Here begins the story of a small African nation, told by a swarm-like chorus that calls itself man’s greatest nemesis. In 1904, in a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives – their triumphs, errors, losses and hopes – form a symphony about what it means to be human.From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines – this novel sweeps over the years and the globe.

    The most famous storyteller in Damascus, Salim, the coachman, has mysteriously lost his voice. For seven nights, his seven old friends gather to break the spell with their seven different, unique stories -- some personal, some modern, some borrowed from the past. Against the backdrop of shifting Middle Eastern politics, Schami's eight characters, lost to the Arabian nights, weave in and out of tales of wizards and princesses, of New York skyscrapers and America. With spellbinding power, Schami imparts a luscious vision of storytelling as food for thought and salve for the soul, as the glue which holds our lives together.

    He was one of the colonels closest to the Supreme Commander. When they meet, years later, far from their country of birth, a strange, equivocal relationship develops between them. Both their shared past of suffering and old romantic passions come rushing back accompanied by recollections of the perverse logic of violence that dominated the dicatorship under which they lived. The Man Who Snapped His Fingers is a novel of ideas, exploring power and memory by an important female writer from a part of the world where female voices are routinely silenced.

    In prose that is both raw and compelling, it tells the story of Beth Heke, a Maori woman struggling to keep her family from falling apart, despite the squalor and violence of the housing projects in which they live. Conveying both the rich textures of Maori tradition and the wounds left by its absence, Once Were Warriors is a masterpiece of unblinking realism, irresistible energy, and great sorrow.

    Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean--family, manners, and landscape--as distilled and transformed by Kincaid's special style and vision.Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things--a house, a cup, a pen. Transfiguring our human form and our surroundings--shedding skin, darkening an afternoon, painting a perfect place--these stories tell us something we didn't know, in a way we hadn't expected.

    At the center of it all is the reticent Mugo, the village's chosen hero and a man haunted by a terrible secret. As we learn of the villagers' tangled histories in a narrative interwoven with myth and peppered with allusions to real-life leaders, including Jomo Kenyatta, a masterly story unfolds in which compromises are forced, friendships are betrayed, and loves are tested.

    Originally published against government wishes in Vietnam because of its non-heroic, non-ideological tone, The Sorrow of War has won worldwide acclaim and become an international bestseller

    Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive "feminine" passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millennia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.

    She leaned against the glass front of the parlor, one leg bent like a crane's. Luring in the clients with sweet and oily words consumed a surprising amount of energy"Reserved, at times defiant, Lotus is different from the other streetwalkers. Her striking eyes glow under Shenzhen’s neon lights, capturing the attention of Funny Eye, Family Treasure, and a slew of other demanding clients determined to make Lotus their property. Choosing between wealthy, powerful, and dangerous men is no easy feat, but it is a surprising offer from Binbing, a soft-spoken and humble photojournalist, that presents the biggest challenge. Is Lotus willing to fall in love? Is she capable of it?Inspired by the deathbed revelation that the author’s grandmother had been sold to a brothel in her youth,Lotus offers compelling insight into China’s bustling underground world and reveals the surprising strength found in those confronted with impossible choices. Written with compassion and vivid prose, and packed with characters you won’t soon forget, Lijia Zhang's Lotus examines what it means to be an individual in a society that praises restraint in and obedience from its women.

    Suleri; of her tenacious grandmother Dadi and five siblings; and of her own passage to the West."Nine autobiographical tales that move easily back and forth among Pakistan, Britain, and the United States. . . . She forays lightly into Pakistani history, and deeply into the history of her family and friends. . . . The Suleri women at home in Pakistan make this book sing."—Daniel Wolfe, New York Times Book Review"A jewel of insight and beauty. . . . Suleri's voice has the same authority when she speaks about Pakistani politics as it does in her literary interludes."—Rone Tempest, Los Angeles Times Book Review"The author has a gift for rendering her family with a few, deft strokes, turning them out as whole and complete as eggs."—Anita Desai, Washington Post Book World"Meatless Days takes the reader through a Third World that will surprise and confound him even as it records the author's similar perplexities while coming to terms with the West. Those voyages Suleri narrates in great strings of words and images so rich that they left this reader . . . hungering for more."—Ron Grossman, Chicago Tribune"Dazzling. . . . Suleri is a postcolonial Proust to Rushdie's phantasmagorical Pynchon."—Henry Louise Gates, Jr., Voice Literary Supplement

    Who are the Burghers? Descended from the Dutch, the Portuguese, the British and other foreigners who arrived in the island-nation of Sri Lanka (and 'mingled' with the local inhabitants), the Burghers often stand out because of their curiously mixed features-grey eyes in an otherwise Dravid face, for instance.... A handsome and guileless people, the Burghers have always lived it up, forever willing to 'put a party'. Carl Muller, a Burgher himself, writes in this quasi-fictional, engaging biography of the lives of his people; they emerge, at the end of his story, as a race of fun-loving, hardy people, much like the jam fruit tree which simply refuses to be contained or destroyed.

    Her father wants her to be a dutiful daughter, waiting for an arranged marriage like her sister Ruby.Running is a quiet rebellion. But Amber wants so much more - and she's ready to fight for it.It's time for a revolution.

    Shortly after her arrival, her apartment is burglarized, and her collection of precious shells, shells that she had been collecting for a lifetime, is stolen. Meeting with indifference from the local police, she decides to investigate the crime on her own, with the help of her new friend from the Museum of Natural History, Sof. While investigating the crime, Helena reflects on the life she’s lived—her ex-husband, her daughter, her lovers, her childhood—and begins to fall in love with her married boss, Theo Verway.An alternately sublime and satirical meditation on love, loss, and obsession, Ingrid Winterbach's The Book of Happenstance is an emotionally affecting masterpiece from one of South Africa’s most exciting authors.

    Josef meets his wife, Kveta, before the Second World War at a public lecture on Hittite culture. Kveta chooses to marry Josef over their mutual friend Hynek, but when her husband is later arrested and imprisoned for an unnamed crime, Kveta gives herself to Hynek in return for help and advice. The author explores the complexities of what is not spoken, what cannot be said, the repercussions of silence after an ordeal, the absurdity of forgotten pain, and what it is to be an outsider.   In Zmeškal’s tale, told not chronologically but rather as a mosaic of events, time progresses unevenly and unpredictably, as does one’s understanding. The saga belongs to a particular family, but it also exposes the larger, ongoing struggle of postcommunist Eastern Europe to come to terms with suffering when catharsis is denied. Reporting from a fresh, multicultural perspective, Zmeškal makes a welcome contribution to European literature in the twenty-first century.

    Khumalo’s salon, and she is secure in her status until the handsome, smooth-talking Dumisani shows up one day for work. Despite her resistance, the two become friends, and eventually, Vimbai becomes Dumisani’s landlady. He is as charming as he is deft with the scissors, and Vimbai finds that he means more and more to her. Yet, by novel’s end, the pair’s deepening friendship—used or embraced by Dumisani and Vimbai with different futures in mind—collapses in unexpected brutality.The novel is an acute portrayal of a rapidly changing Zimbabwe. In addition to Vimbai and Dumisani’s personal development, the book shows us how social concerns shape the lives of everyday people.