It's the only current, comprehensive guide to working with cabochons--a flat piece of rock or mineral--and it covers all the basics, along with a range of new creative techniques and hot trends. Find out which tools and materials to use, which beads work best, and how to wrap them round the stones. Craft turned, pointed, twisted, brick stitch, ruffled, or scalloped edges, or add decorative fringe. For something dramatic, combine more than one cabochon in a single piece. Or, instead of natural stone, use dichroic glass or other found objects. Make a glittering brooch, funky bracelets, a wearable art necklace, and other showstoppers.

    And best of all was the remarkable grandmother who made magic of all she touched, bringing the past alive as only a born storyteller could.Here are those marvelous tales—faithfully recalled for the delight of young and old alike, a touchstone to another day when life was simpler, perhaps richer; when the treasures of family life and love were passed from generation to generation by a child's questions...and the legends that followed enlarged our faith.Gifted storyteller Arleta Richardson grew up an only child in Chicago, living in a hotel on the shores of Lake Michigan. Under the care of her maternal grandmother, she listened for hours as her grandmother told stories from her own childhood. With unusual recall, Arleta began to write these stories for an audience that now numbers over 2 million. "My grandmother would be amazed to know her stories have gone around the world," Arleta says.

    As Ann Beattie writes in her perceptive introduction, These girls still exist in an innocent world in which a pose is only a pose--what adults make of that pose may be the issue. Sally Mann's work is in the collections of major museums across the country. Haunting black-and-white studies of children, shown here as surprisingly sensual and often distant beings, the magical keepers of some obscure and vaguely frightening secrets.--Karen Lipson, Newsday