Don't they teach you anything at school?So says 104-year-old Ona to the 11-year-old boy who's been sent to help her out every Saturday morning. As he refills the bird feeders and tidies the garden shed, Ona tells him about her long life, from first love to second chances. Soon she's confessing secrets she has kept hidden for decades.One Saturday, the boy doesn't show up. Ona starts to think he's not so special after all, but then his father arrives on her doorstep, determined to finish his son's good deed. The boy's mother is not so far behind. Ona is set to discover that the world can surprise us at any age, and that sometimes sharing a loss is the only way to find ourselves again.

    When she arrives at the famed Barbizon Hotel in 1952, secretarial school enrollment in hand, Darby McLaughlin is everything her modeling agency hall mates aren't: plain, self-conscious, homesick, and utterly convinced she doesn't belong—a notion the models do nothing to disabuse. Yet when Darby befriends Esme, a Barbizon maid, she's introduced to an entirely new side of New York City: seedy downtown jazz clubs where the music is as addictive as the heroin that's used there, the startling sounds of bebop, and even the possibility of romance. Over half a century later, the Barbizon's gone condo and most of its long-ago guests are forgotten. But rumors of Darby's involvement in a deadly skirmish with a hotel maid back in 1952 haunt the halls of the building as surely as the melancholy music that floats from the elderly woman's rent-controlled apartment. It's a combination too intoxicating for journalist Rose Lewin, Darby's upstairs neighbor, to resist—not to mention the perfect distraction from her own imploding personal life. Yet as Rose's obsession deepens, the ethics of her investigation become increasingly murky, and neither woman will remain unchanged when the shocking truth is finally revealed.

    She’s been married to Roy Tupkin for fifteen days, and she knows now that she should have listened to the folks who said he was trouble. But when a stranger sweeps in and knocks the world off-kilter for everyone in town, Sadie begins to think there might be more to life than being Roy’s wife.As stark and magnificent as Appalachia itself, If the Creek Don’t Rise is a bold and beautifully layered debut about a dusty, desperate town finding the inner strength it needs to outrun its demons. The folks of Baines Creek will take you deep into the mountains with heart, honesty, and homegrown grit.

    But when Teddy dies of an overdose on the last day of 1987, Jude's relationship with drugs and with his parents devolves to new extremes. Sent to live with his pot-dealing father in New York City's East Village, Jude stumbles upon straight edge, an underground youth culture powered by the paradoxical aggression of hardcore punk and a righteous intolerance for drugs, meat, and sex. With Teddy's half brother, Johnny, and their new friend, Eliza, Jude tries to honor Teddy's memory through his militantly clean lifestyle. But his addiction to straight edge has its own dangerous consequences. While these teenagers battle to discover themselves, their parents struggle with this new generation's radical reinterpretation of sex, drugs, and rock 'n' roll and their grown-up awareness of nature and nurture, brotherhood and loss.Moving back and forth between Vermont and New York City, Ten Thousand Saints is an emphatically observed story of a frayed tangle of family members brought painfully together by a death, then carried along in anticipation of a new and unexpected life. With empathy and masterful skill, Eleanor Henderson has conjured a rich portrait of the modern age and the struggles that unite and divide generations.

    Their reasons are not theirs alone; they are the last in a long line of Alters who have killed themselves, beginning with their great-grandmother, the wife of a Jewish Nobel Prize-winning chemist who developed the first poison gas used in World War I and the lethal agent used in Third Reich gas chambers. The chemist himself, their son Richard, and Richard’s children all followed suit.The childless sisters also define themselves by their own bad luck. Lady, the oldest, never really resumed living after her divorce. Vee is facing cancer’s return. And Delph, the youngest, is resigned to a spinster’s life of stifled dreams. But despite their pain they love each other fiercely, and share a darkly brilliant sense of humor.As they gather in the ancestral Upper West Side apartment to close the circle of the Alter curse, an epic story about four generations of one family—inspired in part by the troubled life of German-Jewish Fritz Haber, Nobel Prize winner and inventor of chlorine gas—unfolds. A Reunion of Ghosts is a tale of fate and blood, sin and absolution; partly a memoir of sisters unified by a singular burden, partly an unflinching eulogy of those who have gone before, and above all a profound commentary on the events of the 20th century.

    Devastated by her mother’s apparent insanity, Izzy, now seventeen, refuses to visit her in prison. But her new foster parents, employees at a local museum, have enlisted Izzy’s help in cataloging items at a long-shuttered state asylum. There, amid piles of abandoned belongings, Izzy discovers a stack of unopened letters, a decades old journal, and a window into her own past.Clara Cartwright, eighteen years old in 1929, is caught between her overbearing parents and her love for an Italian immigrant. Furious when she rejects an arranged marriage, Clara’s father sends her to a genteel home for nervous invalids. But when his fortune is lost in the stock market crash, he can no longer afford her care—and Clara is committed to the public asylum.Even as Izzy deals with the challenges of yet another new beginning, Clara’s story keeps drawing her into the past. If Clara was never really mentally ill, could something else explain her own mother’s violent act? Piecing together Clara’s fate compels Izzy to re-examine her own choices—with shocking and unexpected results.Illuminating and provocative, WHAT SHE LEFT BEHIND is a masterful novel about the yearning to belong—and the mysteries that can belie even the most ordinary life.

    Jo is the tomboy, the bookish rebel with a passion to make the world more fair; Bethie is the pretty, feminine good girl, a would-be star who enjoys the power her beauty confers and dreams of a traditional life.But the truth ends up looking different from what the girls imagined. Jo and Bethie survive traumas and tragedies. As their lives unfold against the background of free love and Vietnam, Woodstock and women’s lib, Bethie becomes an adventure-loving wild child who dives headlong into the counterculture and is up for anything (except settling down). Meanwhile, Jo becomes a proper young mother in Connecticut, a witness to the changing world instead of a participant. Neither woman inhabits the world she dreams of, nor has a life that feels authentic or brings her joy. Is it too late for the women to finally stake a claim on happily ever after?

    Babe Paley—known for her high-profile marriage to CBS founder William Paley and her ranking in the International Best-Dressed Hall of Fame—was one of the reigning monarchs of New York’s high society in the 1950s. Replete with gossip, scandal, betrayal, and a vibrant cast of real-life supporting characters, readers will be seduced by this startling new look at the infamous society swans.

    Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family—especially his wife, Elda—to let him redeem himself.Isabel and Martin settle into married life in a Texas border town, and Omar returns each year on the celebratory Day of the Dead. Every year Isabel listens, but to the aggrieved Martin and Elda, Omar’s spirit remains invisible. Through his visits, Isabel gains insight into not just the truth about his disappearance and her husband’s childhood but also the ways grief can eat away at love. When Martin’s teenage nephew crosses the Mexican border and takes refuge in Isabel and Martin’s home, questions about past and future homes, borders, and belonging arise that may finally lead to forgiveness—and alter all their lives forever.

    Born in Kuwait in the 70s to Palestinian refugees, she dreamed of falling in love with the perfect man, raising children, and possibly opening her own beauty salon. Instead, the man she thinks she loves jilts her after a brief marriage, her family teeters on the brink of poverty, she’s forced to prostitute herself, and the US invasion of Iraq makes her a refugee, as her parents had been. After trekking through another temporary home in Jordan, she lands in Palestine, where she finally makes a home, falls in love, and her destiny unfolds under Israeli occupation.

    They meet in Greenwich Village in 1963 when Charles and James are jointly hired to steward the historic Third Presbyterian Church through turbulent times. Their personal differences however, threaten to tear them apart.Charles is destined to succeed his father as an esteemed professor of history at Harvard, until an unorthodox lecture about faith leads him to ministry. How then, can he fall in love with Lily—fiercely intellectual, elegantly stern—after she tells him with certainty that she will never believe in God? And yet, how can he not?James, the youngest son in a hardscrabble Chicago family, spent much of his youth angry at his alcoholic father and avoiding his anxious mother. Nan grew up in Mississippi, the devout and beloved daughter of a minister and a debutante. James's escape from his desperate circumstances leads him to Nan and, despite his skepticism of hope in all its forms, her gentle, constant faith changes the course of his life.The Dearly Beloved follows these two couples through decades of love and friendship, jealousy and understanding, forgiveness and commitment. Against the backdrop of turbulent changes facing the city and the church’s congregation, these four forge improbable paths through their evolving relationships, each struggling with uncertainty, heartbreak, and joy. It's a poignant meditation on faith and reason, marriage and children, and the ways we find meaning in our lives.

    In the capital hospital, a gifted young surgeon is plagued by demons that are beginning to threaten his livelihood. Elsewhere in the hospital lies a dying man who was young during the country’s turbulent postcolonial years and has stories to tell that are far from heroic. As past and present intersect in the buzzing city, these men are drawn unwittingly closer by a British psychologist with good intentions, and into the path of one woman at the center of their stories. A work of breathtaking writing and rare wisdom, The Memory of Love seamlessly weaves together two generations of African life to create a story of loss, absolution, and the indelible effects of the past—and, in the end, the very nature of love.

    When Orhan’s brilliant and eccentric grandfather Kemal—a man who built a dynasty out of making kilim rugs—is found dead, submerged in a vat of dye, Orhan inherits the decades-old business. But Kemal’s will raises more questions than it answers. He has left the family estate to a stranger thousands of miles away, an aging woman in an Armenian retirement home in Los Angeles. Her existence and secrecy about her past only deepen the mystery of why Orhan’s grandfather willed his home in Turkey to an unknown woman rather than to his own son or grandson. Left with only Kemal’s ancient sketchbook and intent on righting this injustice, Orhan boards a plane to Los Angeles. There he will not only unearth the story that eighty-seven-year-old Seda so closely guards but discover that Seda’s past now threatens to unravel his future. Her story, if told, has the power to undo the legacy upon which his family has been built.  Moving back and forth in time, between the last years of the Ottoman Empire and the 1990s, Orhan’s Inheritance is a story of passionate love, unspeakable horrors, incredible resilience, and the hidden stories that can haunt a family for generations. “Aline Ohanesian draws from her family’s own dark history to create a tender, powerful story of love and reclamation. Orhan’s Inheritance is a breathtaking and expansive work of historical fiction and proof that the past can sometimes rewrite the future.” —Christina Baker Kline, author of Orphan Train

    As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia. But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend. Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them explores complex questions of race and how they pervade and shape our most intimate spaces in a deeply divided world. But at its heart, it’s a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.

    When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.In a mining town in Germany, Werner Pfennig, an orphan, grows up with his younger sister, enchanted by a crude radio they find that brings them news and stories from places they have never seen or imagined. Werner becomes an expert at building and fixing these crucial new instruments and is enlisted to use his talent to track down the resistance. Deftly interweaving the lives of Marie-Laure and Werner, Doerr illuminates the ways, against all odds, people try to be good to one another.From the highly acclaimed, multiple award-winning Anthony Doerr, the stunningly beautiful instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.An alternate cover for this ISBN can be found here