Through the events of her twenty-fifth birthday, decades of pain and betrayal build to a devastating, deadly climax.

    A fascinating collection of six essays, written for the William Empson Lectures in Oxford, each exploring an aspect of writerly contemplation.

    Over the weeks leading up to this upheaval, she talks often with her psychiatrist Dr Grene, and their relationship intensifies and complicates.Told through their respective journals, the story that emerges is at once shocking and deeply beautiful. Refracted through the haze of memory and retelling, Roseanne's story becomes an alternative, secret history of Ireland's changing character and the story of a life blighted by terrible mistreatment and ignorance, and yet marked still by love and passion and hope.

    Fired up by John Paul II’s appearance in Phoenix Park, she sprinkles Papal-blessed holy water on the marital bed of her son and daughter-in-law, and leaves them to get on with things. But nine months later her daughter-in-law dies in childbirth and Granny Doyle is left bringing up four grandchildren: five-year-old Peg, and baby triplets Damien, Rosie and John Paul.Thirty years later, it seems unlikely any of Granny Doyle’s grandchildren are going to fulfil her hopes. Damien is trying to work up the courage to tell her that he’s gay. Rosie is a dreamy blue-haired rebel who wants to save the planet and has little time for popes. And irrepressible John Paul is a chancer and a charmer and the undisputed apple of his Granny’s eye – but he’s not exactly what you’d call Pontiff material.None of the triplets have much contact with their big sister Peg, who lives over 3,000 miles away in New York City, and has been a forbidden topic of conversation ever since she ran away from home as a teenager. But that’s about to change.

    They live with their Ma and Da in a Dublin tower block called Bojaxhiu or 'the Jax'. It's not an easy place to be a kid, especially when your father, Frank, is the muscle for the notorious gang leader Dessie 'The Badger' Murphy. But whether it's daytrips to the beach or drawing secret sketches, Joe works hard to show Finn life beyond the battered concrete yard below their flat.Joe is determined not to become like his Da. But when Finn falls ill, Joe finds his convictions harder to cling to. With his father now in prison, his mother submerged in her grief, and his relationships with friends and classmates crumbling, Joe has to figure out how to survive without becoming what the world around him expects him to be.

    The perfect couple in every way, Stella appears to have it all. Next door, at number 72 however, lives Rea Brady. Gruff, bad-tempered and rarely seen besides the twitching of her net curtains, rumour has it she’s lost it all…including her marbles if you believe the neighbourhood gossip.But appearances can be deceiving and when Stella and Rea’s worlds collide they realise they have much in common. Both are trapped in a prison of their own making.Has help been next door without them realising it? With the warmth and wit of Maeve Binchy and the secrets and twists of Liane Moriarty, this is the utterly original and compelling new novel from Irish Times bestseller Carmel Harrington. Praise for The Woman at 72 Derry Lane: ‘I both cried and laughed…one of the best books I have ever read’ Woman’s Way‘Both heart-wrenching and uplifting. The perfect summer read’ Irish Times bestseller Fionnuala Kearney

    Popular Irish comedian Brendan O'Carroll chronicles the comic misadventures of this large and lively family with raw humor and great affection. Forced to be mother, father, and referee to her battling clan, the ever-resourceful Agnes Browne occasionally finds a spare moment to trade gossip and quips with her best pal Marion Monks (alias "The Kaiser") and even finds herself pursued by the amorous Frenchman who runs the local pizza parlor. Like the novels of Roddy Doyle, The Mammy features pitch-perfect dialogue, lightning wit, and a host of colorful characters. Earthy and exuberant, the novel brilliantly captures the brash energy and cheerful irreverence of working-class Irish life.

    And so her mother outfits Grace in men's clothing and casts her out. When her younger brother Colly follows after her, the two set off on a life-changing odyssey in the looming shadow of the Great Famine.To survive, Grace will become a boy, a bandit, a penitent and finally, a woman. A meditation on love, life and destiny, Grace is an epic coming-of-age novel, and a poetic evocation of the Irish famine as it has never been written.

    Gavin Burke is a young citizen of Belfast with Nationalist heritage and a desire to join the ARP during WWII. Against his family’s wishes, he leaves Belfast, admitting that “War was freedom, freedom from futures” – a nod to the stagnant religious pressures that existed in Northern Ireland since the Partition of Ireland in 1921. Moore, too, left Belfast in 1943 to join the British Ministry of War Transport and worked for a period with the ARP. The novel takes you through Gavin’s journey as he grows up in a city that restricts him, realising that his presupposed enemies were his only opportunity to escape.

    The matter: a deadly betrayal, unspoken and unspeakable, born of political enmity. As the boy listens through the silence that surrounds him, the truth spreads like a stain until it engulfs him and his family. And as he listens, and watches, the world of legend--the stone fort of Grianan, home of the warrior Fianna; the Field of the Disappeared, over which no gulls fly--reveals its transfixing reality. Meanwhile the real world of adulthood unfolds its secrets like a collection of folktales: the dead sister walking again; the lost uncle, Eddie, present on every page; the family house "as cunning and articulate as a labyrinth, closely designed, with someone sobbing at the heart of it."Seamus Deane has created a luminous tale about how childhood fear turns into fantasy and fantasy turns into fact. Breathtakingly sad but vibrant and unforgettable, Reading in the Dark is one of the finest books about growing up--in Ireland or anywhere--that has ever been written.

    It tells the woeful tale of a group of 'fallen' women who have had their babies snatched from them at birth to be given up for adoption, and their wretched lives of drudgery earning their keep in the laundry.

    Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves.   In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.

    But it is also much more than that: in talk and writing, in music and images, in film and television, genres actively generate and shape our knowledge of the world. Understanding genre as a dynamic process rather than a set of stable rules, this book explores:*the relation of simple to complex genres*the history of literary genre in theory*the generic organisation of implied meanings*the structuring of interpretation by genre*the uses of genre in teaching.John Frow’s lucid exploration of this fascinating concept will be essential reading for students of literary and cultural studies.

    A brand new literary title in the renowned graphic novel-style of the Introducing Graphic Guide series.From Plato to Virginia Woolf, Structuralism to Practical Criticism, Introducing Literary Criticism charts the history and development of literary criticism into a rich and complex discipline.Tackling disputes over the value and meaning of literature, and exploring theoretical and practical approaches, this unique illustrated guide will help readers of all levels to get more out of their reading.Owen Holland is a doctoral student at St Catharine's college, Cambridge, where he teaches the history of literary criticism.

    Now I hear since the Free State came in there is less freedom. The Church has made inroads everywhere, so that we are in fact becoming a bourgeois nation, with the Church supplying our aristocracy, and I do not see much hope for us intellectually. Once the Church is in command she will devour everything.’ -James Joyce in conversation with Arthur Power. This is the first paperback edition of Arthur Power’s unique and fascinating account of his friendship with James Joyce during the 1920s. Power, a young Irishman working as an art critic in Paris, first met Joyce in a Montparnasse dancehall, and the two men maintained a prickly friendship for several years. Power re-creates his conversations with the master, on a remarkable range of topics, literary and otherwise. We read of Joyce’s thoughts on writers past and present: Synge, Ibsen, Hardy, Turgenev, Tolstoy, Chekhov, Dostoevsky, Gide, Proust, T.S. Eliot, Tennyson and Shakespeare. Joyce also speaks of the looming might of America (‘Political influence, yes, but not cultural’); of religion (‘Do you believe in a next life?’ ‘I don’t think much of this life’); and of his own work.