. . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."—Variety"Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears—lean, colloquial, and conversational for us and true to Chekhov's original work."—The Cincinnati EnquirerIn her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.

    It finds in the lives of Maggie, her family and her neighbours not only all the tragedy that appalling housing, massive unemployment and grinding poverty can produce, but alo a rich vein of comedy - the sense of the ridiculous, the need for a good laugh.

    Alexis refuses to admit that her lies are the reason her son is fatherless. Silvia loves her man and will stop at nothing to prove her love . . . nothing . . . So murder is an option.All of these women have one thing in common: They believe that Monica is the problem, and they want her out of the way.Why Her? is a novel about cruel, low self-esteem wenches who never understood the number one rule of love: Love thyself first. Because of that, they will make Monica’s life miserable. Will Monica be able to survive the drama? Or will she give up and let them win?

    And this time he's got a baby. William Walker loves his gorgeous wife and new son – even if he did faint at the birth. What man wouldn't, after two whole days of labour and only one small sip of (medicinal) whiskey to sustain him? But now he's a father, and a proud one at that. It's just a shame that parenthood doesn't stop him doing the wrong thing at precisely the wrong time, with comically catastrophic results for his small – and increasingly exasperated – family.This hilarious romantic comedy will have you laughing out loud as William battles everything from floods to the Machiavellian denizens of a sinister Kentish village with more than a few hints of Royston Vasey…

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    Each novel will transport you across oceans and back in time. A Greater World takes you to the beautiful Blue Mountains of Australia in the 1920s. Kurinji Flowers to the tea plantations of Southern India in the 1930s and 40s - the last years of British colonial rule. Letters from a Patchwork Quilt to the ugly industrial north of Victorian England and to St Louis, Missouri. None of the characters went where they had to go by choice, and all faced life–changing challenges. Can love make the difference? Will it stand the course? Warning – once you start reading you will be up all night.

    Hart, and produced by Richard Barton Lewis. It has been called an up-to-date reworking of the Oliver Twist story by Charles Dickens.

    Losing her young son to a tragic accident had nearly driven her to the point of madness and now she was on the verge of losing her husband too. In a last ditch effort to save their marriage, she decided to book a romantic cabin vacation for just the two of them up in the mountains of North Carolina. She thought she had experienced the worst life could throw at her. Little did she know that the wilderness had in something else in store for her, when she finds herself left alone and fighting for her life.

    However, with Pandora on her side, who is going to win if they argue with them?Whether it is possible or not, plenty try. How much of what Katie does is due to her recent heartache? In the end, the enemy steps up their efforts to bring down these sisters in heart and deed. Do they finally have the answer?  Others need legal documents, these two women have a Sacred Pact. The World is in Good Hands... Ok, one set of good hands, one set of mischievous hands.

    Now middle-aged women, they were teenagers when Dean filmed Giant two decades ago in nearby Marfa. One of them, an extra in the film, has a child whom she says was conceived with Dean during the shoot. The ladies' congenial reminiscences mingle with flash backs to their youth; then the arrival of a stunning but familiar stranger se

     By Your Side- Jake Miller likes his life. It’s simple and quiet. Solitary. He’s taking the last thing his mother truly cared about before she died, the properties she owned, and making them his purpose. His time in the Army hadn’t allowed him to be there for her before, but this is something he can do now. Just him and his dog. Exactly how he wants it. Until her, his first tenant. With her innate openness and blinding smiles, the opposite of everything he thought he could possibly want. Casey Steadman has less to show for her twenty-nine years than she’d hoped. No white picket fence. No 2.5 kids. And definitely no loving husband. Just a few lukewarm relationships, an exceedingly crappy apartment, and a fabulous shoe collection (and the credit card debt to prove it). Moving into her new place is one big, high heeled step towards a new life. The stable, make-boring-mature-decisions kind of life that she needs to be able to prove to her family that she can live. What she wasn’t planning on was her hotter-than-Hades new landlord. Sparks are a-flying, and they’re the kind that can only come from a stiletto-loving, dog-hating, budget-repelling, relentlessly optimistic, youngest of five becoming the tenant and next door neighbor to a stoically silent, slightly pessimistic, ‘my only friend is my dog’, only child and former Army Ranger. Casey and Jake are total opposites. But when they come together, it just might be true love. Light Me Up- For Rachel Hennessy, it’s been an interesting six months. Boyfriend? Cheated on her. Job? She totally just got fired. Starting her own wedding planning business sounds exciting … in theory. In reality, it’s completely terrifying. And on top of all that, the freaking cherry right on top? She just had an ill-timed, alcohol-instigated one-night stand with her bff Casey’s brother, Tate. Yeah, that Tate. The one that she’s had a teensy, inconvenient crush on for years. But nothing about it is ill-timed or inconvenient for Tate Steadman. Because he finally feels free. Free of the oppressive relationship he’d been in for the past six years. Free to pursue Rachel, because one alcohol-fueled night was not even close to enough for him. He just wished she saw it that way. Because she makes him want more than he ever knew he was capable of. When their one night has unexpected consequences, Rachel has no clue how to trust that he’s not just trying to be ‘the good guy’ who wants to do ‘the right thing’. And even though the chemistry between them practically burns down an entire city block when they’re together, she doesn’t know how to let down the concrete wall she’s built up around herself. The ‘mistake’ of one evening can change the trajectory of two lives, but maybe a mistake is all they really need to push them right into true love. Tell Them Lies- Liz Peters hasn’t exactly gotten the happily-ever-after she’s read about in her Jane Austen books. ‘Always a bridesmaid’ is more fitting to the way life has been passing this good girl by. About to go postal from loneliness, she meets a man who doesn’t seem to fit any of her requirements for a book-worthy hero. Kieran Carter would do just about anything to put a smile on his terminally ill mother’s face. When he meets a woman in the ice cream aisle at the grocery store, Kieran finally has opportunity to do just that. If he needs to lie in order to give his mom a little hope? Not a freakin problem.

    The monkey's cruel incarceration in a cage is avenged when the birds trick the Twits into believing the world has turned upside-down. The Twits join in, aided by the birds who drop glue on their hair, and the audience is encouraged to play their part in freeing the monkeys.

    A “skillfully-told story that engages the emotions as well as the brain,” Golden Child explores the impact of these decisions on each of his great-grandfather’s three wives, and succeeding generations (Entertainment Focus).David Henry Hwang is the author of the Tony Award-winning M. Butterfly, Yellow Face (OBIE Award, 2008 Pulitzer Prize finalist), Golden Child (1997 OBIE Award), FOB (1981 OBIE Award), Family Devotions (Drama Desk nomination), and the books for musicals Aida ( co-author), Flower Drum Song (2002 Broadway revival), and Tarzan, among other works. David Henry Hwang graduated from Stanford University, attended the Yale School of Drama, and holds honorary degrees from Columbia College in Chicago and The American Conservatory Theatre. He lives in New York City with his wife, actress Kathryn Layng, and their children, Noah David and Eva Veanne.

    Sixteen years after graduation, Mitch happens to catch Morrie's appearance on a television news program and learns that his old professor is battling Lou Gehrig's Disease. Mitch is reunited with Morrie, and what starts as a simple visit truns into a weekly pilgrimage and a last class in the meaning of life.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.