Offers a selecttion of the master of human comedy's short stories from the 1930s and 1940s.

    A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community.With elegant, luminous prose, Dorothy West crowns her literary career by illustrating one family's struggle to break the shackles of race and class.