When his wife proposes that he accompany her to Berlin, where she has been awarded a prestigious arts fellowship, he has his reservations: “I knew every departure is a death, every return a rebirth. Most changes happen unplanned, and they always leave a scar.”In Berlin, Habila’s central character finds himself thrown into contact with a community of African immigrants and refugees whose lives previously seemed distant from his own, but to which he is increasingly drawn. The walls between his privileged, secure existence and the stories of these other Africans on the move soon crumble, and his sense of identity begins to dissolve as he finds that he can no longer separate himself from others’ horrors, or from Africa.A lean, expansive, heart-rending exploration of loss and of connection, Travelers inscribes unforgettable signposts—both unsettling and luminous—marking the universal journey in pursuit of love and home.

    Lined with church thrift stores, boarded windows, and prostitutes leaning against streetlights, the sidewalks were thick with bloody, discarded needles. Today, University Avenue is a bustling commercial center, a hub of Halal butchers, Mexican carnicerias, grocery stores selling delicacies to new arrivals from Ethiopia and Bosnia, Iraq and China. A dying strip of America has been revived by the stateless.As the country's doors are closing and nativism is on the rise, Kao Kalia Yang—herself a refugee from Laos—set out to tell the stories of the refugees to whom University Avenue is now home. Here are people who have summoned the energy and determination to make a new life even as they carry an extraordinary burden of hardship, loss, and emotional damage: Irina, an ex-Soviet, who still hoards magical American fruit—bananas!—under her bed; the Thai brothers of Vinai and their business selling purified water to gullible immigrants; the Kareni boys, who have brought Minnesota to basketball glory.In Yang's exquisite, poetic, and necessary telling, the voices of refugees from all over the world restore humanity to America's strangers and redeem its long history of welcome.

    Despite his opposition to the war, Johnson felt called to civic duty and wanted to help rebuild Iraq.Appointed as USAID’s first reconstruction coordinator in Fallujah, he traversed the city’s IED-strewn streets, working alongside idealistic Iraqi translators—young men and women sick of Saddam, filled with Hollywood slang, and enchanted by the idea of a peaceful, democratic Iraq. It was not to be. As sectarian violence escalated, Iraqis employed by the US coalition found themselves subject to a campaign of kidnapping, torture, and assassination.On his first brief vacation, Johnson, swept into what doctors later described as a “fugue state,” crawled onto the ledge outside his hotel window and plunged off. He would spend the next year in an abyss of depression, surgery, and PTSD—crushed by having failed in Iraq.One day, Johnson received an email from an Iraqi friend, Yaghdan: People are trying to kill me and I need your help. After being identified by a militiaman, Yaghdan had emerged from his house to find the severed head of a dog and a death threat. That email launched Johnson’s now seven-year mission to get help from the US government for Yaghdan and thousands of abandoned Iraqis like him. The List Project has helped more than 1,500 Iraqis find refuge in America. To Be a Friend Is Fatal is Kirk W. Johnson’s unforgettable portrait of the human rubble of war and his efforts to redeem a shameful chapter of American history.

    As a child, he learned English by listening to American pop artists like Michael Jackson and watching films starring action heroes like Arnold Schwarzenegger. When U.S. marines landed in Mogadishu to take on the warlords, Abdi cheered the arrival of these real Americans, who seemed as heroic as those of the movies.Sporting American clothes and dance moves, he became known around Mogadishu as Abdi American, but when the radical Islamist group al-Shabaab rose to power in 2006, it suddenly became dangerous to celebrate Western culture. Desperate to make a living, Abdi used his language skills to post secret dispatches to NPR and the Internet, which found an audience of worldwide listeners. But as life in Somalia grew more dangerous, Abdi was left with no choice but to flee to Kenya as a refugee.In an amazing stroke of luck, Abdi won entrance to the U.S. in the annual visa lottery, though his route to America--filled with twists and turns and a harrowing sequence of events that nearly stranded him in Nairobi--did not come easily. Parts of his story were first heard on the BBC World Service and This American Life. Now a proud resident of Maine, on the path to citizenship, Abdi Nor Iftin's dramatic, deeply stirring memoir is truly a story for our time: a vivid reminder of why western democracies still beckon to those looking to make a better life.

    Their world was an insulated, close-knit community of grass-roofed cottages, cattle herders, and tribal councils. The lions and pythons that prowled beyond the village fences were the greatest threat they knew. All that changed the night the government-armed Murahiliin began attacking their villages.Amid the chaos, screams, conflagration, and gunfire, 5-year-old Benson and 7-year-old Benjamin fled into the dark night. Two years later, Alepho, age 7, was forced to do the same. Across the Southern Sudan, over the next 5 years, thousands of other boys did likewise, joining this stream of child refugees that became known as the Lost Boys. Their journey would take them more than 1000 miles across a war-ravaged country, through landmine-sown paths, crocodile-infested waters, and grotesque extremes of hunger, thirst, and disease. The refugee camps they eventually filtered through offered little respite from the brutality they were fleeing.In They Poured Fire on Us From the Sky, Alepho, Benson, and Benjamin, by turn, recount their experiences along this unthinkable journey. They vividly recall the family, friends, and tribal world they left far behind them and their desperate efforts to keep track of one another. This is a captivating memoir of Sudan and a powerful portrait of war as seen through the eyes of children. And it is, in the end, an inspiring and unforgettable tribute to the tenacity of even the youngest human spirits.

    For the people behind the doors, these uninvited guests were always strangers, and strangers tend to generate fear and anxiety precisely because they are unknown. Today we find ourselves confronted with an extreme form of this historical dynamic, as our TV screens and newspapers are filled with accounts of a 'migration crisis', ostensibly overwhelming Europe and portending the collapse of our way of life. This anxious debate has given rise to a veritable 'moral panic' - a feeling of fear spreading among a large number of people that some evil threatens the well-being of society. In this short book Zygmunt Bauman analyses the origins, contours and impact of this moral panic - he dissects, in short, the present-day migration panic. He shows how politicians have exploited fears and anxieties that have become widespread, especially among those who have already lost so much - the disinherited and the poor. But he argues that the policy of mutual separation, of building walls rather than bridges, is misguided. It may bring some short-term reassurance but it is doomed to fail in the long run. We are faced with a crisis of humanity, and the only exit from this crisis is to recognize our growing interdependence as a species and to find new ways to live together in solidarity and cooperation, amidst strangers who may hold opinions and preferences different from our own.

    Now she connects us with the newest members of the American family--refugees. In cities all over the country, refugees arrive daily. Lost Boys from Sudan, survivors from Kosovo, families fleeing Afghanistan and Vietnam: they come with nothing but the desire to experience the American dream. Their endurance in the face of tragedy and their ability to hold on to the virtues of family, love, and joy are a lesson for Americans. Their stories will make you laugh and weep--and give you a deeper understanding of the wider world in which we live. The Middle of Everywhere moves beyond the headlines into the homes of refugees from around the world. Working as a cultural broker, teacher, and therapist, Mary Pipher has once again opened our eyes--and our hearts--to those with whom we share the future.

    Selected from the archives of Catapult magazine, the essays in A Map Is Only One Story highlight the human side of immigration policies and polarized rhetoric, as twenty writers share provocative personal stories of existing between languages and cultures.Victoria Blanco relates how those with family in both El Paso and Ciudad Juárez experience life on the border. Nina Li Coomes recalls the heroines of Japanese animator Hayao Miyazaki and what they taught her about her bicultural identity. Nur Nasreen Ibrahim details her grandfather’s crossing of the India-Pakistan border sixty years after Partition. Krystal A. Sital writes of how undocumented status in the United States can impact love and relationships. Porochista Khakpour describes the challenges in writing (and rewriting) Iranian America. Through the power of personal narratives, as told by both emerging and established writers, A Map Is Only One Story offers a new definition of home in the twenty-first century.

    Forced to flee the inhumane social policies of their native Ghana, both men separately embarked on perilous odysseys that took them through the jungles and bureaucracies of South and Central America. Like countless immigrants before, they arrived at the United States border with high hopes and the reasonable expectation that their worst days were behind them. But instead of finding asylum and the American Dream, Seidu and Razak became trapped in a nightmare as detainees in a private detention facility where a byzantine and cruel plea process stripped them of their humanity and treated them like criminals simply for wanting the chance at a better life. Unable to return to Ghana and with the rise of anti-immigration sentiment extinguishing any lingering hopes for a happy outcome in the United States, Seidu and Razak set their sights on Canada. Crossing the Canadian border would prove to be riskier and more tragic than anything that came before.Seidu and Razak's perilous journey has already received international media attention for the way it typifies the uncaring and exploitative immigration crisis at our southern border and beyond. With this intimate and heartbreaking account, Joe Meno brings to life the horrors of the global asylum industry, adding a much needed personal dimension to one of the greatest humanitarian concerns the world now faces.

    Lonely and friendless after the death of her father, she finds solace in her first boyfriend, and together they flee across the city when the fighting breaks out. On the same night, Daniel, the son of a colonel, also makes his escape, but finds himself stranded by the River Nile, alone and vulnerable. Lilian is a young mother, who runs for her life holding the hand of her little boy Harmony until a bomb attack wrenches them apart, forcing her to trek on alone.After epic journeys of endurance, their lives cross in Bidi Bidi in Uganda the world s largest refugee camp. There they meet James, a counsellor who helps them to find light and hope in the darkest of places.The End of Where We Begin is a gripping and intimate true life account of three young people whose promising lives are brutally interrupted by war. It documents their heart-breaking and inspiring battle to keep moving on through the extremes of attack, injury, exile and trauma. It is a story of the bonds of community and resilience in adversity a powerful message for our troubled times.

    Around three thousand lost their lives as they crossed the Mediterranean and Aegean in rickety boats provided by unscrupulous traffickers, including over seven hundred men, women, and children in a single day in April 2015.In one of the first works of narrative nonfiction on the ongoing refugee crisis and the civil war in Syria, Cast Away describes the agonizing stories and the impossible decisions that migrants have to make as they head toward what they believe is a better life: a pregnant Eritrean woman, four days overdue, chooses to board an obviously unsafe smuggler’s ship to Greece; a father, swimming from a sinking ship, has to decide whether to hold on to one child or let him go to save another.Veteran journalist Charlotte McDonald-Gibson offers a vivid, on-the-ground glimpse of the pressures and hopes that drive individuals to risk their lives. Recalling the work of Katherine Boo and Caroline Moorehead, Cast Away brings to life the human consequences of one of the most urgent humanitarian issues of our time.

    Her sister, Sabreen, survived a harrowing journey to Italy.Ajida escaped horrific violence, but then found herself battling the elements to keep her family safe in their new makeshift home.Author Malala Yousafzai introduces some of the people behind the statistics and news stories we read or hear every day about the millions of people displaced worldwide.Malala's experiences visiting refugee camps caused her to reconsider her own displacement - first as an Internally Displaced Person when she was a young child in Pakistan, and then as an international activist who could travel anywhere in the world except to the home she loved. In We Are Displaced, which is part memoir, part communal storytelling, Malala not only explores her own story, but she also shares the personal stories of some of the incredible girls she has met on her journeys - girls who have lost their community, relatives, and often the only world they've ever known.In a time of immigration crises, war, and border conflicts, We Are Displaced is an important reminder from one of the world's most prominent young activists that every single one of the 68.5 million currently displaced is a person - often a young person - with hopes and dreams.

    Following in intimate detail the lives of three women from disparate religions and cultures, and nations--Nigeria, Somalia, and Syria--Dalembert compassionately depicts these three women and the bond they form together in their mutual struggle to escape to Europe via an overcrowded, dilapidated boat across the sea, the metaphorical wall between their former lives and the future.Certain to appeal to readers of literature of migration and suchrecent fiction as "Behold the Dreamers" and "The Lost ChildrenArchive."

    They may not get a Christmas miracle but they will definitely have a happy ending. Craig doesn’t want a divorce. He loves his wife and has not ever cheated on her, no matter what she believes. None of that matters because he’s been kicked out of his house and served with divorce papers.Liz is devastated that her husband of twenty-three – she thought – wonderful years of marriage has been cheating on her. And not just with one woman or even two, but an entire sex club full of younger women.

    Our response from our protected European standpoint, argues Slavoj Zizek, offers two versions of ideological blackmail: either we open our doors as widely as possible; or we try to pull up the drawbridge. Both solutions are bad, states Zizek. They merely prolong the problem, rather than tackling it.The refugee crisis also presents an opportunity, a unique chance for Europe to redefine itself: but, if we are to do so, we have to start raising unpleasant and difficult questions. We must also acknowledge that large migrations are our future: only then can we commit to a carefully prepared process of change, one founded not on a community that see the excluded as a threat, but one that takes as its basis the shared substance of our social being.The only way, in other words, to get to the heart of one of the greatest issues confronting Europe today is to insist on the global solidarity of the exploited and oppressed. Maybe such solidarity is a utopia. But, warns Zizek, if we don't engage in it, then we are really lost. And we will deserve to be lost.