Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs oftomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravelstraditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.

    It tells the epic story of angels, from Creation, to Evolution through to the operations of the supernatural in the modern world.This tale of how people and peoples have been helped by angels and other angelic beings is woven into a spellbinding narrative that brings together Krishna, Moses, Buddha, Elijah, Mary and Jesus, Mohammed, Joan of Arc, the angels who helped Hungarian Jews persecuted by the Nazis, and stories from African, Native American and Celtic traditions.Told from the spiritual point of view, The Sacred History relates every betrayal, every change of heart, every twist and turn, everything that looks like a coincidence, every portent, every clue, every defeat, every rescue moments before the prison door clangs shut. This is the angelic version of events.

    Starkey's sense of drama also vividly recreates the atmosphere of pity and terror that fostered the evil and suffering of this human tragedy.

    G. Lockhart, who worked for a publishing firm. The book proved popular and Scott was paid six hundred pounds, which he desperately needed (despite his success as a novelist, Scott was almost ruined when the Ballantyne publishing firm, where he was a partner, went bankrupt in 1826).Letters was written when educated society believed itself in enlightened times due to advances in modern science. The book, however, revealed that all social classes still held beliefs in ghosts, witches, warlocks, fairies, elves, diabolism, the occult, and even werewolves. Sourcing from prior sixteenth- and seventeenth-century treatises on demonology along with contemporary accounts from England, Europe, and North America (Cotton Mather's Magnalia Christi, for one), Scott's discourses on the psychological, religious, physical, and preternatural explanations for these beliefs are essential reading for acolytes of the dark and macabre; the letters dealing with witch hunts, trials (Letters Eight and Nine), and torture are morbidly compelling.Scott was neither fully pro-rational modernity nor totally anti-superstitious past, as his skepticism of one of the "new" sciences (skullology, as he calls it) is made clear in a private letter to a friend. Thus, Letters is both a personal and intellectual examination of conflicting belief systems, when popular science began to challenge superstition in earnest.

    Would meditating on the starflower help heal you? Does the spirit of sweet violet have something to offer you today? Contemporary herbalist Maia Toll, author of The Illustrated Bestiary and The Illustrated Crystallary, profiles the mystical, magical, bewitching personalities of 36 powerful herbs, fruits, and flowers in this stunning volume. The book includes a deck of 36 beautifully illustrated oracle cards — one for each plant — and ideas for readings and rituals to help you access your intuition, navigate each day's joys and problems, and tap into each plant's unique powers for healing, guidance, and wisdom. Also available: The Illustrated Herbiary Collectible Box Set and The Illustrated Bestiary Collectible Box Set.

    • Explains various divination systems and how to perform ancient rituals that open the doorway to secret and arcane knowledge. True magic can be defined as the art and science of using little-known or forgotten natural forces in order to achieve changes in consciousness and the physical environment. It concerns a wide body of doctrines and techniques, including the conjuring of spirits and non-human entities; the manufacture and consecration of wands, swords, talismans, and other tools of the magus; ritual divination; and the exploration of universes other than that with which we are familiar. The masters who taught others these ancient arts are gone, but Techniques of High Magic provides the practical and lucid instruction necessary for self-initiation into these secret traditions. Emphasizing the ordered nature of the universe and the power of will directed by imagination, Francis King and Stephen Skinner introduce the reader to magical practices, rituals, and instruments that have been used for centuries. They explain systems of divination such as the I Ching, the Tarot, and geomancy, as well as techniques of astral projection and elementary alchemy. Their disciplined approach to magical practice includes easy formulas and diagrams that will help the initiate navigate an ancient and potent universe of gods, angels, and spirits--the world of High Magic.

    From Abramelin he took his concepts of protections, purifications, evocations, vestments, and dromena down to specific details. This system of Abramelin the Mage is known from a unique 15th century manuscript persevered in the Bibliotheque de l`Arsenal in Paris. In it, Abraham of Wurzburg, a cabalist and connoisseur of magics, describes a tour that he made of the then civilized world, visiting sorcerers, magicians, and cabalists, estimating their powers and virtues. This quest is in itself as fascinating as the similar tours of Gurdjieff. The high point of Abraham`s travels was found in a small town on the banks of the Nile, where he encountered the great magician Abramelin, whose complete system Abraham thereupon sets out in detail. This amounts to a complete course in ceremonial magic (both white and black), which the student can pursue by himself. Abramelin, whose system is based mostly on Hellenistic theurgy of the Iamblichan sort, but with Jewish increments from the Cabala, explains the qualifications needed to become a magician, purifications and asceticisms to be practiced month by month, studies and activities permitted during this period, selections of place and time for working magic, equipment needed, prayers and formulas, evocation of good and evil spirits, commanding spirits, to do one`s will, overcoming rebellious spirits, an similar material. Specific instructions are offered to develop such powers as clairvoyance, divining metals and treasurers, warding off evil magic, healing illness, levitation, transportation, rendering oneself invisible, creating illusions and glamour, reading minds, placing compulsions, working black magic, and a host of other abilities. We do not guarantee that Abramelin's techniques work, not that the results are desirable...

    In ancient monuments as far apart as Egypt’s Great Sphinx, the strange Andean ruins of Tihuanaco, and Mexico’s awe-inspiring Temples of the Sun and Moon, he reveals not only the clear fingerprints of an as-yet-unidentified civilization of remote antiquity, but also startling evidence of its vast sophistication, technological advancement, and evolved scientific knowledge. A record-breaking number one bestseller in Britain, Fingerprints of the Gods contains the makings of an intellectual revolution, a dramatic and irreversible change in the way that we understand our past—and so our future.And Fingerprints of the Gods tells us something more. As we recover the truth about prehistory, and discover the real meaning of ancient myths and monuments, it becomes apparent that a warning has been handed down to us, a warning of terrible cataclysm that afflicts the Earth in great cycles at irregular intervals of time—a cataclysm that may be about to recur.

    Yet, few people realize the significance of the similarities and contrasts between the religions of the pre-Christian people of north-western Europe. The Celts and Germans and Scandinavians had much in common in their religious practices and beliefs, and this is the first serious attempt that has been made to compare them. There are striking resemblances in their ideas about battle-goddesses and protective spirits, holy places, sacrificial rituals, divination and ideas about the Other World; and Myths and symbols in pagan Europe poses questions like: do such parallels go back to early times or are they owing to late Viking contact?

    It serves as a useful introductory manual for the newcomer to contemporary Hellenic Polytheism as they take the first steps on their journey to worship the Hellenic Gods in a traditional manner.

    From its first known appearances in New Orleans of 200 years ago, here are the fetishes and formulae, the rites and dances, the cures, charms and gris-gris. Here were the witch-doctors and queens, and in particular Doctor John, who acquired fame and fortune, and Marie Laveau, who with her daughter dominated the weird underworld of voodoo for nearly a century." Kirkus Reviews "Robert Tallant speaks with authority . . . ." New York Times "Much nonsense has been written about voodoo in New Orleans. . .here is a truthful and definitive picture." Lyle Saxton Both of Robert Tallant's highly praised books about the practice of voodoo in New Orleans have been re-issued in paperback. Originally published in 1946, Voodoo in New Orleans examines the origins of the cult voodooism. The lives of New Orleans's most infamous witch doctors and voodoo queens have been re-created in this well-researched account of New Orleans's dark underworld.

    Legendary for an unusual combination of spiritual power, beauty, charisma, showmanship, intimidation, and shrewd business sense, Marie Leveau also was known for her kindness and charity, nursing yellow fever victims and ministering to condemned prisoners, and her devotion to the Roman Catholic Church. In separating verifiable fact from semi-truths and complete fabrication, Carolyn Morrow Long explores the unique social, political, and legal setting in which the lives of Laveau’s African and European ancestors became intertwined in nineteenth-century New Orleans.

    But witches aren’t mere fairy book threats; American history is brimming with tales of their terror. From 19th-century murders to a bizarre monkey-faced creature straight from Hell to bewitched pigs hell-bent on revenge, American Witches: a Broomstick Tour through Four Centuries describes strange incidents that have long been banished to the margins of our history.On a tour through four centuries of American witchcraft that’s both whimsical and startling, we’ll encounter 17th-century children flying around inside their New England home “like geese.” We’ll meet a father-son tag-team of pious Puritans who embarked on an anti-witch mission that involved undressing young ladies and overseeing hangings. And on the eve of the Civil War, we’ll accompany a reporter as he dons a dress and goes searching for witches in New York City’s most dangerous neighborhoods.Entertainingly readable and rich in amazing details often left out of today’s texts, American Witches casts a flickering torchlight into the dark corners of American history. Shelf Awareness says: "American Witches is a delightful and thoughtful adventure into one of the darker superstitions that has plagued the country for centuries."

    In these two books, I outline the exact steps which enabled me to move my own life from one of poverty and drudgery, to manifesting one of previously unimaginable wealth, purpose and joy. ‘But Magic? I do hope you are joking!’ That’s what I would have said, five or ten years ago. I once despised all things ‘New-Age’, all these spiritual types and their airy-fairy views, their bad science and their irrational beliefs. I read The Secret and all the great Law of Attraction books - writers like Wallace Wattles, Anthony Robbins, Rhonda Byrne, Napoleon Hill, Esther Hicks and Wayne Dyer. But no matter how many books I read, or how closely I followed their instructions for manifesting love, money, happiness or abundance, I couldn’t make it work. It was only when I recognized, accepted and finally embraced that what I was doing was actually some kind of Magic that suddenly things began to fall into place. Once I realized that the power came from within me, it was as if the light had suddenly been switched on and my manifestations began to work. I learned how to manifest money and love, but I also learned how to be happy, truly happy. If you’re jaded by spirituality and the whole New Age Law of Attraction idea, or have become bored by its failure to deliver… this book is for you. It is my intention to lead you by the hand through a marvelous journey of wonder and adventure. Part one of this course, Becoming Magic, laid the groundwork for becoming a magical person, while this second book, Doing Magic, offers concrete techniques and instructions for attracting wonderful things into your life. The plan is to build your knowledge slowly, gradually, building on what has gone before, moving on to more complex manifestation techniques only once the basics are mastered. So many people fail with manifestation and the Law of Attraction because they rush headlong into using techniques, trying to create enormous manifestations, making very simple but crucial mistakes. When they are disappointed, they imagine they have been duped. The sceptics are right. This is all a load of scammy nonsense. And they give up, declaring it just doesn’t work. I am telling you that it does work. And you can make it work. And these books will show you how. My intention is that this book will allow you to become a true creator of your own exceptional life, reawakening and rekindling your belief and interest in Spirituality, The Law of Attraction, Reality Creation, Cosmic Ordering or whatever you wish to call it. I prefer simply to call it Magic.

    How Stoker became the creator of the mysterious, seductive count from a castle (and coffin) in Transylvania was a story in and of itself. Over the past century, Dracula has never been out of print and has become its own cultural phenomena, starting with Bela Lugosi’s famed rendition in 1931, to Mel Brooks, Francis Ford Coppola, Christopher Lee, Buffy, Anne Rice’s Vampire Chronicles and the hugely popular Twilight series. This generously illustrated documentary collection explores in full the scope of the Dracula phenomenon, from the folkloric origins of the vampire legend to its unending legacy as a vital influence on the literary and performing arts, not to mention the Romanian tourist industry. Nor does it overlook Bram Stoker himself, and includes his working notes and exceptional primary documents.