“What is a body in a stolen country,” Yoon asks. “What is right in war.”Moving readers through time, space, and different cultures, and bringing vivid life to the testimonies and confessions of the victims,Yoon takes possession of a painful and shameful history even while unearthing moments of rare beauty in acts of resistance and resilience, and in the instinct to survive and bear witness.

    By doing so, Dawn delves deeper into the themes of trauma, memory, and unblushing sexuality that define her work.Amber Dawn is the author of the Lambda Award-winning novel Sub Rosa and the memoir How Poetry Saved My Life (winner of the Vancouver Book Award). Her other awards include the Writers' Trust of Canada Dayne Ogilvie Prize.

    —from “Poem of My Humiliations”“What is life but a cross / over rotten water?” Poet, novelist, and essayist Erika L. Sánchez’s powerful debut poetry collection explores what it means to live on both sides of the border—the border between countries, languages, despair and possibility, and the living and the dead. Sánchez tells her own story as the daughter of undocumented Mexican immigrants and as part of a family steeped in faith, work, grief, and expectations. The poems confront sex, shame, race, and an America roiling with xenophobia, violence, and laws of suspicion and suppression. With candor and urgency, and with the unblinking eyes of a journalist, Sánchez roves from the individual life into the lives of sex workers, narco-traffickers, factory laborers, artists, and lovers. What emerges is a powerful, multifaceted portrait of survival. Lessons on Expulsion is the first book by a vibrant, essential new writer now breaking into the national literary landscape.

    In addition to including many more pieces, Tomlinson has organized the whole in chronological order.It isn't what he [the poet] says that counts as a work of art," Williams maintained, "it's what he makes, with such intensity of purpose that it lives with an intrinsic movement of its own to verify its authenticity.

    As a result of her conjuring, the reader feels these spirits begin to exorcise the grief of those who are still alive. Throughout, there is the body, a reclamation and pushback against cultures that simultaneously sexualize and shame women. And there is a softness as inherent as rage, a resisting of stereotypes that too often speak louder than the complexities of a resilient cultural identity.The magic my body becomes is an exciting new book from an exciting young poet, a love letter to a people as well as a fist in the air.

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.

    Of words, yes. Of well crafted images ("your name tucked under my tongue, an unraveling string that pulls & pulls".) But more than just that, this book thrills and pulls you in, showing you a history, a lineage, an invitation into Wee’s room, both in its cleanest and messiest moments. This is a stunning work by a powerful writer. The work in this book grabs on to all of the right emotions, and never lets go.”— Hanif Willis-AbdurraqibAuthor of The Crown Ain’t Worth Much*“Natalie Wee’s writing is indicative of a wordsmith-master utilizing all her tools with precision. Wee says the words we think, and then reshapes them, out loud, into beautiful origami-like gifts that hit you like “stray bullets splinter technicolour lovers.” The intricacies of her images walk a fine line that hover closely over genius, and the supernatural. From her well thought-out use of white space, enjambments, and form, Our Bodies and Other Fine Machines tells tales of hurt, pain, lust, love and all that lurks between leaving the “unsayable hung in our mouths.”— Chelene Knight,Managing Editor of Room Magazine*“This debut is breathtaking. Wee’s writing drops you into her world and you do not want to leave. Her portrait of girlhood from an outsider still feels as intimate and relentlessly soft as any old Polaroid plucked from your mother’s scrapbook. The poetry here is raw and refined, bloody and delicate, a whole body of work that turns our elusive moments into fine tuned pieces of machinery. Rarely do I find myself in awe of the beauty of language, both diction and visually. Even the shape of Wee’s words are gorgeous.Though this is Wee’s first collection, she writes with a steady hand and a steadier voice. Wee’s perspective is genuine, honest, and highly crafted. Our Bodies & Other Fine Machines is a bouquet arranged with every blossom and thorn for us to witness.”— Alex Dang!,Author of Are You Proud of Me?*“In Our Bodies & Other Fine Machines, Natalie Wee asks, “What is it like to be made a person / instead of a stranger’s dim shadow?” and reveals, “my bones are heavy with the weight of never having been seen at all.” It is with just such rigor and grace that Wee demands sight throughout this collection. Illuminating myriad ways queer women of color are silenced, dismissed, and unseen, she uses her vibrant voice as a call to attention. At times demure, yet always potent: “Mine was not a magic / of large curses but small misfortunes,” Wee opens a necessary and vulnerable space for the silenced. “My hands have made / some good mistakes,” she confides, but warns, “Do not mistake my silence / for subservience.” These pages are alive with determination to be heard, seen, understood. There is an urgency here one cannot escape, expressed entirely in Wee’s own careful and knowing language. More than remarkable, this book is necessary.”— Jeanann Verlee,Author of Racing Hummingbirds and Said the Manic to the Muse

    0-935906-02-9$5.00 / Javan Press

    Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic."

    This anthology of poems and essays is a forceful argument for the continuing cultural relevance of poetry.

    Native American Studies. Erika T. Wurth's BUCKSKIN COCAINE is a wild, beautiful ride into the seedy underworld of Native American film. These are stories about men maddened by fame, actors desperate for their next buckskin gig, directors grown cynical and cruel, and dancers who leave everything behind in order to make it, only to realize at thirty that there is nothing left. Poetic and strange, Wurth's characters and vivid language will burn themselves into your mind, and linger. This is the raw stuff, the loud stuff, the hard stuff, the true stuff. It'll infect you in a way you won't realize at first, too. Not until days later, when you can't remember if you read this or you lived it. Trust me: you did both.-- Stephen Graham Jones BUCKSKIN COCAINE is a big voicey chorus of drugs, sex, booze, movies, and most of all the drumbeat of want, need, and desire.-- Kyle Minor

     This book will start you on your journey to stop enabling. If you just can’t maintain boundaries with your adult child/children, and you find yourself constantly taken advantage of, then this book is for you. Discover the wealth of shared experience that can exist in a parent/adult child relationship that is not dominated by unrealistic expectations, manipulations and resentment. The goal is to empower you, as you understand the enabling cycle and then learn some very practical tools to help you stop. The enabling cycle can be challenged, and change will happen. Getting your power back in your life, and feeling the freedom of being in control of your decisions is an amazingly freeing process. It does however take work, and that is where this very practical book can get you started. You may find that your needs are constantly disregarded, while your adult child expects you to continually be there to pick up the pieces and rescue them again and again. It is time to learn HOW TO put firm boundaries in place in a calm and dignified manner. This book will help you see what lies are keeping you in your current stressful and unfulfilled situation. You will learn how to start the journey towards sharing a mutually fulfilling mature relationship with your adult child. Here Is A Preview Of What You'll Learn Understanding the Enabler or Rescuer How the Enabling Cycle Continues and Grows Boundaries Are Your Friend! Dignified Assertiveness The Importance of Individuation It’s Not Cruel To Say ‘No’! Changing Your Thinking (Cognitive Behavioral Therapy) Practical Steps For Putting Your New Thinking and Boundaries Into Action Take action right away to start your empowering journey today by downloading this book, "How To Stop Enabling Your Adult Children", for a limited time discount of only $0.99! Tags: enabling adult children, rescuing, relationships, parenting, boundaries, enabling, individuation, cognitive behavioural therapy, CBT, self-talk, healthy boundaries

    Finding the SECRET to a happy, peaceful life in self-love was worth the 13- year journey in a foreign country because without it, I may have never found THAT SECRET. Life is about the choices we make. Each choice decides about our destiny. WE are in charge of our destiny, especially when it comes to love and relationships...’Author's dream to live in England came true in 2004 but when she suddenly lost most of her belongings, health, career, money, home and her soulmate, she decided to share the story which led to this tragic moment. Will she find the courage, resilience and determination to start her life abroad all over? Will she make the right choices that life presents her with? How will she deal with poverty, pain, homelessness and betrayals whilst looking for love?Travel to around fifty European locations, fall in love, have your heart broken, fall in love again and find strength to keep going but never, ever give up on life! It truly is a brave record of one woman's relationships and heartbreaks, dealing with depression in the wake of Brexit and her life as a newly named 'immigrant' or simply an EU citizen. Are you truly ready for a journey to feel UNCONDITIONAL LOVE together with one brave 'Polish Girl' ? REVIEW FROM THE DAILY BRUNCH:THE MOST INSPIRING BOOK ON LOVE!'For me, ‘Polish Girl; In Pursuit of the English Dream’ is a true masterpiece of reflections on love and life, making me want to recommend it to everyone who is ready to set off on their own spiritual journey to find out more about their own soul together with one courageous, unique and life-loving Polish girl. I can guarantee that you will relate to at least one thing in her life story, if not a few. I wish there were more stories like this published which millions of people can so easily relate to. After all, the spiritual journey is what we are all here for. If we cannot evolve and learn from the past to have a better future, is life really worth living?'

    In poised yet unrelenting lyric poems, Shanahan—queer and mixed-race—confronts the challenges of a complex cultural inheritance, informed by colonialism and his mother’s immigration to the United States from Morocco, navigating racial constructs, sexuality, family, and the globe in search of “who we are to each other . . . who we are to ourselves.” With poems that weave from Marrakesh to Zürich to London, through history to the present day, this book is, on its surface, an uncompromising exploration of identity in personal and collective terms. Yet the collection is, most deeply, about intimacy and love, the inevitability of human separation and the challenge of human connection. Urging us to reexamine our own place in the broader human tapestry, Into Each Room We Enter without Knowing announces the arrival of a powerful and necessary new voice.