Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls. When their love is discovered, Ijeoma learns that she will have to hide this part of herself. But there is a cost to living inside a lie. As Edwidge Danticat has made personal the legacy of Haiti's political coming of age, Okparanta's Under the Udala Trees uses one woman's lifetime to examine the ways in which Nigerians continue to struggle toward selfhood. Even as their nation contends with and recovers from the effects of war and division, Nigerian lives are also wrecked and lost from taboo and prejudice. This story offers a glimmer of hope — a future where a woman might just be able to shape her life around truth and love.

    Stephen Fry's breathtakingly outrageous debut novel, by turns eccentric, shocking, brilliantly comic and achingly romantic.Adrian Healey is magnificently unprepared for the long littleness of life; unprepared too for the afternoon in Salzburg when he will witness the savage murder of a Hungarian violinist; unprepared to learn about the Mendax device; unprepared for more murders and wholly unprepared for the truth.The Liar is a thrilling, sophisticated and laugh out loud hilarious novel from a brilliantly talented writer.

    The self-absorbed, narcissistic young man feels he has been exceptional from the moment of his birth by Caesarian section; he was thus unmarked and more perfect than other babies. "There is no such thing as more perfect," corrects his mother. "Of course there is," says Nicholas. To avoid unsightly lines, he never smiles when photographed; to avoid even a trace of fat, he eats little: the obi of the kimono in which he often poses winds twice around his waist. The men he fancies bestow upon him rare enamels, ivory carvings, jewels because, he explains with apparent guilelessness to his older brother, who narrates the novel, it pleases them to do so. But ointments and finery are helpless against the years. At 30 Nicholas the odalisque begins to resemble a tart; at 37 he is dead. His brother, summoned by Nicholas's landlady to collect the lapsed body and now-scarred valuables, looks back fondly, objectively and suggestively upon a life no longer valid once physical beauty is flawed. Sensual, mocking and deadly serious, this first novel casts a long shadow.

    Lurking in the digital underworld of Men4HookUpNow.com, he lures, seduces, charms, reaching out through instant messages to the unwary. They invite him over. He’s just another trick. Harmless. They’re dead wrong.When the first bloody body surfaces, openly gay Chicago Police Department detective Ed Comparetto is called in to investigate. Sickened by the butchered mess of one of his brothers left on display in a bathtub, he seeks relief outside where the young man who discovered the body waits to tell him the story of how he found his friend. But who is this witness…and did he play a bigger part in the murder than he’s letting on?Comparetto is on a journey to discover the truth, a truth that he needs to discover before he loses his career, his boyfriend, his sanity…his life. Because in this killer’s world, IM doesn’t stand for instant message…it stands for instant murder.

    Free love has given way to radical feminism, psychedelic ecstasy to hard-edged gloom. The Zodiac Killer stalks the streets. A disgraced professor takes an office in a downtown tower to plot his return. But the walls are thin and he's distracted by voices from next door—his neighbor is a psychologist, and one of her patients dislikes the hum of the white-noise machine. And so he begins to hear about the patient's troubles with her female lover, her conflicts with her adoptive, avowedly WASP family, and her quest to track down her birth mother. The professor is not just absorbed but enraptured. And the further he is pulled into the patient's recounting of her dramas—and the most profound questions of her own identity—the more he needs the story to move forward. The patient's questions about her birth family have led her to a Catholic charity that trafficked freshly baptized orphans out of Germany after World War II. But confronted with this new self— “I have no idea what it means to say ‘I’m a Jew’”—the patient finds her search stalled. Armed with the few details he’s gleaned, the professor takes up the quest and quickly finds the patient’s mother in records from a German displaced-persons camp. But he can’t let on that he’s been eavesdropping, so he mocks up a reply from an adoption agency the patient has contacted and drops it in the mail. Through the wall, he hears how his dear patient is energized by the news, and so is he. He unearths more clues and invests more and more in this secret, fraught, triangular relationship: himself, the patient, and her therapist, who is herself German. His research leads them deep into the history of displaced-persons camps, of postwar Zionism, and—most troubling of all—of the Nazi Lebensborn program. With ferocious intelligence and an enthralling, magnetic prose, Ellen Ullman weaves a dark and brilliant, intensely personal novel that feels as big and timeless as it is sharp and timely. It is an ambitious work that establishes her as a major writer.

    Merle is in her first year at the Corcoran School of Art, catapulted from her impoverished Appalachian upbringing into a sophisticated, dissipated art scene.It is also 1870. The teenage poet Arthur Rimbaud is on the verge of breaking through to the images and voice that will make his name.The meshed power of words and art thins the boundaries between the present and the past—and allows these two troubled, brilliant artists to enter each other’s worlds.

    Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.

    Jo is the tomboy, the bookish rebel with a passion to make the world more fair; Bethie is the pretty, feminine good girl, a would-be star who enjoys the power her beauty confers and dreams of a traditional life.But the truth ends up looking different from what the girls imagined. Jo and Bethie survive traumas and tragedies. As their lives unfold against the background of free love and Vietnam, Woodstock and women’s lib, Bethie becomes an adventure-loving wild child who dives headlong into the counterculture and is up for anything (except settling down). Meanwhile, Jo becomes a proper young mother in Connecticut, a witness to the changing world instead of a participant. Neither woman inhabits the world she dreams of, nor has a life that feels authentic or brings her joy. Is it too late for the women to finally stake a claim on happily ever after?

    For Ira Adler, former rent-boy and present plaything of crime lord Cain Goddard, stealing back the statue from Goddard's blackmailer should have been a doddle. But inside the statue is evidence that could put Goddard away for a long time under the sodomy laws, and everyone's after it, including Ira's bitter ex, Dr. Timothy Lazarus. No sooner does Ira have the porcelain dog in his hot little hands, than he loses it to a nimble-fingered prostitute.As Ira’s search for the dog drags him back to the mean East End streets where he grew up, he discovers secrets about his own past, and about Goddard's present business dealings, which make him question everything he thought he knew. An old friend turns up dead, and an old enemy proves himself a friend. Goddard is pressing Ira for a commitment, but every new discovery casts doubt on whether Ira can, in good conscience, remain with him. In the end, Ira must choose between his hard-won life of luxury and standing against a grievous wrong.

    But when eleven-year-old Scot's mother suddenly dies, the couple is determined to make good on a wine-soaked promise made years before. They hang a tire swing in the back yard and call the neighborhood school to arrange enrollment. Scot arrives just in time to start fifth grade—with a pair of lacy white socks in his duffel bag. With wry dialogue, frothy characters, and an offbeat plot, Michael Downing's mastery reaches new heights of brilliance in Breakfast with Scot.About the Author:Michael Downing is the author of the novels Perfect Agreement, Mother of God, and A Narrow Time. He lives in Cambridge, Massachusetts.

    After the disappearance of Leon Owenby, his younger brother and central narrator, Martin, returns to the family’s Willoby County, N.C., mountain town from his life as a destitute writer in New York City to aid in the search for Leon and support his other siblings. The year is 1986; Martin leaves behind his ex-lover, Dennis, and their many friends sick and dying from AIDS. Back home, he must face his painful past, his extended family to whom he is closeted, and his high school girlfriend (who still carries a torch for him). Many months of searching reveal more about the searchers than about Leon; the secrets and resentments in the Owenby family run deep and bubble to the surface unexpectedly. It’s problematic that with so many family issues coming to light, Martin’s sexuality is ignored and remains a secret, but Newton’s use of multiple viewpoints and distinct voices is adept and lively, and helps to fill in the thin premise of Leon’s disappearance. With many novels of this construction, a reader tends to favor one voice over the rest. Not so here; Newton delivers across the board with these characters, who run the gamut from perky to depressive, desperate to schizophrenic.

    Their encounter will go on to alter all of their lives.Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams's final play.What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? Like The Master and The Hours, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.

    He claims to be “the Lord.” And he says he can only save them if they all believe in him.Adrift in a raft after a deadly ship explosion, nine people struggle for survival at sea. Three days pass. Short on water, food and hope, they spot a man floating in the waves. They pull him in.“Thank the Lord we found you,” a passenger says.“I am the Lord,” the man whispers.So begins Mitch Albom’s most beguiling and inspiring novel yet.Albom has written of heaven in the celebrated number one bestsellers The Five People You Meet in Heaven and The First Phone Call from Heaven. Now, for the first time in his fiction, he ponders what we would do if, after crying out for divine help, God actually appeared before us? What might the Lord look, sound and act like?In The Stranger in the Lifeboat, Albom keeps us guessing until the end: Is this strange and quiet man really who he claims to be? What actually happened to cause the explosion? Are the survivors already in heaven, or are they in hell?The story is narrated by Benji, one of the passengers, who recounts the events in a notebook that is later discovered—a year later—when the empty life raft washes up on the island of Montserrat.It falls to the island’s chief inspector, Jarty LeFleur, a man battling his own demons, to solve the mystery of what really happened. A fast-paced, compelling novel that makes you ponder your deepest beliefs, The Stranger in the Lifeboat suggests that answers to our prayers may be found where we least expect them.

    Ackerley as “a fairy tale for adults.” Frank, the narrator, is a middle-aged civil servant, intelligent, acerbic, self-righteous, angry. He is in love with Johnny, a young, married, working-class man with a sweetly easygoing nature. When Johnny is sent to prison for committing a petty theft, Frank gets caught up in a struggle with Johnny’s wife and parents for access to him. Their struggle finds a strange focus in Johnny’s dog—a beautiful but neglected German shepherd named Evie. And it is she, in the end, who becomes the improbable and undeniable guardian of Frank’s inner world.

    Cocteau never formally acknowledged the book, except in so far as he allowed it to appear in the 'authorized' bibliography drawn up in connection with his