As Alan’s valet, Jem offers much more than polished boots and starched cravats. He makes Alan smile and warms his bed. Just as the men are adjusting to their new living arrangement, news about a former soldier under his command sends Sir Watleigh and Jem on the road to save a child in danger.The journey brings them closer together as they travel from lust toward love. But is Alan's love strong enough to risk society discovering the truth about him?Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Male/male sexual practices.

    Adrift and still grieving, he tries to find meaning in an unsatisfying job. Work takes him to the remote seaside villa of an old friend, where, among an odd assortment of guests, he meets the eunuch sword-dancer Varazda. Enigmatic and beautiful but distinctly prickly, Varazda is the antithesis of the straightforward and serious Damiskos. Yet as they keep getting in each other’s way at the villa, their mutual dislike is complicated by a spark of undeniable attraction. Then the villa’s guests begin to reveal their true characters and motives—no one here is what they seem—and Damiskos finds himself at the centre of a bizarre web of espionage, theft, and assassination. Varazda may need Damiskos’s help, but not as much as Damiskos, finally awakening to a new sense of life and purpose, needs Varazda. Sword Dance is the first book in the Sword Dance trilogy, an m/nb romance set in an imaginary ancient world, with murderous philosophy students, sex acts named after fruit, and love blossoming in the midst of mayhem.

    Unable to face his family, Sutton heads to Manhattan with no plans and little money in his pocket but with a desire to call his life his own. Jack Bailey lost his parents to influenza and now hopes to save the family novelty shop by advertising on the radio, a medium barely more than a novelty, itself. His nights are spent in a careless and debauched romp through the gayer sections of Manhattan. When these two men cross paths, despite a world of differences separating them, their attraction cannot be denied. Sutton finds himself drawn to the piano, playing for Jack. But can his music heal them both, or will sudden prosperity jeopardize their chance at love?

    A valet? Why not? Escorting an elderly diplomat to the Leeward Islands seems like an easy job, but when their ship is boarded by pirates, Kit’s world is turned upside down. Forced aboard the pirate ship, Kit finds himself juggling his honor with his desire to stay alive among the crew, not to mention the alarming—yet enticing—captain, known as La Griffe. Kit has always obeyed the rules, but as the pirates plunder their way across the Caribbean, he finds much to admire in their freedom. He deplores their lawlessness but is drawn to their way of life, and begins to think he might just have found a purpose. Dare he dream of finding love too? Or would loving a pirate take him too far down the road to ruin?

    Now his fight against Napoleon is reduced to quiet, lonely days compiling paperwork at Horse Guards headquarters.His evenings are spent dutifully escorting his mother and sister to stifling social engagements, where his lameness renders him an object of pity and distaste. But his orderly, restricted life is thrown into sudden disarray with the arrival of Colonel Theo Lindsay. Theo is everything Hugh is not—a man of physical perfection and easy yet distinguished address. Surprisingly to Hugh, Theo appears to be interested in making his acquaintance. Lindsay turns out to be a most convivial companion, and Hugh finds great pleasure in his company. Their friendship deepens when they become lovers.In spite of himself, Hugh falls desperately in love. But when a French spy is suspected at Horse Guards, Hugh discovers nothing is as it seems…and the paper he shuffles from day to day could be the instrument of his lover’s death. Product WarningsContains gallant English officers in love, dastardly French spies, skintight pantaloons (sometimes on the floor) and gleaming tasseled Hessians.

     Once the golden boy of the English literary scene, now a clinically depressed writer of pulp crime fiction, Ash Winters has given up on love, hope, happiness, and — most of all — himself. He lives his life between the cycles of his illness, haunted by the ghosts of other people’s expectations. Then a chance encounter at a stag party throws him into the arms of Essex boy Darian Taylor, an aspiring model who lives in a world of hair gel, fake tans, and fashion shows. By his own admission, Darian isn’t the crispest lettuce in the fridge, but he cooks a mean cottage pie and makes Ash laugh, reminding him of what it’s like to step beyond the boundaries of anxiety. But Ash has been living in his own shadow for so long that he can’t see past the glitter to the light. Can a man who doesn’t trust himself ever trust in happiness? And how can a man who doesn’t believe in happiness ever fight for his own?

    Instead of hating the strict schedules and tight oversight by staff, James blossoms, quickly making friends and indulging in his love of writing, while contemplating the merits of sneaking love poems to the elusive and aloof William Esher.The rumours about William’s sexuality and opium reliance are prime gossip material amongst the third years. Rumours that only further pique James' curiosity to uncover what William is really like beneath all that emotional armor. And, when the normally collected William stumbles in one night, shaken and ranting of ghosts... James is the only one who believes him.James himself has heard the nails dragging down his bedroom door and the sobs echoing in the halls at night. He knows others have, too, even if no one will admit it. The staff refuses to entertain such ridiculous tales, and punishment awaits anyone who brings it up.Their fervent denial and the disappearance of students only furthers James’s determination to find out what secrets Whisperwood is hiding... Especially if it means keeping William and himself from becoming the next victims.

    Norrell in debut author Freya Marske’s A Marvellous Light, featuring an Edwardian England full of magic, contracts, and conspiracies. Robin Blyth has more than enough bother in his life. He’s struggling to be a good older brother, a responsible employer, and the harried baronet of a seat gutted by his late parents’ excesses. When an administrative mistake sees him named the civil service liaison to a hidden magical society, he discovers what’s been operating beneath the unextraordinary reality he’s always known.Now Robin must contend with the beauty and danger of magic, an excruciating deadly curse, and the alarming visions of the future that come with it—not to mention Edwin Courcey, his cold and prickly counterpart in the magical bureaucracy, who clearly wishes Robin were anyone and anywhere else.Robin’s predecessor has disappeared, and the mystery of what happened to him reveals unsettling truths about the very oldest stories they’ve been told about the land they live on and what binds it. Thrown together and facing unexpected dangers, Robin and Edwin discover a plot that threatens every magician in the British Isles—and a secret that more than one person has already died to keep.

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

    Though he hasn't got a lick of wit or magic to his name, he's perfectly content living life as an airheaded bachelor with his valet—the clever, unflappable Jacobi—by his side to ensure everything runs smoothly. All he lacks, according to his mother, is a wife.Despite Alphonse's protests, he's to marry Aaliyah Kaddour: a bright, headstrong young woman who would probably be charming company if she didn't threaten everything about Alphonse's way of life. Marrying means giving up his fashionable flat, his fast car, and, worst of all, it means losing Jacobi.Perhaps most distressingly, this talk of marriage is bringing all sorts of confusing feelings to the forefront. Because rather than falling for the beautiful girl being pushed into his arms, Alphonse seems to be falling for his valet. Except a man can't fall in love with another man. Can he?Meanwhile, Aaliyah has plans of her own. She's as devious as she is pretty, but if Alphonse wants to get through this marriage business in one piece, he'll have to trust her. Her and Jacobi, and, most dangerously, his own feelings.

    Yet over three long years at the front, his dashing batman, Private West, became his reason for fighting—and his reason for living.But Ash’s war ends in catastrophe. Gravely wounded, he’s evacuated home to his family’s country house in Highcliffe. Bereft of West, angry and alone, Ash struggles to re-join the genteel world he no longer understands.For Harry West, an ostler from London’s East End, it was love at first sight when he met kind and complex Captain Dalton. Harry doubts their friendship can survive in the class-bound world back home, but he knows he’ll never forget his captain.When the guns finally fall silent, Harry finds himself adrift in London. Unemployed and desperate, he swallows his pride and travels to Highcliffe in search of work and the man he loves. Under the nose of Ash’s overbearing father, the men’s intense wartime friendship deepens into a passionate, forbidden love affair.But breaching the barriers of class and sexuality is dangerous and enemies lurk in Highcliffe’s rose-scented shadows.After giving their all for their country, Harry and Ash face a terrible choice—defy family, society and the law to love as their hearts demand, or say goodbye forever...

    But the latest Londoner to seek Ned’s magical aid gives him pause: Mr Edgar Nevett, an arrogant banker, is the father of the bully who made Ned’s life hell at boarding school. Nevertheless, Ned accepts the commission to ensure the Nevett family silver bears no ancient or modern curses, and then prepares to banish the Nevett family to unpleasant memory again. Until Edgar Nevett is killed by an enchanted silver candlestick—one of the pieces Ned declared magically harmless.Calling on his old school friend Julian Lynes—private detective and another victim of the younger Nevett—Ned races to solve the murder, clear the stain on his professional reputation, and lay to rest the ghosts of his past.Assisted by Ned’s able secretary Miss Frost, who has unexpected metaphysical skills of her own, Ned and Julian explore London’s criminal underworld and sodomitical demimonde, uncover secrets and scandals, confront the unexpected murderer and the mysteries of their own relationship.In Death by Silver veteran authors Melissa Scott and Amy Griswold introduce a Victorian London where magic works, influencing every aspect of civilized life, and two very appealing detectives.

    But sometimes when everything falls apart, better things appear almost like magic. Now, he’s back in his Michigan hometown, finally opening the bakery he’s always dreamed of. But the pleasure of opening day is nothing compared to the lonely and beautiful man who bewitches Alex before he even orders.Corbin Wale is a weirdo. At least, that’s what he’s heard his whole life. He knows he’s often in a fantasy world, but the things he feels are very real. And so is the reason why he can never, ever be with Alex Barrow. Even if Alex is everything he’s always fantasized about. Even if maybe, just maybe, Corbin is Alex’s fantasy too.When Corbin begins working at the bakery, he and Alex can’t deny their connection any longer. As the holiday season works its magic, Alex yearns for the man who seems out of reach. But to be with Alex, Corbin will have to challenge every truth he’s ever known. If his holiday risk pays off, two men from different worlds will get the love they’ve always longed for.* * * Ten percent of all proceeds from this title will be donated to the Russian LGBT Network.

    The year is 1764, and following a glowing recommendation from his last employer, Henry Coffey, vampire, takes on a new personal secretary: young Theophilus Essex.The man is quite unlike any secretary - or any man, for that matter - that Henry has ever met.---'Heart of Stone' is a slowly unfolding period romance between a vampire and his inimitably devoted clerk: lushly depicted in flowing, lovingly appended prose, we follow the slow understanding these two men grasp of one another, and the cross of their two worlds into each other's.Henry Coffey, immortal and ever-oscillating between periods of delighted focus upon his current passion project, is charming, witty, and seems utterly incapable of closing his mouth for more than a few moments; in contrast, Theophilus Essex is quiet and keenly focused, adopting an ever-flat affect, but as time goes on, he relaxes in his employer's presence.Craving resounding intimacy but with an ever aware of the polite boundaries for their situation, Coffey and Essex perform a slow dance as they grow closer to one another, and find themselves entangled.

    Most of the townsfolk of South Pass City treat him as a simpleton because he’s deaf, but that’s not his only problem. Something in Elijah runs contrary to nature and to God. Something that Elijah desperately tries to keep hidden.Harlan Crane, owner of the Empire saloon, knows Elijah for what he is—and for all the ungodly things he wants. But Crane isn’t the only one. Grady Mullins desires Elijah too, but unlike Crane, he refuses to push the kid.When violence shatters Elijah’s world, he is caught between two very different men and two devastating urges: revenge, and despair. In a boomtown teetering on the edge of a bust, Elijah must face what it means to be a man in control of his own destiny, and choose a course that might end his life . . . or truly begin it for the very first time.