While avoiding the tabloids and pretending she’s just fine, she’s crumbling inside, desperate for him to come to his senses and for life to go back to normal.Zennie’s breakup is no big loss. Although the world insists she pair up, she’d rather be surfing. So agreeing to be the surrogate for her best friend is a no-brainer—after all, she has an available womb and no other attachments to worry about. Except…when everyone else, including her big sister, thinks she’s making a huge mistake, being pregnant is a lot lonelier—and more complicated—than she imagined.Never the tallest, thinnest or prettiest sister, Ali is used to being overlooked, but when her fiancé sends his disapproving brother to call off the wedding, it’s a new low. And yet Daniel continues to turn up “for support,” making Ali wonder if maybe—for once—someone sees her in a way no one ever has.But side by side by side, these sisters will start over and rebuild their lives with all the affection, charm and laugh-out-loud humor that is classic Susan Mallery.

    For a while, she found a safe haven in her marriage to bestselling crime novelist Stephen Ludlow—until his car skidded into Echo Bay. But Stephen’s wasn’t the only body pulled from the icy waters that night. When details about a mysterious violet-eyed blonde become public, a media circus ensues, and Christy-Lynn runs again.Desperate for answers, she’s shattered to learn that Stephen and his mistress had a child—a little girl named Iris, who now lives in poverty with her ailing great-grandmother. The thought of Iris abandoned to the foster care system—as Christy-Lynn once was—is unbearable. But she’s spent her whole life running—determined never to be hurt again. Will she finally stand still long enough to open herself up to forgiveness and love?

    I’m thirty-six years old. It’s September. I know what I’m doing and why I am here…for now.Ten years ago, Claire Hines lost her unborn child—and her short-term memory—following a heartrending tragedy. With notebooks, calendars, to-do lists, fractured pieces of the past, and her father’s support, Claire makes it through each day, hour by hour, with relative confidence. She also has a close-knit community of friends in the remote Alaskan town where she teaches guitar to the local children. It’s there, in the reminders.As determined as Claire is to regain all that’s disappeared, she’d prefer to live without some memories of her before life—especially those of her mother, Alice, who abandoned her, and Tate, the ex-boyfriend who broke her heart.But when Alice and Tate return from the past, there’ll be so much more for Claire to relive. And to discover for the very first time. Through healing, forgiveness, and second chances, Claire may realize that what’s most important might not be re-creating the person she was, but embracing the possibilities of being the person she is.

    Louis. It’s not bad for a woman who drove away from her entire life just two years ago when she found her husband entwined with a red-headed artist. Sure, Elly has an embarrassingly beautiful best friend, a terribly behaved sheepdog and a sarcastic assistant who she simply calls “Snarky Teenager”, but overall her days are pleasantly uneventful. As a bonus, her new next door neighbor just happens to be an unnervingly handsome musician who has an eye for curvy Elly. Just when she feels that she is finally moving on from her past, she discovers that an extravagant wedding contract, one that could change her financial future, is more than she bargained for. With the help of her friends, staff and the occasional well-made sandwich, Elly bravely agrees to take on the event that threatens to merge her painful history with her bright new life, and finds herself blooming in a direction she never imagined. Elly’s voice, both charming and hilarious, will appeal to those readers who have been looking for a new voice in chick-lit, and will give women of all sizes the realistic heroine they’ve been waiting for.

    Thirteen days before she came into the world, her father walked up the road and never came back.Now in her twenties, Dara's life has a careful routine. She lives in Dublin with her mother and sister Angel. She has pizza with friends every Wednesday, salsa class every Friday, and sees her boyfriend every Saturday. It's safe and that's the way she likes it.Then Angel gets desperately sick and Dara's ordered life falls apart. Neither she nor her mother is a compatible match for the kidney Angel needs. So Dara sets out to find the father who could be their last hope. But on the path to uncovering the truth about her father, Dara learns that to let life - and love - in, sometimes you just have to let go . . .

    It was a big mistake. His sister has been steadily flushing his money down the drain – and now he wants it back. Years in the special forces taught Lake that if you want a job done, do it yourself. So he steps in to make the shop profitable, sell it and get his money back. The only problem is, the business is an underwear shop. And all Lake knows about underwear can be summed up in how fast he can unsnap a bra. To make matters worse, the tiny highland town already has a lingerie shop. A successful one, run by an ex-lingerie model. A very gorgeous ex-lingerie model, who’s distracting him from his mission more than he’d like to admit. If Lake wants to get his savings back, and get out of Scotland, he only has one option – wipe out the competition. Kirsty Campbell has spent years rebuilding her life after she woke up in hospital in Spain to find her body scarred, and her ex-fiance had run off with all her money. The last thing she needs is a cocky, English soldier-boy trying to ruin all she has left. Her home town is only too happy to help her fight the latest English invasion, although Lake is beginning to sway them with his sex appeal and cut price knickers. With the help of her mother, and the retired ladies of Knit or Die, Kirsty sets about making sure that her shop is the last one standing in Invertary.It’s Scotland versus England as you’ve never seen it before. It’s lingerie war.This is Book 1 in the Invertary series. Book 2 is Goody Two Shoes.

    Now she's alone at age thirty-two. And she weighs more than she ever has. When fate throws her in the path of Logan Montgomery, personal trainer to pro athletes, and he offers to train her, Holly concludes it must be a sign. Much as she dreads the thought of working out, Holly knows she needs to put on her big girl panties and see if she can sweat out some of her grief. Soon, the easy intimacy and playful banter of their training sessions lead Logan and Holly to most intense and steamy workouts. But can Holly and Logan go the distance as a couple now that she's met her goals--and other men are noticing?

    She is a successful surgeon, is married to a handsome cardiologist, and has a model teenage son who is only months away from going off to college.But then one fateful night, everything changes. When a drunk driver hits her car, Abbie is rushed to the hospital. She survives, but the accident forces unimaginable secrets out into the open and plagues Abbie with nightmares so vivid that she starts to question her grip on reality. Her perfect life begins to crack, and those cracks threaten to shatter her world completely.The search for answers will test her strength in every way—as a wife, a career woman, and a mother—but it may also open the door for Abbie to move forward, beyond anger and heartbreak, to find out what she is truly made of. In learning to heal and trust again, she may just find new hope in the spaces left behind.

    Twenty years later, they gather around a campfire on the lawn of a New England mansion. What happens in between-the web of wild adventures, unspoken jealousies, and sudden tragedies that alter the course of their lives-is charted with sharp wit and aching sadness in this meticulously constructed novel.Anna, the de facto leader, is fearless and restless-moving fast to stay one step ahead of her demons. Quirky, contemplative Kate is a natural sidekick but a terrible wingman ("If you go home with him, might I suggest breathing through your mouth"). And then there's George: the most desired woman in any room, and the one most likely to leave with the worst man.Shot through with the crackling dialogue, irresistible characters, and propulsive narrative drive that make Lutz's books so beloved, How to Start a Fire pulls us deep into Anna, Kate, and George's complicated bond and pays homage to the abiding, irrational love we share with the family we choose.

    Like so many other recent graduates, Dawn West is trying to make her way in New York City. She's got an ex-boyfriend she can't quite stop seeing, a roommate who views rent checks and basic hygiene as optional, and a writing career that's gotten as far as penning an online lawn care advice column. So when Dawn lands a job tracking down the past winners of Charm magazine's "Ten Girls to Watch" contest, she's thrilled. After all, she's being paid to interview hundreds of fascinating women: once outstanding college students, they have gone on to become mayors, opera singers, and air force pilots. As Dawn gets to know their life stories, she'll discover that success, love, and friendship can be found in the most unexpected of places. Most importantly, she'll learn that while those who came before us can be role models, ultimately, we each have to create our own happy ending.

      The Van Ripper women have been the talk of Tarrytown, New York, for centuries. Some say they’re angels; some say they’re crooks. In their tumbledown “Stitchery,” not far from the stomping grounds of the legendary Headless Horseman, the Van Ripper sisters—Aubrey, Bitty, and Meggie—are said to knit people’s most ardent wishes into beautiful scarves and mittens, granting them health, success, or even a blossoming romance. But for the magic to work, sacrifices must be made—and no one knows that better than the Van Rippers.   When the Stitchery matriarch, Mariah, dies, she leaves the yarn shop to her three nieces. Aubrey, shy and reliable, has dedicated her life to weaving spells for the community, though her sisters have long stayed away. Bitty, pragmatic and persistent, has always been skeptical of magic and wants her children to have a normal, nonmagical life. Meggie, restless and free-spirited, follows her own set of rules. Now, after Mariah’s death forces a reunion, the sisters must reassess the state of their lives even as they decide the fate of the Stitchery. But their relationships with one another—and their beliefs in magic—are put to the test. Will the threads hold?  Includes an exclusive conversation between Sarah Addison Allen and Lisa Van Allen  Look for special features inside. Join the Random House Reader’s Circle for author chats and more.From the Trade Paperback edition.

    When Natalie's longtime boyfriend walks out on her just when she thinks he's going to propose, Tom offers her a different and wildly romantic proposition. He suggests that they spend twenty-six weekends together, indulging in twenty-six different activities from A to Z, and at the end of that time Tom's convinced they'll be madly in love. Natalie, however, is not so sure.As Natalie's touring the alphabet with Tom, her mother's going through her own romantic crisis—while Tom's unhappily married sister-in-law, Lucy, struggles with temptation. And over the course of six amazing months, three generations of passionate dreamers are going to discover that, no matter how clever they are, love—and life—is never as easy as A, B, C . . .

    She still loves her husband, Neal, and Neal still loves her, deeply — but that almost seems beside the point now.Maybe that was always beside the point.Two days before they’re supposed to visit Neal’s family in Omaha for Christmas, Georgie tells Neal that she can’t go. She’s a TV writer, and something’s come up on her show; she has to stay in Los Angeles. She knows that Neal will be upset with her — Neal is always a little upset with Georgie — but she doesn't expect him to pack up the kids and go home without her.When her husband and the kids leave for the airport, Georgie wonders if she’s finally done it. If she’s ruined everything.That night, Georgie discovers a way to communicate with Neal in the past. It’s not time travel, not exactly, but she feels like she’s been given an opportunity to fix her marriage before it starts...Is that what she’s supposed to do?Or would Georgie and Neal be better off if their marriage never happened?

    Maya knows immediately and irrevocably, that he is The One.But the beautiful man on the train always has his head in a book and never seems to notice Maya sitting just down the carriage from him every day. Eventually, though, inspired by a very wise friend, Maya plucks up the courage to give the stranger a note asking him out for a drink. Afterall, what's the worst that can happen?And so begins a story of sliding doors, missed opportunities and finding happiness where you least expect it.Based on the author's true story, The Note is an uplifting, life-affirming reminder that taking a chance can change everything...

    That is, until the doorbell rings. Standing on her front step is a young man who looks so much like Max; same smile, same eyes, same age, same adorable bump in his nose; he could be Max's long-lost relation. He introduces himself as Paolo, an Italian editor of American coffee table books, and shows Shelley some childhood photos. Paolo tells her that the man in the photos, the bearded man who Paolo says is his grandfather though he never seems to age, is Max. Her Max. And he is alive and well.As outrageous as Paolo's claims seem; how could her husband be alive? And if he is, why hasn't he looked her up? Shelley desperately wants to know the truth. She and Paolo jet across the globe to track Max down; if it is really Max and along the way, Shelley recounts the European package tour where they had met. As she relives Max's stories of bloody Parisian barricades, medieval Austrian kitchens, and buried Roman boathouses, Shelley begins to piece together the story of who her husband was and what these new revelations mean for her "happily ever after." And as she and Paolo get closer to the truth, Shelley discovers that not all stories end where they are supposed to.