What kinds of silly surprises are in store for them?Pull back the flaps to find out!--- Summary from Back Cover

    But one stormy August day, furious flood water carry him off and dump him on an uninhabited island. Despite his determination and stubborn resourcefulness--he tried crossing the river with boats and ropes and even on stepping-stones--Abel can't find a way to get back home. Days, then weeks and months, pass. Slowly, his soft habits disappear as he forages for food, fashions a warm nest in a hollow log, models clay statues of his family for company, and continues to brood on the problem of how to get across the river--and home. Abel's time on the island brings him a new understanding of the world he's separated from. Faced with the daily adventure of survival in his solitary, somewhat hostile domain, he is moved to reexamine the easy way of life he had always accepted and discovers skills and talents in himself that hold promise of a more meaningful life, if and when he should finally return to Mossville and his dear Amanda again.

    Jackie Robinson is playing for the Royals, the Brooklyn Dodgers' Triple-A team. As the first black man to sign a contract in modern organized baseball, Jackie's going to change the world. Just a short distance away, 12-year-old Joey Grosser has big plans, too. He's going to break out of the Plateau, his poor Jewish dump of a neighborhood, and make a better life for his mother and little brother on the other side of Park Avenue, where the rich people live. All he needs is money, and he's got plenty of ideas on how to get it. But every step forward is two steps back, and he turns to the wrong man for help.One decision will determine Joey's fate-and whether he’ll live long enough to see Jackie Robinson make baseball history.

    They keep out squirrels and imminent intruders. They make sure there are no stray meatballs or muffin crumbs in the kitchen. And most of all, they protect their boy, Stewart. But something is wrong. Every day Stewart trudges off to an awful place called school. The dogs know it's awful because Stewart's parents ask him what he does at school, and he says, "Nothing." And he smells like a weird mixture of boredom and anxiety. They have to save him! Plus maybe there's an evil overlord! Or a squirrel!Waldo and Sassy hatch a plan to save Stewart by disguising themselves as a human. They can be a new student! Have they figured out any other aspect of their plan? Nope. They'll just figure it out as they go along. That's sure to work. But they find out that being a human student isn't quite what they imagined. There's gym (frisbee!), music (singing!), an alleged bully, and a teacher who is deeply suspicious of this new student. And best of all, they get lunch.This book kicks off the "Two Dogs in a Trench Coat" series. Be sure to read to learn if Waldo and Sassy can save Stewart from the evil overlord, if they can use their sad puppy eyes to get more than one lunch, and if they can get all the humans to think they're good dogs without actually revealing the fact that they are, you know, dogs.

    In 1897, in Guelph, Ontario, eleven-year-old Victoria chronicles her family's experiences when they take in twelve-year-old Mary Anna, an orphan, who has been separated from her siblings

    The steps are described in simple but evocative text, each starting with “Before . . .” for a rhythmic telling. For example, “Before we stood tall, we clothed ourselves in bark and crowned ourselves in leaves, waving eagerly at the sun.” Particular attention is paid throughout to what's happening underground and how that links all life in the forest. Beginning with mature giants, “mighty in the kingdom of trees,” and ending with the promise of new life on the branches that are “hoping to be mighty in the kingdom of trees,” it's a beautiful and loving celebration of the circle of life.Jessica Kulekjian's skill at seamlessly blending nonfiction information with a poetic narrative sets this informational picture book apart. She also uniquely incorporates intriguing new research on how trees communicate with each other using an underground network of roots and fungus that connects the forest and helps the trees to thrive. Madeline Kloepper's rich artwork with its deep earth tone palette brings the forest and all its inhabitants alive on the page. The material has been vetted by several scientists, including experts on trees, insects and mushrooms. Supported by well-researched backmatter, the book has strong curriculum links to early elementary earth and life science topics, including plants, ecosystems and soil.

    In the world that is taking shape, the unique combination of Canada's success at home as a diverse society and its reputation internationally as a sympathetic and respected partner consititute national assets that are at least as valuable as its natural resource wealth. As the world becomes more competitive and complex, and the chances of deadly conflict grow, the example and the initiative of Canada can become more important than they have ever been. That depends on its people: assets have no value if Canadians don't recognize or use them, or worse, if they waste them. A more effective Canada is not only a benefit to itself, but to its friends and neighbours. And in this compelling examination of what it as a nation has been, what it has become and what it can yet be to the world, Joe Clark takes the reader beyond formal foreign policy and looks at the contributions and leadership offered by Canada's most successful individuals and organizations who are already putting these uniquely Canadian assets to work internationally.

    Every day after school, it's Grandpa whom Sophie runs to."Here I am, Grandpa!""Ah, Sophie, how was your day?"As Sophie and her grandpa talk, he asks her to find items he's "lost" throughout the day, guiding Sophie on a tour through his daily life and connecting their generations in this sweet, playful picture book illustrated by Caldecott Medalist and Laura Ingalls Wilder Award winner Jerry Pinkney.

    wants to wear glasses, just like her big brother, Arthur.  After Arthur explains that without his glasses a hat looks like a bat and some string looks like a ring duck, D.W. sets out to prove that everything looks funny to her, too.  Finally, Arthur finds a way to make his sister see the situation a bit more clearly!

    Life seems lonely when you're the middle kid in the family. Freddy feels like "the peanut butter part of a sandwich," squeezed between an older brother and little sister. But now for the first time it's Freddy's chance to show everyone, including himself, just how special he is!

    

    He paints amazing pictures and he loves his classroom's dress-up center, especially the tangerine dress. It reminds him of tigers, the sun and his mother's hair. The other children don't understand--dresses, they say, are for girls. And Morris certainly isn't welcome in the spaceship his classmates are building--astronauts, they say, don't wear dresses. One day Morris has a tummy ache, and his mother lets him stay home from school. He stays in bed reading about elephants, and her dreams about a space adventure with his cat, Moo. Inspired by his dream, Morris paints a fantastic picture, and everything begins to change when he takes it to school.

    Gorey tells the tale of 26 children (each representing a letter of the alphabet) and their untimely deaths in rhyming dactylic couplets, accompanied by the author's distinctive black and white illustrations. It is one of Edward Gorey's best-known books, and is the most notorious amongst his roughly half-dozen mock alphabets.[2] It has been described as a "sarcastic rebellion against a view of childhood that is sunny, idyllic, and instructive". The morbid humor of the book comes in part from the mundane ways in which children die, such as falling down the stairs or choking on a peach. Far from illustrating the dramatic and fantastical childhood nightmares, these scenarios instead poke fun at the banal paranoias that come as a part of parenting.

    And it was not happy. What it finds on its search for the missing piece is simply and touchingly told. This inventive and heartwarming book can be read on many levels, and Silverstein’s iconic drawings and humor are sure to delight fans of all ages.So it set off in searchof its missing piece.And as it rolledit sang this song— Oh I'm lookin' for my missin' pieceI'm lookin' for my missin' pieceHi-dee-ho, here I go,Lookin' for my missin' piece.And don't miss Runny Babbit Returns, the new book from Shel Silverstein!

    Keene called all the students and teachers together and said, "This is a fine, fine school! From now on, let's have school on Saturdays too." And then there was more.School all weekend. School on the holidays.School in the SUMMER!What was next . . .SCHOOL AT NIGHT?So it's up to Tillie to show her well-intentioned principal, Mr. Keene, that even though his fine, fine school is a wonderful place, it's not fine, fine to be there all the time.