Victoria's War is a work of historical fiction about 19-year-old Victoria Darski, a Polish Catholic woman sold into slavery during the Nazi occupation of Europe, and Etta Tod, the 20-year-old deaf daughter of a German baker who buys Victoria. Poland, 1939: Eager to study literature at the University of Warsaw, Victoria waits with bags packed. But Hitler invades Poland and classes are canceled. German officers burst into her family's home in Lagody, shoot and kill Victoria's sister when she cries, and take Victoria and her mother to work in a sewing factory commandeered by Nazis. Making military shirts, Victoria sews a straight pin inside the collars in defiance. At a secret resistance meeting, Victoria and her friend Sylvia are captured and then sold as slaves, along with thousands of other women. Germany, 1941: When Victoria is purchased to work in the Tod family bakery, Etta tries to protect Victoria, bringing food and companionship to the attic where Victoria is held. Etta is caught and sent to Hadamar Institute, where she is killed. This spurs Victoria to help rescue a group of mothers and babies from starvation. One of those women is her friend Sylvia from the sewing factory. ------"Victoria's War is a compelling story of a young Polish woman caught in the vise of the German invasion of Poland at the opening salvo of World War II. Written in an engaging literary style that captures the textures of Polish life, Catherine Hamilton's gripping novel is a must read!" -- Dr. Richard C. Lukas, author of Did the Children Cry? and The Forgotten Holocaust"Some stories that need to be told are never told. They languish in a limbo of forgotten stories that should never have been forgotten. Catherine Hamilton's novel Victoria's War resurrects one of these stories. In language intimate and natural and yet touched by the poetry of truth, Hamilton tells the story of a young girl who is the victim of war. Too often, we think only of the men who go to war, do heroic things. We forget the other victims and heroes of war, the women like Victoria in this brilliant novel." -- John Guzlowski, author of the award-winning Echoes of Tattered Tongues"In Victoria's War we follow the life of one Polish woman caught in the machinations of a war that has no pity....Based on the life of a real woman subjected to Hitler's forced labor program, Victoria's War reveals the hatred and fanaticism against Poles in Nazi Germany and the specific vulnerabilities of women that made their lives a living hell. Hamilton's story about a largely ignored aspect of women's history is emotionally evocative and rich in detail." --Sophie Hodorowicz Knab, author of Wearing the Letter "P" Polish Women as Forced Laborers in Nazi Germany, 1939-1945

    Our hero tells of his childhood: his passion for hunting, his love of the wild landscape of Romania, his ridiculous social snobbery. He leads us through his youth, and between fantastic and colourful stories of Bucharest in the late twenties and early thirties, he dissects his own complicated, at times agonizing, development as a moral creature. We are with him as the Nazis take over Austria; as his own anti-semitism - already such a mixture of belief, caprice, and compromise - is shaken to its core. And later on we meet him as a much older man, one haunted by his own protean character, by the beautiful but tragic web of memories and events that together form his history, and by the greatest love of his life, a beautiful Jewess.

    The Russian armies are closing in. When Hanno Frisch sees his twin brother killed, he's had enough. On the run, he meets streetwise Effi. She's on her way to the West to find her father, who's in the US Army. Effi's learned the hard way that she must keep secrets to herself - and she's even less keen to trust Hanno when she finds out he's a policeman's son. But there are far more dangerous people on the road: Russian soldiers, German deserters - and Major Otto, who likes to play games with people before he kills them.

    In 1938 he left his mother and sister behind in Vienna and fled on foot to France, where later he was put on a train to Auschwitz. Transported from camp to camp, Fred Wander was haunted for twenty-five years by the crystalline, episodic stories that chronicle the plight of his fellow inmates. Only after the tragic death of his little daughter did these voices pour forth. The result was this novel, published in East Germany in 1970. Finally it appears in English in this masterful translation, its haunting cadences evoking Levi and Celan, its backstory as heartrending as Suite Française. Wander demonstrates that the survival of a single man is a collaborative enterprise. The Seventh Well, named after the well of truth, recalls Dante's Inferno with its mesmerizing descent into evil. Its existence is a miracle.

    In a curious yet fascinating twist, witnesses for the prosecution and the defense were housed together in a villa on the outskirts of town. In this so-called Witness House, perpetrators and victims confronted each other in a microcosm that reflected the events of the high court. Presiding over the affair was the beautiful Countess Ingeborg Kálnoky (a woman so blond and enticing that she was described as a Jean Harlowe look-alike) who took great pride in her ability to keep the household civil and the communal dinners pleasant.  A comedy of manners arose among the guests as the urge to continue battle was checked by a sudden and uncomfortable return to civilized life.   The trial atmosphere extends to the small group in the villa.  Agitated victims confront and avoid perpetrators and sympathizers, and high-ranking officers in the German armed forces struggle to keep their composure. This highly explosive mixture is seasoned with vivid, often humorous, anecdotes of those who had basked in the glory of the inner circles of power. Christiane Kohl focuses on the guilty, the sympathizers, the undecided, and those who always manage to make themselves fit in.  The Witness House reveals the social structures that allowed a cruel and unjust regime to flourish and serves as a symbol of the blurred boundaries between accuser and accused that would come to form the basis of postwar Germany.

    Hungary is allied with Germany to protect its citizens from invasion, but in 1944 Hitler breaks his promise to keep the Nazis out of Hungary.The Nazi occupation forces the family into situations of growing panic and fear: first into a ghetto in their hometown; then a labor camp in Austria; and, finally, to the deadly Bergen Belsen camp deep in the heart of Germany. Separated from their father, 6-year-old Paul and 11-year-old Oscar must care for their increasingly sick mother, all while trying to maintain some semblance of normalcy amid the horrors of the camp.In the spring of 1945, the boys see British planes flying over the camp, and a spark of hope that the war will soon end ignites. And then, they are forced onto a dark, stinking boxcar by the Nazi guards. After four days on the train, the boys are convinced they will be killed, but through a twist of fate, the train is discovered and liberated by a battalion of American soldiers marching through Germany.The book concludes when Paul, now a grown man living in Canada, stumbles upon photographs on the internet of his train being liberated. After writing to the man who posted the pictures, Paul is presented with an opportunity to meet his rescuers at a reunion in New York — but first he must decide if he is prepared to reopen the wounds of his past.

    In the summer of 1939, Renia and her sister Elizabeth (née Ariana) were visiting their grandparents in Przemysl, right before the Germans invaded Poland.Like Anne Frank, Renia recorded her days in her beloved diary. She also filled it with beautiful original poetry. Her diary records how she grew up, fell in love, and was rounded up by the invading Nazis and forced to move to the ghetto in Przemsyl with all the other Jews. By luck, Renia's boyfriend Zygmund was able to find a tenement for Renia to hide in with his parents and took her out of the ghetto. This is all described in the Diary, as well as the tragedies that befell her family and her ultimate fate in 1942, as written in by Zygmund on the Diary's final page.Renia's Diary is a significant historical and psychological document. The raw, yet beautiful account depicts Renia's angst over the horrors going on around her. It has been translated from the original Polish, with notes included by her surviving sister, Elizabeth Bellak.

    They were to kill those who resisted. A few hundred of the trapped Jews, mostly teenagers, armed only with pistols, Molotov cocktails, and a few light machine guns, vowed to fight back. Resistance is the full story of the uprising and the events leading to it, told by a survivor of the battle who is now a world-renowned Israeli scholar of the Holocaust. Warsaw in the 1920s and 1930s was the home of Europe's largest and most vibrant Jewish community. It included the rich, the poor, and the middle class; casual assimilationists and ardent Zionists; representatives of the full spectrum of political and religious factions. Then came the German onslaught of ruthless violence against the Jews - isolation and starvation amid desperation and disease - then deportations. As the ghetto walls rose, hundreds of thousands were rounded up and sent to Treblinka. But resistance began to take shape, and when the final attack order came, the ghetto fighters stood ready. One of the few survivors of the 1943 Warsaw ghetto uprising, Holocaust scholar I. Gutman draws on diaries, personal letters, and underground press reports in this compelling, authoritative account of a landmark event in Jewish history. Here, too, is a portrait of the vibrant culture that shaped the young fighters, whose inspired defiance would have far-reaching implications for the Jewish people and the State of Israel.Supported by moving and dramatic excerpts from diaries, letters, and other documents of the period, Resistance is destined to take its place as the classic account of a most important turning point in Jewish and world history.

    Drawing on a wealth of archival evidence and interviews with survivors, this book reconstructs the daily lives of Jews who stayed in Berlin during the war years. Contrary to the received wisdom that “hidden” Jews stayed in attics and cellars and had minimal contact with the outside world, the author reveals a cohort of remarkable individuals who were constantly on the move and actively fought to ensure their own survival.

    But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

    The only person she has left is her beloved grandmother, and she's determined to keep her safe. But protecting Grandmother won't be easy--not with a Nazi officer billeted below them.Anna must keep a low profile. There's one thing she refuses to give up, though. Despite instruments being declared illegal, Anna defiantly continues to practice her violin. She has to believe that the war will end someday and her career will be waiting. Fortunately for Anna, the officer, Horst Engel, enjoys her soothing music. It distracts him from his dissatisfaction with Nazi ideology and reminds him that beauty still exists in an increasingly ugly world.When his neighbors face deportation, Horst is moved to risk everything to hide them. Anna finds herself falling in love with the handsome officer and his brave heart. But what he reveals to her might break her trust and stop the music forever. . . .

    When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.Imprisoned for more than two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.

    Physics professor Alfred Mendl is separated from his family and sent to the men’s camp, where all of his belongings are tossed on a roaring fire. His books, his papers, his life’s work. The Nazis have no idea what they have just destroyed. And without that physical record, Alfred is one of only two people in the world with his particular knowledge. Knowledge that could start a war, or end it.Nathan Blum works behind a desk at an intelligence office in Washington, DC, but he longs to contribute to the war effort in a more meaningful way, and he has a particular skill set the U.S. suddenly needs. Nathan is fluent in German and Polish, he is Semitic looking, and he proved his scrappiness at a young age when he escaped from the Polish ghetto. Now, the government wants him to take on the most dangerous assignment of his life: Nathan must sneak into Auschwitz, on a mission to find and escape with one man.This historical thriller from New York Times bestseller Andrew Gross is a deeply affecting, unputdownable series of twists and turns through a landscape at times horrifyingly familiar but still completely compelling.

    Mr. Arad reports as a controlled and effective witness for the prosecution.... Mr. Arad's book, with its abundance of horrifying detail, reminds us of how far we have to go."--New York Times Book Review..". some of the most gripping chapters I have ever read.... the authentic, exhaustive, definitive account of the least known death camps of the Nazi era." --Raul HilbergArad, historian and principal prosecution witness at the Israeli trial of John Demjanjuk (accused of being Treblinka's infamous "Ivan the Terrible"), uses primary materials to reveal the complete story of these Nazi death camps.

    How will history – and their families – judge them? Paris, 1940. With the city occupied by the Nazis, three young seamstresses go about their normal lives as best they can. But all three are hiding secrets. War-scarred Mireille is fighting with the Resistance; Claire has been seduced by a German officer; and Vivienne’s involvement is something she can’t reveal to either of them.Two generations later, Claire’s English granddaughter Harriet arrives in Paris, rootless and adrift, desperate to find a connection with her past. Living and working in the same building on the Rue Cardinale, she learns the truth about her grandmother – and herself – and unravels a family history that is darker and more painful than she ever imagined.In wartime, the three seamstresses face impossible choices when their secret activities put them in grave danger. Brought together by loyalty, threatened by betrayal, can they survive history’s darkest era without being torn apart?