Richard Mahony, despite finding initial contentment with his wife Mary, becomes increasingly dissatified with his ordered life. His restlessness is not understood by Mary, who has to endure the constant shattering of her security as Richard desperately attempts to free himself; his attempts finally plunge them into poverty. In the figure of Richard Mahony, Richardson captures the soul of the emigrant, ever restless, ever searching for some equilibrium, yet never really able to settle anywhere. Richard’s search, though, is also the more universal one for a meaning that will validate and give purpose to his existence.

    Sam has to learn how to live with his silent, hitherto absent father, who decides to make a man out of his son by taking him to work at Tangalooma, then the largest whaling station in the southern hemisphere. What follows is the devastatingly beautiful story of a gentle boy trying to make sense of the terrible reality of whaling and the cruelty and alienation of his new world, the world of men. Set around Moreton Island and Noosa in 1961, To Become a Whale is an extraordinarily vivid and haunting novel that reads like an instant classic of Australian literature. There are echoes of Craig Silvey, Favel Parrett, Tim Winton and Randolph Stow in this moving, transformative and very Australian novel.'Hobson takes us to the depths of cruelty to show us life. A boy tries to be a man, a man tries to be a father, and both struggle to navigate what it means to be men. A great study in masculinity.'WILLY VLAUTIN, author of Lean on Pete and The Free'A powerful tale of fathers and sons and all that can't be spoken between them. The writing is honest, rich and clean, and it made me feel so much. Too many writers fuss things up, but Ben tells it simply, which is so affecting.'SOFIE LAGUNA, author of Miles Franklin-winning The Eye of the Sheep

    The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolo' Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

    But it is. And it is nothing like I expected.'There was a short time in Australia's European history when two women wielded extraordinary power and influence behind the scenes of the fledgling colony.One was Elizabeth Macquarie, the wife of the new governor Lachlan Macquarie, nudging him towards social reform and magnificent buildings and town planning. The other was Elizabeth Macarthur, credited with creating Australia's wool industry and married to John Macarthur, a dangerous enemy of the establishment.These women came from strikingly different backgrounds with husbands who held sharply conflicting views. They should have been bitter foes. Elizabeth & Elizabeth is about two courageous women thrown together in impossible times.Borne out of an overriding admiration for the women of early colonial Australian history, Sue Williams has written a novel of enduring fascination.

    She's breathing gently, long slow breaths. I imagine her soul going in and out: wanting to leave, wanting to come back, wanting to leave, wanting to come back. The day will soon harden into what we need to do. But for now we have each other. . . ."He met Candy amid a lush Sydney summer. Gorgeous, sexy, free-spirited Candy. They fell in love fast, lots of laughter and lust, the days melting warmly into each other. He never planned to give her a habit. But she wanted a taste. And wasn't love, after all, about sharing lives? Candy had a bit of money and in the beginning, everything was beautiful. Heady, heroin-hazed days, the world open and inviting. But when the money ran out, the craving remained, and the days ceased their luxurious stretch.But there was still love. Only now, it was a threesome. Heroin had its own demands, its own timetable, and thoughts of nabbing the next fix hurled them into each day. Then, when desperation sets in, Candy will stop at nothing to secure a blast, as she and her lover become hostage to the nightmarish world of addiction. Painful, sexy, tender, and charged with dark humor, Candy provocatively charts the daily rituals of two lovers maintaining a long-term junk habit. Told in stunningly vivid prose and set against the backdrop of suburban and urban Australia, Candy is both an electrifying and frightening glimpse of contemporary life and love.

    That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams.The Guidebook’s missives have remained a constant in Abi’s life—a befuddling yet oddly comforting voice through her family’s grief over her brother’s disappearance, a move across continents, the devastating dissolution of her marriage, and the new beginning as a single mother and café owner in Sydney.Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse. If Everything is Connected, then surely the twin mysteries of the Guidebook and a missing brother must be linked?What follows is completely the opposite of what Abi expected––but it will lead her on a journey of discovery that will change her life––and enchant readers. Gravity Is the Thing is a smart, unusual, wickedly funny novel about the search for happiness that will break your heart into a million pieces and put it back together, bigger and better than before.

    Richard Derrington's doing it tough.Since Anna trashed him his job seems pointles, Tuesday seems moderately fucked by ten, his tennis appalling.....long periods of complete crap, punctuated by flashes of very random glory and the future bleka.This is a hiatus? There I was thinking I was sinking and it's just a hiatus.Apart from his friens, the only thing keeping Richard going is his wicked sense of humour.Then things look up.

    Sybylla rejects the opportunity to marry a wealthy young man in order to maintain her independence. As a consequence she must take a job as a governess to a local family to which her father is indebted. "My Brilliant Career" is an early romantic novel by this popular Australian author.

    He can’t have been much of a husband to Trudy, either, judging by her sudden departure. It’s only when she returns, pregnant to someone else, that he discovers his surprising talent as a father. So when Trudy finds Jesus and takes little Peter away with her to join the holy rollers, Tom’s heart breaks all over again.Enter Hannah Babel, quixotic smalltown bookseller: the second Jew—and the most vivid person—Tom has ever met. He dares to believe they could make each other happy. But it is 1968: twenty-four years since Hannah and her own little boy arrived at Auschwitz. Tom Hope is taking on a batttle with heartbreak he can barely even begin to imagine.

    When a lethal bushfire tore through Myrtle, nestled in Victoria's breathtaking Otway Ranges, the town's buildings - and the lives of its residents - were left as smouldering ash. For three women in particular, the fire fractured their lives and their relationships.Eighteen months later, with the flurry of national attention long past, Myrtle stands restored, shiny and new. But is the outside polish just a veneer? Community stalwart Julie thinks tourism could bring back some financial stability to their little corner of the world and soon prods Claire, Bec and Sophie into joining her group. But the scar tissue of trauma runs deep, and as each woman exposes her secrets and faces the damage that day wrought, a shocking truth will emerge that will shake the town to its newly rebuilt foundations...With her sharp eye for human foibles, bestselling author Fiona Lowe writes an evocative tale of everyday people fighting for themselves, their families and their town - as only this distinctively Australian storyteller can.

    Both the book and the film have achieved a cult status as the Australian answer to US and UK novels and films of 1960s youthful alienation. It is the gruelling story of a young Australian schoolteacher on his way back from the outback to Sydney and civilization when things start to go wrong. He finds himself stuck overnight in Bundanyabba, a rough outback mining town. An ill-advised and drink-fuelled visit to a gambling den leaves Grant broke and he realizes he has no way of escaping. He descends into a cycle of hangovers, fumbling sexual encounters, and increasing self-loathing as he becomes more and more immersed in the grotesque and surreal nightmare that his life has become.

    This is the Pilbara. And it’s the Pilbara that makes the rules’Lena Todd is a city girl who thrives on cocktails and cappuccinos. So when her boss announces he’s sending her to the outback to join a construction team, her world is turned upside down.Lena’s new accommodation will be an aluminium box called a dongar.Her new social network: three hundred and fifty men.Her daily foot attire: steel-capped boots.Unfortunately, Lena can’t refuse. Mistakes of the past are choking her confidence. She needs to do something to right those wrongs and prove herself. Going into a remote community might just be the place to do that, if only tall, dark and obnoxious Dan didn’t seem so determined to stand in her way ...

    After the departure of the woman he loves, Frank drives out to a shack by the ocean that he had last visited as a teenager. There, among the sugarcane and sand dunes, he struggles to rebuild his life. Forty years earlier, Leon is growing up in Sydney, turning out treacle tarts at his parents' bakery and flirting with one of the local girls. But when he's drafted to serve in Vietnam, he finds himself suddenly confronting the same experiences that haunt his war-veteran father. As these two stories weave around each other - each narrated in a voice as tender as it is fierce - we learn what binds Frank and Leon together, and what may end up keeping them apart.

    While she′s grown up surrounded by Lebanese friends, Lebanese neighbours and Lebanese shops, she knows there′s more to life than Samboosik and Baklawa, and she desperately wants to find it.Unfortunately, her father has antiquated ideas about women, curfews and the Lebanese ′way′. Bad news for Sophie, who was hoping to spend Year 12 fitting in and having fun - not babysitting her four younger siblings, or studying for final exams that will land her in an Accounting course she has no interest in.Just when it looks like Sophie′s year couldn′t get any more complicated, Shehadie Goldsmith arrives at school. With an Australian father and a Lebanese mother, he′s even more of a misfit than Sophie. And with his arrogant, questioning attitude, he also has a way of getting under her skin...But when simmering cultural tensions erupt in violence, Sophie must make a choice that will threaten her family, friends and the cultural ties that have protected her all her life.Are her hates and complaints worth it? Or will she let go ... and somehow find her place?

    Bila Yarrudhanggalangdhuray is one of those books – a novel that turns Australia’s long-mythologised settler history into a raw and resilient heartsong.' – Guardian ***2021 ARA HISTORICAL NOVEL PRIZE SHORTLIST*** ***2022 INDIE BOOK AWARDS LONGLIST*** ***2022 VICTORIAN PREMIER'S LITERARY AWARDS HIGHLY COMMENDED*** _______________________________________________ Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai. When she meets Wiradyuri stockman Yindyamarra, Wagadhaany’s heart slowly begins to heal. But still, she dreams of a better life, away from the degradation of being owned. She longs to set out along the river of her ancestors, in search of lost family and country. Can she find the courage to defy the White man’s law? And if she does, will it bring hope ... or heartache?Set on timeless Wiradyuri country, where the life-giving waters of the rivers can make or break dreams, and based on devastating true events, Bila Yarrudhanggalangdhuray (River of Dreams) is an epic story of love, loss and belonging.Praise for Bila Yarrudhanggalangdhuray (River of Dreams) 'Heiss fuses fiction with realism, conjuring a resonance still felt in Blak struggle today ... packs heart into every page.' – Saturday Paper 'Tells a powerful and affecting tale of Aboriginal people's identity, community and deep connection to country.’ – Canberra Times ' A profoundly moving showcase of Heiss’ skill ... Intimate, reflective, and impossible to put down.’  – The AU Review ‘Engrossing and wonderful storytelling. I really loved these strong, brave Wiradyuri characters.’ – Melissa Lucashenko ‘A powerful story of family, place and belonging.’ – Kate Grenville ‘A remarkable story of courage and a love of country ... Anita Heiss writes with heart and energy on every page.’ – Tony Birch'It is a love story, a story of loss, a hopeful story. The river is a guide, but you have to be open to its spiritual lessons.' – Terri Janke ‘Anita Heiss is at the height of her storytelling powers in this inspiring, heart-breaking, profound tale.’ – Larissa Behrendt 'The novel flows like the great Murrumbidgee River itself, with powerful undercurrents that sweep the reader along - I feel it's a book that all Australians should read, to try and understand why our colonial past still causes so much pain and grievance.’ – Kate Forsyth