As her path intersects with others--often only briefly, but always intensely--she will encounter people who, by turns, want to rescue, control, become, change, and escape her, revealing difficult yet shining truths about who they are and what they yearn for. There is the childhood playmate who comes to fear Astra's unpredictable ways; the stranger who rescues her from homelessness and then has to wrestle with his own demons; the mother who hires Astra as a nanny even as her own marriage goes off the rails; the man who takes a leap of faith and marries her. Even as Astra herself remains the elusive yet compelling axis around which these narratives turn, her story reminds us of the profound impact that an individual can have on those around her, and the power struggles at play in all our relationships, no matter how intimate. A beautifully constructed and revelatory novel, Astra explores what we're willing to give and receive from others, and how well we ever really know the people we love the most.

    In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman’s frequent unexplained disappearances.You Are Eating an Orange. You Are Naked. is an intimate novel of memory and longing that challenges Western tropes and Orientalism. Embracing the playful surrealism of Haruki Murakami and the atmospheric narratives of filmmaker Wong Kar-wai, Sheung-King’s debut is at once lyrical and punctuated, and wholly unique, and marks the arrival of a bold new voice in Asian-Canadian literature.Praise for You Are Eating an Orange. You Are Naked.:Longlisted for CBC's Canada Reads 2021“One of the best book debuts of 2020” — The Globe and Mail“Sheung-King has written a wonderfully unexpected and maverick love story but also a novel of ideas that hopscotches between Toronto, Macau, Hong Kong, Tokyo, and Prague. It is enchanting, funny, and a joy to read.”—Kyo Maclear, author of Birds Art Life“A tale of two rich and rootless people that oozes the horror and confusion of love, while staying somehow still desperately romantic, and so gloriously sad. This novel is also about something else: it gives the cold shoulder to the dominant gaze and its demands to control the Asian body, carving out a thrilling space beyond whiteness. I didn’t want it to end.” —Thea Lim, author of An Ocean of Minutes, a finalist for the Scotiabank Giller Prize“In a cruel paradox for writers who are just trying to recount their lives, the tropes of diasporic lit have made it nearly impossible to write about belonging without also placing whiteness at the center of attention—the tropes exist because stories that do this are regularly rewarded with publication. But You Are Eating an Orange. You Are Naked. sidesteps this trap all together: It is bored by Western approval.” — Thea Lim, The Nation.“He practically sets the page on fire." —Brett Josef Grubisic, Toronto Star

    In FUNNY BOY we follow the life of the family through Arjie's eyes, as he comes to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there is a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family's comfortable life. Sporadic acts of violence flare into full scale riots and lead, ultimately, to tragedy. Written in clear, simple prose, Syam Selvadurai's first novel is masterly in its mingling of the personal and political.

    It comes down broad and ale-coloured and joins the Saint Lawrence, the two streams embrace the pan of Montreal Island, the Ottawa merges and loses itself, and the main-stream moves northeastward a thousand miles to sea.”With these words Hugh MacLennan begins his powerful saga of Athanase Tallard, the son of an aristo-cratic French-Canadian tradition, of Kathleen, his beautiful Irish wife, and of their son Paul, who struggles to establish a balance in himself and in the country he calls home.First published in 1945, and set mostly in the time of the First World War, Two Solitudes is a classic novel of individuals working out the latest stage in their embroiled history.

    The war is over, and as the initial phase of de-Nazification winds down, the citizens of Vienna struggle to rebuild their lives amidst the rubble.Anna Beer returns to the city she fled nine years earlier after discovering her husband's infidelity. She has come back to find him and, perhaps, to forgive him. Traveling on the same train from Switzerland is 18-year-old Robert Seidel, a schoolboy summoned home to his stepfather's sickbed and the secrets of his family's past.As Anna and Robert navigate an unrecognizable city, they cross paths with a war-widowed American journalist, a hunchbacked young servant girl, and a former POW whose primary purpose is to survive by any means and to forget. Meanwhile, in the shells of burned-out houses and beneath the bombed-out ruins, a ghost of a man, his head wrapped in a red scarf, battles demons from his past and hides from a future deeply uncertain for all.In The Crooked Maid, Dan Vyleta returns to the shadows of war-darkened Vienna, proving himself once again "a magical storyteller, master of the macabre" (David Park).

    In the basement, she makes a shocking discovery — two dead girls curled into the bottom of her mother’s chest freezers. She remembers a pair of foster children who lived with the family in 1988: Casey and Jamie Cheng — troubled, beautiful, and wild teenaged sisters from Vancouver’s Chinatown. After six weeks, they disappeared; social workers, police officers, and Jessica herself assumed they had run away.As Jessica learns more about Casey, Jamie, and their troubled immigrant Chinese parents, she also unearths dark stories about Donna, whom she had always thought of as the perfect mother. The complicated truths she uncovers force her to take stock of own life.Moving between present and past, this riveting novel unflinchingly examines the myth of social heroism and traces the often-hidden fractures that divide our diverse cities.

    But when Madonna doesn’t show up for court due to a fatal accident, shell-shocked Johnny seizes his unexpected “clean slate” as a sign from above and embarks on an epic hitchhiking journey across Canada to deliver her ashes to a fabled beach on the outskirts of Vancouver.Johnny’s wanderings see him propelled in and out of the driver’s seat of stolen cars, knocking heads with cagey cops, nearly decapitated by a moose, coming face-to-face with his incarcerated biological father in a Kingston jail, and finding surprising connections with strangers on the lonely road west. But most of all, he revisits the choices and mistakes of his past—his relationships with his adoptive father and a cousin who meant the world to him, and his first real chance at love with the woman who is now lost to him.We'll All Be Burnt in Our Beds Some Night is the story of one man’s kicking-and-screaming attempt to recuperate from a life of petty crime and shattered relationships, and somehow accept and maybe even like the new man emerging from within, the one he so desperately needs to become.

    He's sixteen years old and has had the most fleeting of relationships with the man. The rare moments they've shared haunt and trouble Frank, but he answers the call, a son's duty to a father. He finds Eldon decimated after years of drinking, dying of liver failure in a small town flophouse. Eldon asks his son to take him into the mountains, so he may be buried in the traditional Ojibway manner.     What ensues is a journey through the rugged and beautiful backcountry, and a journey into the past, as the two men push forward to Eldon's end. From a poverty-stricken childhood, to the Korean War, and later the derelict houses of mill towns, Eldon relates both the desolate moments of his life and a time of redemption and love and in doing so offers Frank a history he has never known, the father he has never had, and a connection to himself he never expected.    A novel about love, friendship, courage, and the idea that the land has within it powers of healing, Medicine Walk reveals the ultimate goodness of its characters and offers a deeply moving and redemptive conclusion. Wagamese's writing soars and his insight and compassion are matched by his gift of communicating these to the reader.

    The imposing edifice of St. Paul's Cathedral, a landmark of London since the twelfth century, is being reduced to rubble by the flames that engulf the City.In the holocaust, Pegge and a small group of men struggle to save the effigy of her father, John Donne, famous love poet and the great Dean of St. Paul's. Making their way through the heat and confusion of the streets, they arrive at Paul's wharf. Pegge's husband, William Bowles, anxiously scans the wretched scene, suddenly realizing why Pegge has asked him to meet her at this desperate spot.The story behind this dramatic rescue begins forty years before the fire. Pegge Donne is still a rebellious girl, already too clever for a world that values learning only in men, when her father begins arranging marriages for his five daughters, including Pegge. Pegge, however, is desperate to taste the all-consuming desire that led to her parents' clandestine marriage, notorious throughout England for shattering social convention and for inspiring some of the most erotic and profound poetry ever written. She sets out to win the love of Izaak Walton, a man infatuated with her older sister.Stung by Walton's rejection and jealous of her physically mature sisters, the boyish Pegge becomes convinced that it is her own father who knows the secret of love. She collects his poems, hoping to piece together her parents' history, searching for some connection to the mother she barely knew.Intertwined with Pegge's compelling voice are those of Ann More and John Donne, telling us of the courtship that inspired some of the world's greatest poetry of love and physical longing. Donne's seduction leads Ann to abandon social convention, risk her father's certain wrath, and elope with Donne. It is the undoing of his career and the two are left to struggle in a marriage that leads to her death in her twelfth childbirth at age thirty-three.In Donne's final days, Pegge tries, in ways that push the boundaries of daughterly behaviour, to discover the key to unlock her own sexuality. After his death, Pegge still struggles to free herself from an obsession that threatens to drive her beyond the bounds of reason. Even after she marries, she cannot suppress her independence or her desire to experience extraordinary love.Conceit brings to life the teeming, bawdy streets of London, the intrigue-ridden court, and the lushness of the seventeenth-century English countryside. It is a story of many kinds of love — erotic, familial, unrequited, and obsessive — and the unpredictable workings of the human heart. With characters plucked from the pages of history, Mary Novik's debut novel is an elegant, fully-imagined story of lives you will find hard to leave behind.

    When Peter’s nipples begin speaking to him one day and inform him of their diabolical plan to expose his secret desires to the world, Peter finds himself cornered in a world that seems to have no tolerance for difference.Peter’s only solace is “The Bedtime Movies” — perfect-world fantasies that lull him to sleep every night. But when the lines between Peter’s fantasy world and his reality begin to blur, no one is safe from the depths of Peter’s imagination — especially Peter himself.

    The novel uses a "Bloods vs. Crips" metaphor for the philosophical conflict between chefs such as Papier, who favour local ingredients and menus, and those such as his nemesis Dante Beale, who favour a hip, globalized, "post-national" fusion cuisine.Papier also endures conflict with his father, an anthropologist studying homelessness in Vancouver's Stanley Park, who draws him into investigating the death of two children in the park.

    When Edal Jones can't cope with the casual cruelty she encounters in her job as a federal wildlife officer, she finds herself drawn to a beacon of solace nestled in the valley under the unlikely banner of an auto-wrecker's yard. Guy Howell, the handsome proprietor, offers sanctuary to animals and people alike: a half-starved hawk and a brood of orphaned raccoon kits, a young soldier whose spirit failed him during his first tour of duty, a teenage runaway and her massive black dog. Guy is well versed in the delicate workings of damaged beings, and he might just stand a chance at mending Edal's heart.But before love can bloom, the little community must come to terms with a different breed of lost soul - a young man whose brutal backwoods childhood is catching up with him, causing him to persecute the creatures that call the valley home.

         September, 1983. Fourteen-year-old Bo, a boat person from Vietnam, lives in a small house in the Junction neighbourhood of Toronto with his mother, Thao, and his four-year-old sister, who was born severely disfigured from the effects of Agent Orange. Named Orange, she is the family secret; Thao keeps her hidden away, and when Bo's not at school or getting into fights on the street, he cares for her.     One day a carnival worker and bear trainer, Gerry, sees Bo in a streetfight, and recruits him for the bear wrestling circuit, eventually giving him his own cub to train. This opens up a new world for Bo--but then Gerry's boss, Max, begins pursuing Thao with an eye on Orange for his travelling freak show. When Bo wakes up one night to find the house empty, he knows he and his cub, Bear, are truly alone. Together they set off on an extraordinary journey through the streets of Toronto and High Park. Awake at night, boy and bear form a unique and powerful bond. When Bo emerges from the park to search for his sister, he discovers a new way of seeing Orange, himself and the world around them.   All the Broken Things is a spellbinding novel, at once melancholy and hopeful, about the peculiarities that divide us and bring us together, and the human capacity for love and acceptance.

    His charming, humane, and side-splitting stories brought the trials and triumphs of Dave, Morley, Sam, and Stephanie to life, and made their memorable circle of friends, family, and neighbours as real as our own.This collection is both timely and timeless, a rich celebration of Stuart McLean's inimitable voice, and of the importance of love, community, kindness, and the healing power of laughter.

    A disgruntled follower of a self-esteem blog posts a rambling critical comment. On the hunt for the perfect coffee table, a pregnant woman and her husband stop to visit his terminally ill ex-wife. The office cat lady reluctantly joins her fellow employees' crusade to cheer up their dying co-worker. A man grieving his wife's miscarriages follows his deluded friend on a stealth photo-taking mission at the Auto Show. A shoplifter creates her own narrative with stolen anecdotes and a kidnapped baby. In this collection, society's misfits and losers are portrayed sympathetically, and sometimes even heroically. As desperately as these characters long to fit in, they also take pride in what sets them apart.