One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

    Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.

    But they also constitute a complex literary work of art in which the whole of Kipling's philosophy of life is expressed in miniature. They are best known for the 'Mowgli' stories; the tale of a baby abandoned and brought up by wolves, educated in the ways and secrets of the jungle by Kaa the python, Baloo the bear, and Bagheera the black panther. The stories, a mixture of fantasy, myth, and magic, are underpinned by Kipling's abiding preoccupation with the theme of self-discovery, and the nature of the 'Law'.

    Henry Conklin discovers a 500-year-old mummy that should not be there. While deep in the South American jungle, Conklin's nephew, Sam, stumbles upon a remarkable site nestled between two towering peaks, a place hidden from human eyes for thousands of years. Ingenious traps have been laid to ensnare the careless and unsuspecting, and wealth beyond imagining could be the reward for those with the courage to face the terrible unknown. But where the perilous journey inward ends--in the cold, shrouded heart of a breath taking necropolis--something else is waiting for Sam Conklin and his exploratory party. A thing created by Man, yet not humanly possible. Something wondrous . . . something terrifying.

    One night in winter, Peter Lake, orphan and master-mechanic, attempts to rob a fortress-like mansion on the Upper West Side.Though he thinks the house is empty, the daughter of the house is home. Thus begins the love between Peter Lake, a middle-aged Irish burglar, and Beverly Penn, a young girl, who is dying.Peter Lake, a simple, uneducated man, because of a love that, at first he does not fully understand, is driven to stop time and bring back the dead. His great struggle, in a city ever alight with its own energy and besieged by unprecedented winters, is one of the most beautiful and extraordinary stories of American literature.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is heartbroken, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

    "You've got to get the girl to fall in love with you!"The Beast's only chance to break the spell is for him to fall in love with Belle and earn her love in return.

    Escape to Sherwood Forest and join the jolly Fellowship of the Greenwood with these rollicking tales of the celebrated archer and gentleman thief. Lively episodes introduce each of the famous merry men and other colorful characters, including the villainous Sheriff of Nottingham, lovely Maid Marian, and King Richard the Lionhearted.

    The Invincible Armada has been defeated. The shadow of the Inquisition looms large. And the Thirty Years' War rages on in Flanders. When a courageous soldier of this war, Captain Diego Alatriste, is forced to retire after being wounded in battle, he returns home to live the comparatively tame - though hardly quiet - life of a swordsman-for-hire. In this dangerous city where a thrust of steel settles all matters, there is no stronger blade than Alatriste's." The captain is approached with an offer of work that involves giving a scare to some strangers soon to arrive in Madrid. But on the night of the attack, it becomes clear that these aren't ordinary travelers - and that someone is out for their blood. What happens next is the first in a series of riveting twists, with implications that will reverberate throughout the courts of Europe

    Spanning from 1839 right through to 1894 the incorrigible Flashman fears all evil and when it comes to voluptuous queens and princesses he has be known to waver from his mission. Filled to the gunnels with escapades of unwavering excitement THE COMPLETE FLASHMAN PAPERS will quench even the most ravenous appetite for Flashman.

    It is a dreamlike summertime world of hooky and adventure, pranks and punishment, villains and first love, filled with memorable characters. Adults and young readers alike continue to enjoy this delightful classic of the promise and dreams of youth from one of America’s most beloved authors. ADVENTURES OF HUCKLEBERRY FINNHe has no mother, his father is a brutal drunkard, and he sleeps in a barrel. He’s Huck Finn—liar, sometime thief, and rebel against respectability. But when Huck meets a runaway slave named Jim, his life changes forever. On their exciting flight down the Mississippi aboard a raft, the boy nobody wanted matures into a young man of courage and conviction. As Ernest Hemingway said of this glorious novel, “All modern American literature comes from one book by Mark Twain called Huckleberry Finn.”--back cover

    Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.

    To the Incan people, it is still the ultimate symbol of their spirit. To William Race, an American linguist enlisted by the U.S. Army to decipher the clues to its location, it's the ultimate symbol of the apocalypse...Carved from a rare stone not found on Earth, the idol possesses elements more destructive than any nuclear bomb--a virtual planet killer. In the wrong hands it could mean the end of mankind. And whoever possesses the idol, possesses the unfathomable--and cataclysmic--power of the gods...Now, in the foothills of the Andes, Race's team has arrived--but they're not alone. And soon they'll discover that to penetrate the temple of the idol is to break the first rule of survival.Because some treasures are meant to stay buried..and forces are ready to kill to keep it that way...