Each flight contains a dreadful monster, ranging from a diamond-scaled dragon to a pack of slavering goblins. Should a prince battle his way to the top, he will be rewarded with a golden sword—and the lovely Princess Floralinda. But no prince has managed to conquer the first flight yet, let alone get to the fortieth. In fact, the supply of fresh princes seems to have quite dried up.And winter is closing in on Floralinda…

    The are an amalgam of mythology and folk tales from the Indian sub-continent, Persia, and Arabia. No original manuscript has ever been found for the collection, but several versions date the collection's genesis to somewhere between AD 800-900. The stories are wound together under the device of a long series of cliff-hangers told by Shahrazad to her husband Shahryar, to prevent him from executing her. Many tales that have become independently famous come from the Book, among them Ali Baba and the Forty Thieves, and the voyages of Sinbad the Sailor. This collection comes from the third of sixteen volumes translated by Burton.

    When the town-folk send for St. George to slay the dragon, the boy needs to come up with a clever plan to save his friend and convince the townsfolk to accept him. This story first appeared as a chapter in Grahame's Dream Days and was first published as a separate book by Holiday House in 1938 with illustrations by Ernest H. Shepard.

    Shen and Sika can't resist the chance to win, but competition is fierce. The path to victory is littered with snow trolls, sea monsters, and a gang of particularly hungry yetis. But Shen and Sika have something the other contestants don't have. Actually, they have 66 other things; pugs to be exact. That's a 264 paw-powered sled. Let the race begin!

    You've been hurled into a strange world. You have three companions: two are unbelievably weird and the third is your awful cousin Graham.You have to solve a series of nearly impossible clues.You need to deal with a cruel dictator and three thousand Wimbley Woos (yes, you read that sentence correctly). And the whole situation - the whole, entire thing - is your fault.Wed Wabbit is an adventure story about friendship, danger and the terror of never being able to get back home again.

    One day he tumbles over, lands in a sort of cave, and meets' somebody with shaggy hair wearing a rabbit-skin and speaking in grunts. He names him Stig. They together raid the rubbish dump at the bottom of the pit, improve Stig's cave dwelling, and enjoy a series of adventures.

    We shall all, in the end, find our way home.In a time of war, a mysterious child appears at the monastery of the Order of the Chronicles of Sorrowing. Gentle Brother Edik finds the girl, Beatryce, curled in a stall, wracked with fever, coated in dirt and blood, and holding fast to the ear of Answelica the goat. As the monk nurses Beatryce to health, he uncovers her dangerous secret, one that imperils them all--for the king of the land seeks just such a girl, and Brother Edik, who penned the prophecy himself, knows why.And so it is that a girl with a head full of stories--powerful tales-within-the-tale of queens and kings, mermaids and wolves--ventures into a dark wood in search of the castle of one who wishes her dead. But Beatryce knows that, should she lose her way, those who love her--a wild-eyed monk, a man who had once been king, a boy with a terrible sword, and a goat with a head as hard as stone--will never give up searching for her, and to know this is to know everything. With its timeless themes, unforgettable cast, and magical medieval setting, Kate DiCamillo's lyrical tale, paired with resonant black-and-white illustrations by Caldecott Medalist Sophie Blackall, is a true collaboration between masters.

    His mother tells him he'll be a star one day. 'Twinkle, twinkle,' she says, giving his hair a ruffle.Not everyone shares Julian's dreams of stardom. Television is too much like hairdressing for his father's tastes. A Tasmanian man wants a son for sporting purposes. 'Boys don't like dolls,' he tells Julian, 'They like Dinky Toys.' Not this boy, thinks Julian, who knows better than to tell the truth.Besides, the family already has a sporting hero, Julian's sister Carmel aka 'The Locomotive'. Julian likes his sister, but knows better than to tangle with her bowling arm. It's the same one she uses for punching.Julian Corkle is a Filthy Liar is the ultimate feel-good novel, a book that will have the reader laughing out loud on the back of a bus as it follows Julian's bumpy journey through adolescence, fibbing his way through school and a series of dead-end jobs, to find his ultimate calling as creator of ‘The Hog.’ It's as if Crocodile Dundee has crashed Muriel's wedding and run off into the desert with Priscilla.

    Ember can't imagine what life would be without Ness. Until Ness dies, in a most sudden and unexpected way. Ember feels completely empty. How can this even be real?Then Ember finds a way into the afterworld-a place where the recently dead reside. She knows there must be a way to bring Ness back, so she decides to find it. Because that's what friends do: rescue each other. But the afterworld holds its own dangers. How far will Ember go to make things the way they were again?Paired with enchanting illustrations from Emily Gravett, A. F. Harrold's powerfully woven tale explores the lengths we go to for the people we love.

    and so much has gone wrong.But she knows who can make things right again: Maggie Marie, her mermaid mother, who swam away when Keeper was just three. A blue moon calls the mermaids to gather at the sandbar, and that's exactly where Keeper is headed - in a small boat. In the middle of the night, with only her dog, BD (Best Dog), and seagull named Captain. When the riptide pulls at the boat, tugging her away from the shore and deep into the rough waters of the Gulf of mexico, panic sets in and the fairy tales that lured her out there go tumbling into the waves. Maybe the blue moon won't sparkle with mermaids and maybe - Oh, no ... "Maybe" is just too difficult to bear.

    He speaks like it too. “Forsooth, my joy, I barely can contain!”Bones is the hungry dog who did the digging. Though he cannot speak, he can chomp.What will become of these two unlikely companions? Will Yorick ever find the friend he seeks? Will Bones ever find a tasty treat that does not talk back?The course of true friendship never did run smooth.

    As preparations proceed, Lucy feels that sinister forces from the past are being unleashed. By the author of "The Ghost of Thomas Kempe", winner of the Carnegie Medal.

    Together they travel through fields of flowers, forests of towering trees, and lakes of deep dark blue. Flying through starry blue skies, they reach the blue moon. But the blue planet, Earth, calls the explorers home. Safely back in bed, the boy wonders―was it only a dream?

    Funny and entertaining.

    In a warlike land of wind and sunlight, “ringed by a restless sea,” live Rhaskos and Melisto, spiritual twins with little in common beyond the violent and mysterious forces that dictate their lives. A Thracian slave in a Greek household, Rhaskos is as common as clay, a stable boy worth less than a donkey, much less a horse. Wrenched from his mother at a tender age, he nurtures in secret, aided by Socrates, his passions for art and philosophy. Melisto is a spoiled aristocrat, a girl as precious as amber but willful and wild. She’ll marry and be tamed—the curse of all highborn girls—but risk her life for a season first to serve Artemis, goddess of the hunt.Bound by destiny, Melisto and Rhaskos—Amber and Clay—never meet in the flesh. By the time they do, one of them is a ghost. But the thin line between life and death is just one boundary their unlikely friendship crosses. It takes an army of snarky gods and fearsome goddesses, slaves and masters, mothers and philosophers to help shape their story into a gorgeously distilled, symphonic tour de force.Blending verse, prose, and illustrated archaeological “artifacts,” this is a tale that vividly transcends time, an indelible reminder of the power of language to illuminate the over- and underworlds of human history.