Probing the dark side of influencer culture and the perils of parenting online, People Like Her explores our desperate need to be seen and the lengths we’ll go to be liked by strangers. It asks what—and who—we sacrifice when make our private lives public, and ultimately lose control of who we let in. . . .

    Claire is surprised to discover that she is smitten with her new employers, a welcoming clique of wellness addicts with impossibly shiny hair, who whirl from juice cleanse to overpriced miracle vitamins to spin class with limitless energy.There is perfect hostess Whitney who is on the brink of social-media stardom and just needs to find a way to keep her perfect life from falling apart. Caustically funny, recent stay-at-home mom Amara who is struggling to embrace her new identity. And old money, veteran mom Gwen who never misses an opportunity to dole out parenting advice. But as Claire grows closer to the cool women who pay her bills, she uncovers secrets and betrayals that no amount of activated charcoal can fix.Filled with humor and shocking twists, Happy and You Know It is a brilliant take on motherhood—exposing it as yet another way for society to pass judgment on women—while also exploring the baffling magnetism of curated social-media lives that are designed to make us feel unworthy. But, ultimately, this dazzling novel celebrates the unlikely bonds that form, and the power that can be unlocked, when a group of very different women is thrown together when each is at her most vulnerable.

    Rule #1: The poison must never be used to harm another woman.Rule #2: The names of the murderer and her victim must be recorded in the apothecary’s register.One cold February evening in 1791, at the back of a dark London alley in a hidden apothecary shop, Nella awaits her newest customer. Once a respected healer, Nella now uses her knowledge for a darker purpose - selling well-disguised poisons to desperate women who would kill to be free of the men in their lives. But when her new patron turns out to be a precocious twelve-year-old named Eliza Fanning, an unexpected friendship sets in motion a string of events that jeopardizes Nella’s world and threatens to expose the many women whose names are written in her register.In present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, reeling from the discovery of her husband’s infidelity. When she finds an old apothecary vial near the river Thames, she can’t resist investigating, only to realize she’s found a link to the unsolved “apothecary murders” that haunted London over two centuries ago. As she deepens her search, Caroline’s life collides with Nella’s and Eliza’s in a stunning twist of fate - and not everyone will survive.

    Now approaching forty, Skye moves through life entirely--and unrepentantly--on her own terms, living out of a suitcase and avoiding all manner of serious relationships. Her personal life might be a mess, and no one would be surprised if she died alone in a hotel room, but at least she's free to do as she pleases. But then a twelve-year-old girl shows up during one of Skye's brief visits to her hometown of Philadelphia, and tells Skye that she's "her egg." Skye's life is thrown into sharp relief and she decides that it might be time to actually try to have a meaningful relationship with another human being. Spoiler alert: It's not easy.Things gets even more complicated when Skye realizes that the woman she tried and failed to pick up the other day is the girl's aunt and now it's awkward. All the while, her brother is trying to get in touch, her problematic mother is being bewilderingly kind, and the West Philly pool halls and hoagie shops of her youth have been replaced by hipster cafes.Told in a fresh, lively voice, this novel is a relentlessly clever, deeply moving portrait of a woman and the relationships she thought she could live without.

    As the pressure mounts, the eight strangers begin slowly opening up to one another and reveal long-hidden truths.First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—and, perhaps, to set an old wrong to right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their own failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun in her face. And despite the story she tells them all, Estelle hasn’t really come to the apartment to view it for her daughter, and her husband really isn’t outside parking the car.As police surround the premises and television channels broadcast the hostage situation live, the tension mounts and even deeper secrets are slowly revealed. Before long, the robber must decide which is the more terrifying prospect: going out to face the police, or staying in the apartment with this group of impossible people.Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

    The truth about that summer, no one else knows.In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

    . .It’s February 1976, and Odessa, Texas, stands on the cusp of the next great oil boom. While the town’s men embrace the coming prosperity, its women intimately know and fear the violence that always seems to follow.In the early hours of the morning after Valentine’s Day, fourteen-year-old Gloria Ramírez appears on the front porch of Mary Rose Whitehead’s ranch house, broken and barely alive. The teenager had been viciously attacked in a nearby oil field—an act of brutality that is tried in the churches and barrooms of Odessa before it can reach a court of law. When justice is evasive, the stage is set for a showdown with potentially devastating consequences.Valentine is a haunting exploration of the intersections of violence and race, class and region in a story that plumbs the depths of darkness and fear, yet offers a window into beauty and hope. Told through the alternating points of view of indelible characters who burrow deep in the reader’s heart, this fierce, unflinching, and surprisingly tender novel illuminates women’s strength and vulnerability, and reminds us that it is the stories we tell ourselves that keep us alive.

    At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.

    Xavier is headed to college in the fall, and after years of single parenting, Valerie is facing the prospect of an empty nest. All is well until the Whitmans move in next door - an apparently traditional family with new money, ambition, and a secretly troubled teenaged daughter.Thanks to his thriving local business, Brad Whitman is something of a celebrity around town, and he's made a small fortune on his customer service and charm, while his wife, Julia, escaped her trailer park upbringing for the security of marriage and homemaking. Their new house is more than she ever imagined for herself, and who wouldn't want to live in Oak Knoll? With little in common except a property line, these two very different families quickly find themselves at odds: first, over an historic oak tree in Valerie's yard, and soon after, the blossoming romance between their two teenagers. Told from multiple points of view, A Good Neighborhood asks big questions about life in America today―What does it mean to be a good neighbor? How do we live alongside each other when we don't see eye to eye?―as it explores the effects of class, race, and heartrending star-crossed love in a story that’s as provocative as it is powerful.

    The wrong one. The one you couldn’t let go of. The one you’ll never forget.Lucy Albright is far from her Long Island upbringing when she arrives on the campus of her small California college, and happy to be hundreds of miles from her mother, whom she’s never forgiven for an act of betrayal in her early teen years. Quickly grasping at her fresh start, Lucy embraces college life and all it has to offer—new friends, wild parties, stimulating classes. And then she meets Stephen DeMarco. Charming. Attractive. Complicated. Devastating. Confident and cocksure, Stephen sees something in Lucy that no one else has, and she’s quickly seduced by this vision of herself, and the sense of possibility that his attention brings her. Meanwhile, Stephen is determined to forget an incident buried in his past that, if exposed, could ruin him, and his single-minded drive for success extends to winning, and keeping, Lucy’s heart. Alternating between Lucy’s and Stephen’s voices, Tell Me Lies follows their connection through college and post-college life in New York City. Deep down, Lucy knows she has to acknowledge the truth about Stephen. But before she can free herself from this addicting entanglement, she must confront and heal her relationship with her mother—or risk losing herself in a delusion about what it truly means to love. With the psychological insight and biting wit of Luckiest Girl Alive, and the yearning ambitions and desires of Sweetbitter, this keenly intelligent and staggeringly resonant novel chronicles the exhilaration and dilemmas of young adulthood, and the difficulty of letting go, even when you know you should.

    She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the House of Horrors into a force for good. But first she must come to terms with her siblings - and with the childhood they shared.

    One of them wants it all. But they can't both win. Stella and Violet are best friends, and from the moment they met in college, they knew their roles. Beautiful, privileged, and reckless Stella lives in the spotlight. Hardworking, laser-focused Violet stays behind the scenes, always ready to clean up the mess that Stella inevitably leaves in her wake.After graduation, Violet moves to New York and lands a job in cable news, where she works her way up from intern to assistant to producer, and to a life where she's finally free from Stella's shadow. In this fast-paced world, Violet thrives, and her ambitions grow -- but everything is jeopardized when Stella, envious of Violet's new life, uses her connections, beauty, and charisma to get hired at the same network. Stella soon moves in front of the camera, becoming the public face of the stories that Violet has worked tirelessly to produce -- and taking all the credit. Stella might be the one with the rich family and the right friends, but Violet isn't giving up so easily. As she and Stella strive for success, each reveals just how far she'll go to get what she wants -- even if it means destroying the other person along the way.

    Some are here to lose weight, some are here to get a reboot on life, some are here for reasons they can’t even admit to themselves. Amidst all of the luxury and pampering, the mindfulness and meditation, they know these ten days might involve some real work. But none of them could imagine just how challenging the next ten days are going to be.Frances Welty, the formerly best-selling romantic novelist, arrives at Tranquillum House nursing a bad back, a broken heart, and an exquisitely painful paper cut. She’s immediately intrigued by her fellow guests. Most of them don’t look to be in need of a health resort at all. But the person that intrigues her most is the strange and charismatic owner/director of Tranquillum House. Could this person really have the answers Frances didn’t even know she was seeking? Should Frances put aside her doubts and immerse herself in everything Tranquillum House has to offer—or should she run while she still can?It’s not long before every guest at Tranquillum House is asking exactly the same question.Combining all of the hallmarks that have made Liane Moriarty's writing a go-to for anyone looking for wickedly smart, page-turning fiction that will make you laugh and gasp, Nine Perfect Strangers once again shows why she is a master of her craft.

    But on Miranda’s twelfth birthday, Billy has a mysterious falling-out with her mother and suddenly disappears from Miranda’s life. She doesn’t hear from him again until sixteen years later when she receives unexpected news: Billy has died and left her Prospero Books, which is teetering on bankruptcy—and one final scavenger hunt.

    Michael⁠⁠--with a ponytail down his back and a septum piercing⁠--lives with his aunt in the cramped stucco cottage next door. When Bunny catches Michael smoking in her yard, he discovers that her life is not as perfect as it seems. At six foot three, Bunny towers over their classmates. Even as she dreams of standing out and competing in the Olympics, she is desperate to fit in, to seem normal, and to get a boyfriend, all while hiding her father's escalating alcoholism. Michael has secrets of his own. At home and at school Michael pretends to be straight, but at night he tries to understand himself by meeting men online for anonymous encounters that both thrill and scare him. When Michael falls in love for the first time, a vicious strain of gossip circulates and a terrible, brutal act becomes the defining feature of both his and Bunny's futures⁠⁠--and of their friendship. With storytelling as intoxicating as it is intelligent, Rufi Thorpe has created a tragic and unflinching portrait of identity, a fascinating examination of our struggles to exist in our bodies, and an excruciatingly beautiful story of two humans aching for connection.