Dispatches from the Edge, Cooper's memoir of "war, disasters and survival," is a brief but powerful chronicle of Cooper's ascent to stardom and his struggle with his own tragedies and demons. Cooper was 10 years old when his father, Wyatt Cooper, died during heart bypass surgery. He was 20 when his beloved older brother, Carter, committed suicide by jumping off his mother's penthouse balcony (his mother, by the way, being Gloria Vanderbilt). The losses profoundly affected Cooper, who fled home after college to work as a freelance journalist for Channel One, the classroom news service. Covering tragedies in far-flung places like Burma, Vietnam, and Somalia, Cooper quickly learned that "as a journalist, no matter ... how respectful you are, part of your brain remains focused on how to capture the horror you see, how to package it, present it to others." Cooper's description of these horrors, from war-ravaged Baghdad to famine-wracked Niger, is poignant but surprisingly unsentimental. In Niger, Cooper writes, he is chagrined, then resigned, when he catches himself looking for the "worst cases" to commit to film. "They die, I live. It's the way of the world," he writes. In the final section of Dispatches, Cooper describes covering Hurricane Katrina, the story that made him famous. The transcript of his showdown with Louisiana Sen. Mary Landrieu (in which Cooper tells Landrieu people in New Orleans are "ashamed of what is happening in this country right now") is worth the price of admission on its own. Cooper's memoir leaves some questions unanswered--there's frustratingly little about his personal life, for example--but remains a vivid, modest self-portrait by a man who is proving himself to be an admirable, courageous leader in a medium that could use more like him. --Erica C. Barnett

     Newbery Honor Book

    And there is never an ordinary day when you've got a best friend like Lena. Hardly a day passes without Trille and Lena inventing some kind of adventure that often ends in trouble. Whether it's coaxing a cow onto a boat or sledding down the steepest and iciest hill with a chicken, there is always a thrill--and sometimes an injury--to be had. Trille loves to share everything with Lena, even Auntie Granny's waffles. But when Lena has to move away and Auntie Granny leaves the world, it sometimes seems like nothing will ever be right again. The warmth of friendship and the support of family suffuse this lightly illustrated novel, proving that when times are tough, a little taste of sweetness can make all the difference.

    He spoke now to the horse, as though he were the one that mattered. "Why, come to think of it, you're just like us, Bub. You're American! That's what you are. American!" In 1791 a Vermont schoolmaster by the name of Justin Morgan comes home with a two-year-old colt named Little Bub. Taken as payment for an outstanding debt, the little colt doesn't seem like he is worth much, but the kindly teacher asks one of his students, Joel Goss, to train him. Joel knows the horse has great potential, and soon word about Little Bub spreads throughout the entire Northeast for his ability to outwork, outrun, outtrot, and outwalk any horse in the area. This is the extraordinary tale of a little workhorse, who, after being born in obscurity, becomes one of the greatest breeding stallions of all time. In this true story Newbery Medal-winning author Marguerite Henry and artist Wesley Dennis celebrate the life of the only horse ever to establish a breed all by himself -- the Morgan.