Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy–or–hüzün–that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters–both Turkish and foreign–who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

    But radio came roaring back with a whole new concept. The war was over, the baby boom was on, the country was in clover, and a bold new beat was giving the syrupy songs of yesteryear a run for their money. Add transistors, 45 rpm records, and a young man named Elvis to the mix, and the result was the perfect storm that rocked, rolled, and reinvented radio.Visionary entrepreneurs like Todd Storz pioneered the Top 40 concept, which united a generation. But it took trendsetting “disc jockeys” like Alan Freed, Murray the K, Wolfman Jack, Cousin Brucie, and their fast-talking, too-cool-for-school counterparts across the land to turn time, temperature, and the same irresistible hit tunes played again and again into the ubiquitous sound track of the fifties and sixties. The Top 40 sound broke through racial barriers, galvanized coming-of-age kids (and scandalized their perplexed parents), and provided the insistent, inescapable backbeat for times that were a-changin’.Along with rock-and-roll music came the attitude that would literally change the “voice” of radio forever, via the likes of raconteur Jean Shepherd, who captivated his loyal following of “Night People”; the inimitable Bob Fass, whose groundbreaking Radio Unnameable inaugurated the anything-goes free-form style that would come to define the alternative frontier of FM; and a small-time Top 40 deejay who would ultimately find national fame as a political talk-show host named Rush Limbaugh.From Hunter Hancock, who pushed beyond the limits of 1950s racial segregation with rhythm and blues and hepcat patter, to Howard Stern, who blew through all the limits with a blue streak of outrageous on-air antics; from the heyday of summer songs that united carefree listeners to the latter days of political talk that divides contentious callers; from the haze of classic rock to the latest craze in hip-hop, Something in the Air chronicles the extraordinary evolution of the unique and timeless medium that captured our hearts and minds, shook up our souls, tuned in–and turned on–our consciousness, and went from being written off to rewriting the rules of pop culture.

    As she steps onto her veranda, wrapped in a kimono with three black cranes swooping across the back, her world is suddenly and irrevocably altered. In the numbing aftermath of the atomic bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost. In search of new beginnings, two years later, Hiroko travels to Delhi. It is there that her life will become intertwined with that of Konrad's half sister, Elizabeth, her husband, James Burton, and their employee Sajjad Ashraf, from whom she starts to learn Urdu. With the partition of India, and the creation of Pakistan, Hiroko will find herself displaced once again, in a world where old wars are replaced by new conflicts. But the shadows of history--personal and political--are cast over the interrelated worlds of the Burtons, the Ashrafs, and the Tanakas as they are transported from Pakistan to New York and, in the novel's astonishing climax, to Afghanistan in the immediate wake of 9/11. The ties that have bound these families together over decades and generations are tested to the extreme, with unforeseeable consequences.

    The unthinkable had happened, a major urban transit system had become the target of a terrorist attack. In an attempt to discover why, Haruki Murakami, internationally acclaimed author of The Wind-Up Bird Chronicle and arguably Japan’s most important contemporary novelist, talked to the people who lived through the catastrophe—from a Subway Authority employee with survivor guilt, to a fashion salesman with more venom for the media than for the perpetrators, to a young cult member who vehemently condemns the attack though he has not quit Aum. Through these and many other voices, Murakami exposes intriguing aspects of the Japanese psyche. And as he discerns the fundamental issues leading to the attack, we achieve a clear vision of an event that could occur anytime, anywhere. Hauntingly compelling and inescapably important, Underground is a powerful work of journalistic literature from one of the world’s most perceptive writers.

    Warrior monks in their armed citadels block the road to the capital; castles are destroyed, villages plundered, fields put to the torch.Amid this devastation, three men dream of uniting the nation. At one extreme is the charismatic but brutal Nobunaga, whose ruthless ambition crushes all before him. At the opposite pole is the cold, deliberate Ieyasu, wise in counsel, brave in battle, mature beyond his years. But the keystone of this triumvirate is the most memorable of all, Hideyoshi, who rises from the menial post of sandal bearer to become Taiko-absolute ruler of Japan in the Emperor's name.When Nobunaga emerges from obscurity by destroying an army ten times the size of his own, he allies himself with Ieyasu, whose province is weak, but whose canniness and loyalty make him invaluable. Yet it is the scrawny, monkey-faced Hideyoshi-brash, impulsive, and utterly fearless-who becomes the unlikely savior of this ravaged land. Born the son of a farmer, he takes on the world with nothing but his bare hands and his wits, turning doubters into loyal servants, rivals into faithful friends, and enemies into allies. In all this he uses a piercing insight into human nature that unlocks castle gates, opens men's minds, and captures women's hearts. For Hideyoshi's passions are not limited to war and intrigue-his faithful wife, Nene, holds his love dear, even when she must share it; the chaste Oyu, sister of Hideyoshi's chief strategist, falls prey to his desires; and the seductive Chacha, whom he rescues from the fiery destruction of her father's castle, tempts his weakness.As recounted by Eiji Yoshikawa, author of the international best-seller Musashi, Taiko tells many stories: of the fury of Nobunaga and the fatal arrogance of the black-toothed Yoshimoto; of the pathetic downfall of the House of Takeda; how the scorned Mitsuhide betrayed his master; how once impregnable ramparts fell as their defenders died gloriously. Most of all, though, Taiko is the story of how one man transformed a nation through the force of his will and the depth of his humanity. Filled with scenes of pageantry and violence, acts of treachery and self-sacrifice, tenderness and savagery, Taiko combines the panoramic spectacle of a Kurosawa epic with a vivid evocation of feudal Japan.

    as soon as possible." With over 300 ethnic groups spread across over 13,500 islands, the world’s fourth most populous nation has been working on that "etc." ever since. Author Elizabeth Pisani traveled 26,000 miles in search of the links that bind this disparate nation.

    But after her mother, unsettled by growing political unrest, leaves for medical treatment in India, the civil war intensifies, changing young Enjeela’s life forever. Amid the rumble of invading Soviet tanks, Enjeela and her family are thrust into chaos and fear when it becomes clear that her mother will not be coming home.Thus begins an epic, reckless, and terrifying five-year journey of escape for Enjeela, her siblings, and their father to reconnect with her mother. In navigating the dangers ahead of them, and in looking back at the wilderness of her homeland, Enjeela discovers the spiritual and physical strength to find hope in the most desperate of circumstances.A heart-stopping memoir of a girl shaken by the brutalities of war and empowered by the will to survive, The Broken Circle brilliantly illustrates that family is not defined by the borders of a country but by the bonds of the heart.

    Most have died from their injuries. Author Tsering Woeser is a prominent voice of the Tibetan movement, and one of the few Tibetan authors to write in Chinese. Her stirring acts of resistance have led to her house arrest, where she remains under close surveillance to this day. Tibet On Fire is her account of the oppression Tibetans face and the ideals driving those who resist, both the self-immolators and other Tibetans like herself.With a cover image designed by Chinese dissident artist Ai Weiwei, Tibet on Fire is angry and cogent: a clarion call for the world to take action.

    It transformed Japan from a country of hundreds of feudal domains under the hegemony of the Tokugawa Shogun, into a modern industrialized world power under the unifying rule of the Emperor. The shogun was head of the ruling Tokugawa family, and his regime was known as the Tokugawa Bakufu (Bakufu, for short).The first chapter of Samurai Revolution opens with the arrival of American warships commanded by Commodore Matthew Perry in 1853, sparking the revolution that would end with the fall of the Bakufu in 1868. The last chapter ends with the crushing defeat in 1877 of an army of former samurai who stood against the Imperial government they had created, marking the end of the samurai era, and with it the last vestiges of feudal Japan.The series of tumultuous events between 1853 and 1868 are collectively called the Meiji Restoration (i.e., the restoration of Imperial rule). The Meiji Restoration was Japan’s modern revolution. It was different from other great revolutions in that it was brought about by men of the ruling caste—i.e., samurai. It is a human drama of epic proportion, which is how author Romulus Hillsborough treats it in Samurai Revolution. And just as the Meiji Restoration was “the dawn of modern Japan,” knowledge of this history is essential for understanding the complexities of today’s Japan.The overthrow of the Bakufu in 1868 sparked a contained civil war that would have spread throughout the country, endangering Japan’s sovereignty, had Katsu Kaishu, as commander in chief of the fallen shogun’s still formidable military, not negotiated an eleventh-hour peace with Saigo Takamori, commander of the Imperial Army.While Katsu is a household name in Japan, Samurai Revolution, based largely on primary sources, is the first comprehensive English language treatment of the man’s life, mind, and important role in the Meiji Restoration, though Hillsborough has written about him in other books as well. And though the focus is on Katsu Kaishu, this book is more of a history than a traditional biography. In telling this history from the perspective of Katsu Kaishu, commissioner of the shogun’s navy and later supreme commander of the Tokugawa military, Hillsborough also portrays an array of other leading players in the Meiji Restoration drama – examining their values and social systems, their culture and ideals, their desires and fears, and their historical perspectives – against a backdrop of tumultuous events that would change their world forever.OverviewThe Introduction provides the historical and political background of Japan under the hegemony of the Tokugawa Bakufu. The body of Samurai Revolution (not including the Epilogue) is divided into two Books (published as one volume), comprising a brief Prologue and five distinct Parts in 37 Chapters, and ending with the lengthy Epilogue and Appendix.Book 1: The Fall of the Tokugawa Bakufu (1853-1868) covers the cataclysmic fifteen-year history of the fall of the Bakufu and the restoration of Imperial rule–i.e., the Meiji Restoration (1853-1868). The Prologue and Parts I through III comprise Book 1.Book 2: The Rise of Imperial Japan (1868-1878), comprised of Parts IV and V, chronicles the first decade of Imperial Japan (1868-1877) under the newly restored monarchy.The Epilogue summarizes the last two decades of Katsu Kaishu’s life (1879-1899).Throughout the volume, Hillsborough quotes Katsu Kaishu, a prolific writer, focusing on his journals, letters, histories, biographical sketches, and oral memoirs. (All citations are Hillsborough’s own translations of the original texts.) As such, Kaishu’s unique personality – the down-to-earth attitude, magnanimity, scathing humor, genius in overcoming adversity, and humanity – come forth.Fourteen of the thirty-seven chapters focus on historical events and sociocultural phenomena in which Katsu Kaishu had little or no direct involvement–but which nonetheless had a profound effect on him personally and on Japanese society and history overall. The remaining twenty-three chapters focus either on Katsu Kaishu or events in which he was directly involved.The revolution, broadly speaking, pitted three of the most powerful samurai clans – Satsuma, Choshu and Tosa – against the Bakufu and its allies, with the Emperor and his Court caught in the middle. Beside Katsu Kaishu, among the most prominent men are: Ii Naosuké, the boy-shogun’s dictatorial regent whose assassination in the spring of 1860 marked the beginning of the end of the Bakufu; Tokugawa Yoshinobu, the last shogun, whose rise and fall is integral to this history; Saigo Takamori and Okubo Toshimichi, who emerged, respectively, as the military and political leaders of Satsuma, the former the driving force behind the revolution, the latter the most powerful man in the early Imperial government; Yoshida Shoin, Takasugi Shinsaku, and Katsura Kogoro, respectively the spiritual/academic, military and political leaders of Choshu, without whom the revolution, as it happened, would have been unachievable; and the outlaw samurai Sakamoto Ryoma of Tosa, who, formerly Katsu Kaishu’s protégé, brokered the military alliance between Satsuma and Choshu to overthrow the government his mentor represented.Samurai Revolution is the first English-language presentation and analyses of these powerful and alluring personalities in one volume aimed at a general international audience.

    Far from front lines and prying eyes, Japanese doctors and their assistants subjected human guinea pigs to gruesome medical experiments in the name of science and Japan's wartime chemical and biological warfare research.Author Hal Gold draws upon a wealth of sources to construct a portrait of the Imperial Japanese Army's most notorious medical unit, giving an overview of its history and detailing its most shocking activities. The book presents the words of former unit members themselves, taken from remarks they made at a traveling Unit 731 exhibition held in Japan in 1994-95. They recount vivid first-hand memories of what it was like to take part in horrific experiments on men, women and children, their motivations and reasons why they chose to speak about their actions all these years later.A new foreword by historian Yuma Totani examines the actions of Unit 731, the post-war response by the Allies and the lasting importance of the book. Japan's Infamous Unit 731 represents an essential addition to the growing body of literature on the still unfolding story of some of the most infamous war crimes in modem military history. By showing how the ethics of normal men and women, and even an entire profession, can be warped by the fire of war, this important book offers a window on a time of human madness and the hope that history will not be repeated.

    On May 27, 1943, his B–24 crashed into the Pacific Ocean. Louis and two other survivors found a raft amid the flaming wreckage and waited for rescue. Instead, they drifted two thousand miles for forty–seven days. Their only food: two shark livers and three raw albatross. Their only water: sporadic rainfall. Their only companions: hope and faith–and the ever–present sharks. On the forty–seventh day, mere skeletons close to death, Zamperini and pilot Russell Phillips spotted land–and were captured by the Japanese. Thus began more than two years of torture and humiliation as a prisoner of war.Zamperini was threatened with beheading, subject to medical experiments, routinely beaten, hidden in a secret interrogation facility, starved and forced into slave labour, and was the constant victim of a brutal prison guard nicknamed the Bird–a man so vicious that the other guards feared him and called him a psychopath. Meanwhile, the Army Air Corps declared Zamperini dead and President Roosevelt sends official condolences to his family, who never gave up hope that he was alive.Somehow, Zamperini survived and he returned home a hero. The celebration was short–lived. He plunged into drinking and brawling and the depths of rage and despair. Nightly, the Bird's face leered at him in his dreams. It would take years, but with the love of his wife and the power of faith, he was able to stop the nightmares and the drinking.A stirring memoir from one of the greatest of the "Greatest Generation," DEVIL AT MY HEELS is a living document about the brutality of war, the tenacity of the human spirit, and the power of forgiveness.

    There is a need at the time of Pakistan's golden jubilee for it to be taken seriously in its own right as a country of 130 million people. It is in reality a complex plural society which although greatly shaped by the colonial inheritance and circumstances of its birth is also experiencing rapid change. The author's approach breaks down stereotypes and assists in answering the vexed question of why democracy has succeeded in India, while Pakistan has been subject to long periods of authoritarianism during its five decades of existence.

    died.THREE-TIME NASCAR CHAMPION DARRELL WALTRIP knew that big changes were in the wind on the morning of February 18, 2001. For the first time in his long and storied career, Darrell would be watching the race from the broadcast booth high above the track, explaining its complexities to a television audience of millions. His younger brother Michael Waltrip would be among the starting drivers. Michael, who had competed in 462 NASCAR races without a win, would be piloting one of two cars owned by legendary driver Dale Earnhardt. Earnhardt would be racing too, as would Dale Earnhardt Jr., the 2000 runner-up for Rookie of the Year.     Sundays Will Never Be the Same opens with a heart-stopping account of that dramatic race. By the time the sun set on that day, Michael Waltrip would have captured his first checkered flag in NASCAR’s biggest race, Dale Earnhardt Jr. would have placed second, and Dale Earnhardt, the sport’s brightest star, would have passed into eternity.     The sudden death of Dale Earnhardt on the final lap of the 2001 Daytona 500 was a traumatic loss for the entire NASCAR family, and few were affected more deeply than Darrell Waltrip. During the course of their tumultuous thirty-year association, Dale and Darrell had been friends, then “frenemies,” and finally friends again. Darrell regales the reader with his earliest memories of the fiercely competitive kid from Kannapolis, and he describes the highs and lows of their relationship through the twin arcs of their overlapping careers.     Along the way, Waltrip provides a fascinating history of racing in Daytona and offers glimpses of some of the sport’s most colorful characters, including Bill France, Junior Johnson, Cale Yarborough, Bobby Allison, and Richard Petty. He weaves the story of his own unlikely journey from the small-town ovals and rural roads of Kentucky (where his talents were largely devoted to running from the cops) to the grandest tracks and richest purses in motor racing. With his customary candor, Darrell gives us an insider’s view of some of NASCAR’s greatest battles and most memorable moments. This is an epic that only a storyteller with Waltrip’s access and experience could write.     Sundays Will Never Be the Same reaches its crescendo with a heart-wrenching insider account of that pivotal weekend in Daytona, including a poignant pre-race interview in which Dale rhapsodized about his family and his plans for the future. After the wreck, Waltrip takes us along on his frantic ride to the trauma center and into the waiting room, where Dale’s family and friends struggle to accept the unthinkable. Darrell recounts the weeks that followed: the shock and disbelief, the outpouring of grief from around the world, and the top-to-bottom safety changes NASCAR eventually made in what would become the most enduring tribute to Dale Earnhardt and his legacy.***     With touching nostalgia and his trademark wit, NASCAR Hall-of-Famer Darrell Waltrip recalls scenes from his remarkable life, vividly recounting memorable moments with some of the giants of the sport—such as this first encounter with the young man who would become his “frenemy,” NASCAR’s legendary superstar, Dale Earnhardt:     One evening a bleary-eyed mustachioed young man wearing a dirty T-shirt and Hush Puppies wandered into the shop carrying a half-empty fifth of Jack Daniel’s. He regarded me silently for several minutes, taking an occasional pull from the bottle. Finally Robert introduced us.    “This here’s Dale,” Robert said, in his Virginia twang. “He’s married to my daughter Brenda. You may have heard of his dad, Ralph. Dale’s a driver and a mechanic.”     I walked over to Dale and stuck out my hand. “Darrell Waltrip,” I said. “Nice to meet you.” Dale drained the bottle and tossed it into a nearby barrel, where it landed with a clatter, then he wiped his mouth with the back of his arm.     “This your car?” he said.

    There’s Killer of the Cloth, The Baby in the Convent, Mosquito Point Road, Death of a First Baseman, The Blue Gardenia, and Pure/Evil. Three of the killers are female.

    When his New York Giants played the Baltimore Colts for the league championship that year, it became the single most memorable contest in the history of professional football. Broadcast to an audience of millions, it was the first title game ever to go into sudden-death overtime. Its drama, excitement, and controversy riveted the nation and helped propel football to the forefront of the American sports landscape.Now, to mark the fiftieth anniversary of "The Greatest Game Ever Played," New York Giants Hall of Famer and longtime television analyst Frank Gifford provides an inside-the-helmet account that will take its place in the annals of sports literature. Drawing on the poignant and humorous memories of every living player from the game -- including fellow Hall of Famers Sam Huff, Andy Robustelli, Art Donovan, Lenny Moore, and Raymond Berry -- as well as the author's own experiences and reflections, The Glory Game captures a magnificent moment in American sports history. It is the story of two very different cities and teams, filled with the joy, the disappointment, and the eternal pride of a day that will forever symbolize all that is great about sports.Told with gripping immediacy, The Glory Game is an indelible portrait of the NFL's most transcendent hours -- a winter version of The Boys of Summer, told by one of football's true legends.