The Iron Age. The Age of Oil.The Stone Age didn't end for want of stones. What do you do when you know it's going to run out? Oil follows the lives of one woman and her daughter in an epic, hurtling crash of empire, history and family.Ella Hickson's explosive new play drills deep into the world's relationship with this finite resource.Oil premiered at the Almeida Theatre, London, in October 2016.

    This short play by Caryl Churchill was an entry in the 1997 London International Festival of Theatre.

    "The two rooms of the title are a windowless cubicle in Beirut where an American hostage is being held by Arab terrorists and a room in his home in the United States which his wife has stripped of furniture so that, at least symbolically, she can share his ordeal."Two Rooms received its world premiere at the La Jolla Playhouse in California on June 21, 1988. The cast is two men and two women.

    In return she expects payment: an annual rent of a single rose, to be delivered on the day of translation of St Winifred. But such a beautfiul woman, and with such a substantial dowry, is an attractive proposition for would-be suitors... and even more so if the house should revert to her. Someone it seems, will stop at nothing to prevent the payment of the rose - not even murder. To Brother Cadfael, as ever, falls the enquiry into this sensational crime.The Hermit of Eyton Forest: Ten-year-old Richard Ludel has, rather reluctantly, become the new lord of Eaton following the death of his father. With the position come the inevitable burdens of responsibility, among them the expectation that young Richard will make a marriage of convenience. But Richard has his own ideas, and befriends the young companion of Cuthred the hermit, who has recently taken up residence in Eyton Forest. It is a peaceful place but its tranquility is rudely shattered by the discovery of a corpse, forcing Brother Cadfael to leave his treasured herb garden and begin his quest to solve the mystery and track down a ruthless killer.The Confession of Brother Haluin: A harsh winter, and the roof of the Benedictine Abbey of St Peter and St Paul threatens to give way under the weight of snow. Brother Haulin, working on the necessary repairs in treacherous conditions, slips from the roof and sustains such grave injuries that he makes his deathbed confession to the Abbot and Brother Cadfael. But Haulin recovers, and in order to atone for his sins he sets out on an arduous journey of expiation, with Cadfael as his sole companion. It is a journey which leads to some shocking revelations, and eventually to murder...

    The end to hostilities will bring her violent husband Charlie home. It also sets off a chain of events that brings more strife and destruction to the people of Paradise Gardens, Hackney - including Zeldas squabbling family and the mysterious local healer, Zinnia Makepeace - than did the Blitz.That's not all. A new boss is making Zelda's life difficult. Zelda's nephew, Tony, is hanging around Brian Hole, a one-boy crime wave and only child of Ma Hole, leader of the local spivs.But Tony can sing - he has, in fact, the voice of an angel - and Miss Makepeace knows a voice coach in Soho. The people Zelda meets there change her life. Bert and Maggie Featherby offer her a way out of Hackney and her failed marriage, while the local hood, Maltese Joe, decides to take on Ma Hole.

    When Cindy enters the storage unit that holds her grandmother's belongings, she is merely looking for items she can sell to recoup some of the rental fees she's spent paying for the shed. Instead, what she finds are secrets her grandmother has taken to the grave with her. The more Cindy uncovers, the more she wants to know. Why was her grandmother abandoned by her own mother? Why hadn't she told Cindy she'd lived in an orphanage? And how come her grandmother never mentioned she'd made history as one of the children who rode the Orphan Trains? Join Cindy as she uncovers her grandmother's hidden past and discovers the life that stole her grandmother's love.

    Book by Wendy MacLeod, MacLeod, Wendy

    In The Happy Journey to Trenton and Camden, four kitchen chairs represent an automobile and a family travels seventy miles in twenty minutes. And in Pullman Car Hiawatha, we board an imaginary railroad car and hear the thoughts of passengers, the populace speeding by -- even the planets above.Here are five one-act plays encompassing the full range of Thornton Wilder's theatrical vision: from the experimental to the humorous to the fantastic. As The New York Times has written, "Wilder's plays are now more than ever in rhythm with our changing habit of theatergoing....He relates the moment to eternity, seeks the infinite in the immediate, finds the universal in each grain of wheat."

    The Carney farmhouse is a hive of activity with preparations for the annual harvest. A day of hard work on the land and a traditional night of feasting and celebrations lie ahead. But this year they will be interrupted by a visitor.Developed by Sonia Friedman Productions, The Ferryman premiered at the Royal Court Theatre, London, in April 2017, before transferring to the West End. The production was directed by Sam Mendes.

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    Son's story is deceptively simple: two young women in New York meet, talk about their boyfriends, feel a growing, unspoken attraction for each other, and finally kiss. And that one innocent kiss sets off a savage gay-bashing. But even as Stop Kiss confronts the reality of physical violence, Son's imaginative, moving, and surprising comedy brings audiences -- and her principal characters -- to unexpected places.Callie is holding down a job as a radio traffic reporter when she meets Sara, a midwesterner who, against her parents' wishes, has moved to the city to teach third-grade students in the Bronx. Both have boyfriends, but as they get to know each other, their shared experiences and sense of humor create a strong bond. The tragic consequences of their kiss -- the center of this powerful drama -- serve as both an indictment of hatred and a moving study of the perils inherent in living life fully.

    But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.“THE BOOK OF WILL…unequivocally announces Gunderson as a playwright with whom to be reckoned. It is, quite frankly, one of the best plays I have ever seen. It will bring tears of both laughter and sorrow to all but the most jaded audience member’s eyes. It is, in a word, a triumph.” —Boulder Weekly (CO). “[Gunderson] has peopled the stage with lively, historically based characters…She paints a vivid portrait of the times in language sometimes formal, sometimes poetic and often…contemporary…She also gives a real feel for theater life and what it means to be an actor; you sense this is a work of both scholarship and love. …[THE BOOK OF WILL] serves as homage to those who sacrificed to make the first folio happen and to Shakespeare’s magnificent words.” —Westword (Denver, CO).

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    Mrs. Bennett is determination to get her daughters married. Jane, Elizabeth and Lydia are likely looking girls in a period when a woman's one possible career is matrimony. To be a wife was success. Anything else was failure. Jane and her Mr. Bingley and Lydia with her Mr. Wickham are quite content with things as they are, but not Elizabeth! She actually refuses to marry Mr. Collins, whom she openly deplores, and Mr. Darcy, whom she secretly adores. The play is the story of the duel between Elizabeth and her pride and Darcy and his prejudice. Each gives in before the evening is over and pride and prejudice meet halfway.

    Theatergoers who have followed August Wilson’s career will find in Gem a touchstone for everything else he has written.”—Ben Brantley, The New York Times“Wilson’s juiciest material. The play holds the stage and its characters hammer home, strongly, the notion of newfound freedom.”—Michael Phillips, Chicago TribuneGem of the Ocean is the play that begins it all. Set in 1904 Pittsburgh, it is chronologically the first work in August Wilson’s decade-by-decade cycle dramatizing the African American experience during the 20th century—an unprecedented series that includes the Pulitzer Prize–winning plays Fences and The Piano Lesson. Aunt Esther, the drama’s 287-year-old fiery matriarch, welcomes into her Hill District home Solly Two Kings, who was born into slavery and scouted for the Union Army, and Citizen Barlow, a young man from Alabama searching for a new life. Gem of the Ocean recently played across the country and on Broadway, with Phylicia Rashad as Aunt Esther.Earlier in 2005, on the completion of the final work of his ten play cycle-surely the most ambitious American dramatic project undertaken in our history-August Wilson disclosed his bout with cancer, an illness of unusual ferocity that would eventually claim his life on October 2. Fittingly the Broadway theatre where his last play will be produced in 2006 has been renamed the August Wilson Theater in his honor. His legacy will animate the theatre and stir the human heart for decades to come.