The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    The values and morals present in these stories played an important role in the development of the young minds. SO, it is vital to impart moral values to children. We at Maple Press are determined to bring these stories back into the lives of the Gen Z. This book consists interesting & valuable tales of Arabian nights with beautiful illustrations.The little Hunchbacked Man.Strange Dreams,Sharherzade& Shararian are few of the selected stories the book consists. These tales have been read by children all over the world. .These tales were told to sultan Shaharian by princess shaherzade for 1001 nights.

     The six novels, published in order of importance, are: • Nineteen Eighty-Four (the most important dystopian novel ever written, together with Huxley's Brave New World, and Zamyatin's "We" • Animal Farm (1945) • Burmese Days (1934) • Coming Up for Air (1939) • A Clergyman's Daughter (1935) • Keep the Aspidistra Flying (1936) His three non fiction books are: • Homage to Catalonia (1938), about the Spanish Civil War. • Down and Out in Paris and London (1933) The last book of the collection is called "ESSAYS: From Hitler, Franco & the Atomic Bomb; to Tolstoi, Dickens & Twain". Orwell was an acclaimed analyst of his country's reality during World War II and beyond (including the beginning of the cold war), which he reflects in his many articles and pamphlets collected in this book. He also did very deep literary and personal analysis of men like Mark Twain, Adolf Hitler, or even Tolstoi. The following is the list of essays. 1. THE SPIKE 2. A HANGING (1931) 3. BOOKSHOP MEMORIES (1936) 4. SHOOTING AN ELEPHANT (1936) 5. SPILLING THE SPANISH BEANS (1937) 6. MARRAKECH (1939) 7. BOYS' WEEKLIES AND FRANK RICHARDS'S REPLY (1940) 8. CHARLES READE (1940) 9. THE ART OF DONALD MCGILL (1941) 10. WELLS, HITLER AND THE WORLD STATE (1941) 11. RUDYARD KIPLING (1942) 12. MARK TWAIN–THE LICENSED JESTER (1943) 13. POETRY AND THE MICROPHONE (1943) 14. W B YEATS (1943) 15. ARTHUR KOESTLER (1944) 16. BENEFIT OF CLERGY: SOME NOTES ON SALVADOR DALI (1944) 18. ANTISEMITISM IN BRITAIN (1945) 19. FREEDOM OF THE PARK (1945) 20. FUTURE OF A RUINED GERMANY (1945) 21. GOOD BAD BOOKS 22. NONSENSE POETRY 23. NOTES ON NATIONALISM (1945) 24. REVENGE IS SOUR (1945) 25. THE SPORTING SPIRIT 26. YOU AND THE ATOMIC BOMB (1945) 27. A GOOD WORD FOR THE VICAR OF BRAY 28. A NICE CUP OF TEA (1946) 29. BOOKS VS. CIGARETTES 30. CONFESSIONS OF A BOOK REVIEWER 31. DECLINE OF THE ENGLISH MURDER 32. HOW THE POOR DIE 33. PLEASURE SPOTS 34. POLITICS AND THE ENGLISH LANGUAGE 35. SOME THOUGHTS ON THE COMMON TOAD 36. THE PREVENTION OF LITERATURE 37. WHY I WRITE (1946) 38. LEAR, TOLSTOY AND THE FOOL 39. SUCH, SUCH WERE THE JOYS (1947) 40. WRITERS AND LEVIATHAN (1948)

    To say the least. She calls Sweet Meadow, Georgia, home, where she works for her father doing auto repairs. She also drives the tow-truck, although Sweet Meadow's rather colorful denizens tend to treat Bertie more like the local, free taxi service. You know, someone has to get to a doctor's appointment or pick something up at the dry cleaners. Bertie's favorite day of the week is Friday, when she leaves the wrecker with her father for the whole weekend and joins her friends at the Dew Drop Inn for a night of dancing. Her best friend, Mary Lou, sometimes fixes her up with dubious dates, although Bertie has to remind her friend not to tease her hair too high for those occasions. Like the time when they went to Carrie Sue's open house, and a ceramic cow with angel wings hanging from a ceiling fan locked its hooves into Bertie's big hair and refused to let go. She had to wear it all night, dangling chain and all. Bertie's nearly perfect life is about to take a downhill turn, however. It starts when her landlord, Pete, currently a resident in a nearby nursing home, starts showing up at her house. In his birthday suit. A very badly wrinkled birthday suit. And then she goes to her mailbox, a rubber large mouth bass, and finds a notice from the zoning commission saying she can no longer park the wrecker in her driveway. The notice is signed by George Bigham. But when she goes to the courthouse to take care of her little problem, it is only to discover George Bigham is deceased. And Mary Lou's pregnancy test just came up positive. Can it get any worse? In a word... yes.

    From the foothills of North Carolina to the mountains of West Virginia, Birdie weaves her story with homespun simplicity, creating a tapestry that vibrates with the colors and textures of her life and times, spinning a tale from the years before the Great Depression on up through the end of World War II. Enthralled by her first taste of womanhood, she follows her heart with the man of her dreams, only to find that life is not fair. Or perfect. Or easy. Will she find the courage to risk everything in order to reclaim what she once had?

    well, almost. As Christmas rolls round once again, she longs for a child of her own to share it with. In a town where Christmas is big business all year round, it turns out Santa Claus isn’t the only one with mysterious powers. When a psychic reveals that the answer to her future will come in red and white, Kate follows this sign. It leads her to disastrous dating agencies and demoralising dead-ends until, finally, the answer seems to be revealed. But will her search for the missing piece of her family mean she doesn't recognise the one person who's loved her from the start? Or can Kate really have it all in time for the perfect Christmas?

    By the end of the Second World War, however, the reputation of both novels had grown and Faulkner's great fictional creation, Yoknapatawpha County, had become as much a part of America as any real area of the Mississippi landscape. This "Guide" explores the wealth of critical material generated by these two exceptional works of modernist fiction. From the initially mixed critical responses to the novels in the early 1930s, the "Guide" follows the enormous growth of interest in Faulkner's work across six decades. New writings shaped by a range of critical theories are discussed, offering the reader a clear view of the place now given to one of America's most innovative and influential novelists.

    Another brilliant political adventure from the co-host of BBC’s NewsnightThe Anglo-American ‘Special Relationship’ is in deep trouble. The ambitious vice-president, Bobby Black, who wields greater influence over foreign affairs than his titular boss has fallen out with the British PM. The young British Ambassador to Washington knows he must step in. He is in a delicate position however – with the expectations of the British Government on him, as well as those of his father-in-law, the PM.In a bid to orchastrate some good PR, Black is invited to England, accompanied by a plane load of assistants and CIA security. Guided by his aristocratic host, he goes out to the moors–and disappears. He is not seen again until humilating photographs begin to appear, and then again, silence.The Americans are outraged that their VP has gone missing on British soil and the relationship between the two countries seem irrevocably damaged. But what can be done? Missing but not confirmed dead is a consitutional grey area, and should Black reappear, can he ever be trusted again?

    

    Have these knots in my stomach. But drinking isn’t an option. Maa is sleeping with me. Baba in Lalitaji’s room. And she on the sofa. Want to step into the toilet, take one swig, and then go directly to sleep. How the hell will Maa know? I mean she’s sleeping like a log. No, no, shouldn’t. What if she wakes up? She’s a light sleeper, after all.11.30 pm: No wine. Or vodka. Terrible, terrible night. When will they go back to Kolkata and let me be?11.32 pm: Chhi . . .Chhi . . . How selfish am I? My parents, one with a heart condition, spent thousands on flight tickets and landed in Chennai. Why? Because they wanted to spend time with their widowed daughter. And what does the daughter want? To sneak into the toilet and take one good swig of wine. Shame on her! Okay, now I’m being over-dramatic.Meet Madhubala Ray a thirty-year-old brand-spanking-new widow in Chennai.She lives with her seventy-year-old mostly-silent MIL—whose name she can’t remember, teaches Social Science to bratty teenagers, and suddenly has a life filled with unpredictable men, catty colleagues, a bisexual best friend, and . . . heart-wrenching memories of her late husband.How does she deal with all of that?By baring it all, in her diary. Join this oddball-widow who always keeps it real as she gives an honest account of a young North Indian working woman in Chennai, who tries to survive a tragedy through wine and vodka, her quirky sense of humour, and refuses to give up on love. Despite its oddities. The question is: does she survive and find love, again?Secret Diary of an Incurable Romantic is a story that is brutally honest, funny, romantic and liberating. It’s a slice of life, you wouldn’t want to miss.

    There they meet the same crowd, and take up where they left off last time. Real life, home life, family life, are all safely left behind.Except this year. This year, home problems have somehow tagged along for the ride. Ned has been playing away -­ a bit of a drunken fling, that's all, nothing to worry about, Beth thinks.But although they have put it all behind them, what Beth doesn't know is that Ned's fling was with the female half of one of the couples they are holidaying with.To make matters worse, Beth has insisted on bringing along their sixteen-year-old daughter Delilah, who¹s been ill and needs rest and sunshine. Not so ill, however, that she can't look around for some entertainment...

    She's adopted, but her new father can't warm to her, and her mother can't succeed in turning the plain, unresponsive child into the little princess she longs for. When her adoptive mother dies, her greedy aunt takes her in, but hers is not a happy home, and soon Rebecca's life is worse than ever. She longs to escape to the circus that visits her town, with its carefree life and freedom from her past - but will she ever find happiness?

    Revenge, justice, loyalty, lies, love, anger and an identity crisis. Turns out, the new chauffeur is not her only driver...so buckle up and enjoy the ride.

    A high-flying criminal defense attorney, she's smart, independent, and living in the fastest lane of all - New York City. The more she drives herself in her career, the more she can forget her tragic past... until a manila envelope arrives one day with strange and unexpected news.Alyssa is forced to leave the city behind for a small seaside town called Clearwater Bay, where she'll find a deepening well of mystery. And a handyman whose gentle eyes seem to be calling her home...In the first instalment of “The Beach House” series, Alyssa has to keep reminding herself that she doesn't need anyone. Not a mysterious late relative, not her peppy assistant, and definitely not alluring Liam Carter...

    She was lonely and unsettled - her parents had been killed in a car accident, her boyfriend had decided to go back to his wife, and as a painter she led a solitary life in her North Yorkshire home town. But she felt immediately at home in the gracious stone house that had been bequeathed to her, and was made welcome by the local residents - in particular, by the members of the Mindon Amateur Dramatic Society (somewhat appropriately known as MADS) presided over by the formidable Ursula. Ursula liked to run things her way, and brooked no opposition when the ambitious decision was made (largely by herself) to put on A Midsummer Night's Dream as their next production. Petra , to her surprise and pleasure, was put in charge of the wardrobe. Rivalries, squabbles, love affairs and seething resentments threatened to scupper the production, and all Ursula's managerial skills were needed to prevent disaster. But Petra had more pressing things on her mind than the costumes for the cast. A mystery from her past began to haunt her - and the answer to that mystery might solve the puzzle of why she had been left such a beautiful house by a total stranger.