Beatrice Hempel, teacher of seventh grade, is new—new to teaching, new to the school, newly engaged, and newly bereft of her idiosyncratic father. Grappling awkwardly with her newness, she struggles to figure out what is expected of her in life and at work. Is it acceptable to introduce swear words into the English curriculum, enlist students to write their own report cards, or bring up personal experiences while teaching a sex-education class?Sarah Shun-lien Bynum finds characters at their most vulnerable, then explores those precarious moments in sharp, graceful prose. From this most innovative of young writers comes another journey down the rabbit hole to the wonderland of middle school, memory, daydreaming, and the extraordinary business of growing up.

    In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure—and a new set of problems—by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving "Sarah" gets recast: as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, "Sarah" will continue.In each Sarah's refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland.

    As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.With nuanced emotional precision, gritty humor, and compassionate insight into the intimacy of queer and immigrant communities, the stories in Afterparties deliver an explosive introduction to the work of Anthony Veasna So.

    Lavery comes a collection of darkly mischievous stories based on classic fairy tales. Adapted from his beloved "Children's Stories Made Horrific" series, The Merry Spinster takes up the trademark wit that endeared Lavery to readers of both The Toast and his best-selling debut Texts from Jane Eyre. The feature become among the most popular on the site, with each entry bringing in tens of thousands of views, as the stories proved a perfect vehicle for Lavery’s eye for deconstruction and destabilization. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Readers of The Toast will instantly recognize Lavery's boisterous good humor and uber-nerd swagger: those new to Lavery's oeuvre will delight in his unique spin on fiction, where something a bit mischievous and unsettling is always at work just beneath the surface.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently, alarming emotional complexities at play in the stories we tell ourselves, and each other, as we tuck ourselves in for the night.Bedtime will never be the same.The daughter cells --The thankless child --Fear not: an incident log --The six boy-coffins --The rabbit --The merry spinster --The wedding party --Some of us had been threatening our friend Mr.Toad --Cast your bread upon the waters --The frog's princess --Good fences make good neighbors

    Girl likes boy.Girl gets friend to help win boy.Friend ends up with crush on boy...Skylar's got ambitious #goals. And if she wants them to come true, she has to get to work now. (At least she thinks so...) Step one in her epic plan is showing everyone that her latest app is brilliant. To do that, she's going to use it win State at the Scholastic Exposition, the nerdiest academic competition around.First, she'll need a team, and Skylar's not always so good with people. But she'll do whatever it takes to put one together ... even if it means playing Cupid for her teammates Joey and Zane, at Joey's request. When things get off to an awkward start for them, Skylar finds herself stepping in to help Joey. Anything to keep her on the team. Only, Skylar seems to be making everything more complicated. Especially when she realizes she might be falling for Zane, which was not a #goal. Can Skylar figure out her feelings, prove her app's potential to the world, and win State without losing her friends--or is her path to greatness over before it begins?

    A chance meeting with a young American chased away the fear that he would always be alone and brought him the prospect of a new existence.Dustin Earl joined the military and escaped his small town Southern upbringing with the hope that he could give his mentally challenged brother a better life. But Dustin had never known real love, an honest hug, or a simple kiss. He considered his sexuality a weakness; a threat that had been used against those he cared about.For eight months their relationship blossomed until Dustin suddenly returned home. He cherished Stephen, but felt his responsibilities to his brother outweighed his own chance at happiness.Shattered, unable to function and unwilling to accept Dustin’s departure, Stephen flew three thousand miles to get Dustin back and rekindle what they had. But what he would learn when he got there… he could never have imagined.

    Valente’s Palimpsest.The city of Ora uses a complex living network called the Gleaming to surveil its inhabitants and maintain harmony. Anima is one of the cloistered extrasensory humans tasked with watching over Ora's citizens. Although ær world is restricted to what æ can see and experience through the Gleaming, Anima takes pride and comfort in keeping Ora safe from all harm.All that changes when a mysterious visitor enters the city carrying a cabinet of curiosities from around the world, with a story attached to each item. As Anima’s world expands beyond the borders of Ora to places—and possibilities—æ never before imagined to exist, æ finds ærself asking a question that throws into doubt ær entire purpose: What good is a city if it can’t protect its people?

    He recovers from bitter disappointment and gradually life returns to a regular rhythm. Safe and predictable. Every day he gains confidence, but with health comes boredom. From the window ledge, he watches people outside and wishes he could be like them. There's another side to Luke. Underneath his bed are five hidden pairs of jeans with matching Dr Martens: yellow, purple, striped, green and tartan. Some days he feels the itch to get them out. Nope. Those days are gone. One day, an amazing thing happens. Dynamic blog artist Formaldehyde Bob comes to town with an exhibition of light and dark! Luke has crushed on him since being fifteen, idolising the man and his unusual creations. Something about the art calls to Luke like nothing else, makes him believe there might after all be someone out there who thinks in the same way. A soul mate. A bird with a similar song. No. Luke isn't going to go and see Formaldehyde Bob. He isn't. Because he's happy with his monotonous lot and doesn't want to see hope sliding down a mountain of sand. Will Luke take a chance and visit Formaldehyde Bob? Can the jeans ever be worn again? Does grumpy Barbara ever smile? And the most important question: is there any magic left in the world? Find out in this snowy tale of young love in the most unexpected places. Content warning: references to self-harm, mental illness.

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    Taylor is so simultaneously perfect, yet useless, that she is paralyzed. Her mother Arlene is lonely and pill-popping, while Arlene’s brother Charlie faces the unexpected—even unwanted—prospect of being healthy with HIV. Fractured lives in various forms of exile eventually join to re-forge a definition of family from the ashes.T Cooper received an MFA in fiction writing from Columbia University. For some time, T doubled as T-Rok, a member of the heart-throbby Backdoor Boys performance troupe. T’s work—both fiction and non-fiction—has appeared in a variety of magazines, journals and anthologies. This is a first novel.

    Eleven unique short stories that stretch from a rural Canadian Mennonite town to a hipster gay bar in Brooklyn, featuring young trans women stumbling through loss, sex, harassment, and love.These stories, shiny with whiskey and prairie sunsets, rattling subways and neglected cats, show growing up as a trans girl can be charming, funny, frustrating, or sad, but never will it be predictable.

    Saenz's epic tale brings to light amazing revelations about the wonders of love, family, friends, and compassion.

    When she finds out her girlfriend has lied to her, the world she thought she'd carefully built for herself begins to unravel, and Maria sets out on a journey that will most certainly change her forever.

    And then one day this closest of friendships grows into something more.But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between?This is almost a love story. But it's not as simple as that.

    Sentences have been relentlessly trimmed, tuned, and teased for maximum impact, and a ferocious attention to rhythm and sound results in a palpable pulse of excitability and distress. The nature of love is questioned at a golf course, a flower shop, an all-you-can-eat buffet. The clay head of a man is bought and displayed as a trophy. Interior life manifests on the physical plane, where characters--human and animal--eat and breathe, provoke and injure one another.With exquisite control, Scanlan moves from expansive moods and fine afternoons to unease and violence--and also from deliberate and generative ambiguity to shocking, revelatory exactitude. Disturbances accrue as the collection progresses. How often the conclusions open--rather than tie--up. How they twist alertly. No mercy, a character says--and these stories are merciless and strange and absolutely masterful.