What else can you say?" - SCOTT MCCLANAHAN, author of Hill William and CrapalachiaAs teenagers, two lovers, Rollo and Ingrid, escape the world as it is known to live underground in a sprawling pillow fort that mirrors the structure of the human brain. Construction of the fort takes 25 years and once complete, their life exists to honor the fort in all it requires. Basal Ganglia begins countless years after they have become enslaved to the fort process. Rollo and Ingrid have lost any connection to their pasts and each other. Nothing exists beyond the patterns required by the fort. In an effort to become more than stasis, Ingrid expresses her desire to have a baby. Not wanting to subject another human to their strange world, she decides she will knit the baby using materials Rollo gathers from the fort. The emergence of this baby leads to paranoia between Rollo and Ingrid with both believing the other means the child harm. Within the confines of their cloistered world, the two engage in psychological warfare, desperately searching for a conclusion they don't understand. As a result, they will find connection with their past, each other and the true nature of their identities.

    Would you even believe me if I did or didn't? Could this paper touch your face? I've spent enough years with my face arranged in books. I've read enough to crush my sternum. In each of the books are people talking, saying the same thing, their tongues thin and white and speckled.I don't want to be here. I want to get older. I want to see my skin go folding over.Someday I plan to die.Books that reappear when you destroy them, lampshades made of skin, people named with numbers and who can't recall each other, a Universal Ceiling constructed by an otherwise faceless authority, a stairwell stuffed with birds: the terrain and populace of Sky Saw is packed with stroboscopic memory mirage. In dynamic sentences and image, Blake Butler crafts a post-Lynchian nightmare where space and family have deformed, leaving the human persons left in the strange wake to struggle after the shapes of both what they loved and who they were.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    As peace settles on the Castle, darkness looms on the horizon and the pain of former lives threatens to destroy the here and now. Delphie, Jill, Jacob, Sandy, Aden and their loved ones come face to face with their worst demons. But this is Denver Cereal. It takes more than a school brawl, a shooting, prison, a vicious beating or even a death to destroy the love and loyalty that unites this extended family of choice. In Cascade, the beloved Denver Cereal characters return. Pooling their skills and abilities, they confront the past before it overwhelms their present. Cascade is the third installment of the Denver Cereal. An Internet sensation, Denver Cereal is a serial fiction grounded in Uptown Denver, Colorado. DenverCereal.com - Crunchy, sweet and always addicting, you deserve a little Denver Cereal in your life.

     BOOK 1 -- When The Serpent Bites "Downright Amazing." ―Bobbie Grob, Readers' Favorite "A fascinating read." ―John Murray, Pacific book review "A plethora of twisted and suspenseful events." ―San Francisco Book Review "An arresting prison tale about penance.” ―Kirkus Reviews Frederick Starks has it all—a gorgeous wife who was his high school sweetheart, three beautiful children, a mansion and cars others envy, millions in the bank, respected in his community, admired by his employees, loved and respected by loyal friends. He revels in the hard-earned power and control he’s acquired. As the saying goes, “All that glitters is not gold,” which Starks discovers when gut-wrenching betrayal by his wife sends him over the edge and into a maximum security prison. There, Starks is a new “fish,” stripped of nearly everything he’s always relied on. In that place, where inmates and guards have their own rules and codes of conduct, Starks is forced to face the darker side of life, and his own darker side, especially when the betrayals, both inside and outside the prison, don’t stop. He must choose which path to follow when the line between right and wrong becomes blurred: one that leads to getting out of the physical and emotional hellhole he finds himself in or one that keeps him alive. BOOK 2 -- When The Dragon Roars "When the Dragon Roars is an absolutely riveting read, full of surprising twists and turns and brilliant writing. The chapters are short; the dialogue realistic; the characters believable and the plot gripping." —Viga Boland, Readers' Favorite "With tight, crisp prose and realistic dialogue, the author keeps the pace of his tome moving at highway speed. His characters are finely etched both physically and emotionally. Clerge knows the story he wants to tell, and he tells it in a way that is both involving and entertaining." —Joe Kilgore, Pacific Book Review "Brimming with twists, turns, and non-stop drama, When The Dragon Roars by Nesly Clerge is a thriller ideal for any fan of prison-noir." —Veronica Alvarado, Bestseller's World Secrets and lies force their way to the surface in Nesly Clerge’s newest novel of deception, crime, and buried history. Frederick Starks thought he’d already lost as much as one man could: A beautiful family, the luxurious life wealth provides, success, admiration—all stripped from him in one moment of madness that resulted in a fifteen-year sentence in a maximum security prison. Certain that life has gotten as bad as it can get, Starks contrives a way to rise to the top of the inmate hierarchy. But his assumption is wrong. Amid stunning revelations, betrayals, and violence, Starks faces one challenge after another, until a life-altering event forces him into the most brutal confrontation of all: the truth about himself.

    Settle down in a magical place that time forgot, where the snow glistens on the frosty ground, the fairy-lights glow like magical stars in the trees and romance blossoms against all the odds.When the new vicar and his family move to Dream Valley just before Christmas, they need a lot of help.Local playboy, the gorgeous Brad Hudson, takes one look at the vicar’s daughter and, he is the first in line.He will do anything to win Dolly’s heart, but having heard of his reputation, her father has other ideas and does everything in his power to tear them apart.Not used to having to work for love, Brad tries his best but he has never come up against a protective father quite like Scott Macmillan.Ex special forces soldier, turned military vicar, he proves a tough adversary.Brad is determined to make Dolly fall in love with him and rises to the challenge until her father reveals his trump card, leaving Brad and Dolly battling to stay together.Will love blossom under the starry skies of winter or will the vicar have his prayers answered and keep his daughter’s heart safe?Curl up with a sweet, delightful romance to brighten your day and discover an array of quirky characters in a place where magic happens and dreams come true.

    Well, according to her twin brother Cole, that is. Cole's resentment toward him has been there for as long as she can remember.So it goes without saying that she needs to stay away from Jake if she wants to keep the peace. That should be easy, right?Except there's one problem: Jake is assigned as her partner for a school paper. And as if that's not enough, she also needs his help to get back in her best friend's good graces.Callie knows that getting close to him is not a good idea. Too bad she's starting to like him...

    

    Fountain’s voice is at once deep and loose, enacting the dawning of spiritual insight, but without leaving the daily world, matching the feeling of the “pure holiness in motherhood” with the “thuds the giant dumpsters make behind the strip mall when they’re tossed back to the pavement by the trash truck.” In these wise, accessible, deeply emotional poems, she captures a contemporary longing for spiritual meaning that’s wary of prepackaged wisdom—a longing answered most fully by attending to the hustle and bustle of everyday life.

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    Krauser's inimitable style is at once richly convoluted and light as air. Krauser has also written the plays Wall Street Made Simple and Horrible Child.

    0-935906-02-9$5.00 / Javan Press

    Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).[source wiki}

    . . . Here, said I, in wild proclamation, is one for history and a half."— Gordon LishFirework is the story of a man who, though ill-equipped to help himself, attempts to help someone else, and the beautifully rendered, perhaps necessary catastrophe that results. Unequaled in intensity and often blackly humorous, it is also an exhilarating expression of the all-too-human impulse to become more than what we seem to be.Eugene Marten is the author of In the Blind and Waste.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."