You might know Al from his zines Burn Collector and Natural Disasters or from the band Milemarker or his so-true-it-kicks-your-face-off column in Punk Planet. This, however, is Al's collection of comics published in the late '90s by designer and fellow zinester Ian Lyman. From Portland to Providence, Al patrols his world with a dark, stoic humor. He's a Saul Bellow-ian everyman, up against the wall, suffering the blows, looking for love and loving the metal. Like Al's latest issue of Burn Collector, the comic-heavy #14, the drawing here is simple but it's the kind of simple that doesn't come with beginner's luck. The stuff here is the result of years of fighting and trouble-making, of mistakes made and a life scratched out among the sticks and stones. As says Al, "These are things drawn on napkins in airports, xeroxed illicitly during work." So goes the work and world of Al Burian.

    Filled with raw talent but lacking proper training, he signs up for a competition that puts him head-to-head with fencing prodigy Seiji Katayama...and on the road to the elite all-boys school Kings Row. A chance at a real team and a place to belong awaits him—if he can make the cut!

    Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    As Henry dotes on the handsome but dull-witted Toby Vogler, Toby pines for Caleb. Jessie has her own problems as the love object of director Frank Earp, whose floundering career has reduced him to staging children's plays off-off-off-Broadway. The secrets and heartaches of these many unfulfilled romances, unions, and associations unfold during the course of Caleb's bizarre birthday bash, where his pistol-packin' grandma causes even more mayhem.The heavy themes of AIDS, sexual addiction, and unrequited love are expertly blended into the mix of slick humor and satire. Bram skillfully weaves together all the outlandish characters and their even more eccentric affairs, showing how all of them have a love-hate relationship with the theater, with each other, and with their own creative impulses. At turns graceful, shrewd, and ribald, Lives of the Circus Animals is terrific entertainment, steeped in the authentic details of theater life. This talented author's laugh-out-loud dialogue, burlesque situations, and shrewd insight into the vagaries of love are sure to win him an even more extensive readership. Tom Piccirilli