In a split second, Aida disappears and a frantic Anne scrambles for help. Some of the emergency trackers who search for Aida already doubt Anne's story.Nearly two years later and still tormented by remorse and grief, Anne is charged with her daughter's murder. Witnesses have come forward, offering evidence which points to her guilt. She is stalked by the media and shunned by friends, former colleagues and neighbours.On bail and awaiting trial, Anne works to reconstruct her last hours with Aida. She remembers the sun high in the sky, the bush noisy with insects, and her own anxiety, as oppressive as the heat haze.A superbly written and conceived literary work about the best and the worst aspects of family life, this story asks difficult questions about society, the media, and our rush to judgement. This is a thoughtful, provocative and unflinching novel in the tradition of Helen Garner, Joan London and Charlotte Wood.

    Their early intimacy binds them together once they reach Geneva and their posts at the newly created League of Nations. There, a heady idealism prevails over Edith and her young colleagues, and nothing seems beyond their grasp, certainly not world peace. The exuberance of the times carries over into Geneva nights: Edith is drawn into a glamorous and dangerous underworld where, coaxed by Ambrose, she becomes more and more sexually adventurous.Vivid, funny and wise, full of shocks of revelation and recognition, Grand Days is a dazzling evocation of a golden bygone era and an unerring portrait of a woman of her times - as well as a stunning novel which speaks vividly to readers today.

    But it isn't. In fact there's barely an investigation at all, and Superintendent Swann thinks he knows why. Heroin is the new drug in town and the money is finding its way into some very respectable hands.It's the brave or the foolish who accuse their fellow cops of corruption, and sometimes not even Swann is sure which he is. Especially when those he's pointing the finger at have mates in every stronghold of power in the state – big business, organised crime, the government. He might have won the first round by forcing a royal commission, but the judge is an ailing patsy and the outcome seems predetermined. If that's not enough to contend with, Swann's teenage daughter has disappeared, he doesn't know whether she's alive or not, and the word on the street is he's a dead man walking.Line of Sight is classic crime noir, a tale of dark corruption set in a city of sun and heat.

    The act severs Lawrence from himself. Like the stammer Lawrence develops, where words collide and are blocked, so is he. When Lawrence reaches early adulthood, he starts a friendship with the son of one of his workmates. He connects with the boy he once was, damaged beyond repair. At the heart of Lawrence's desires is the longing to be made whole. But after he is savagely beaten by the boy's father and his workmates, Lawrence decides to retreat from the world. He stays on in his mother's country home, and lives as a hermit for the next thirty years. When a single mother moves into the abandoned farm next door to Lawrence with her teenage daughter and ten-year-old son, his isolation is shattered and he withdraws completely. But the mother asks him to get back to work on the vegetable garden he'd been tending on their land before their arrival. Her boy David is left alone at home a lot, and he and Lawrence begin a friendship. The sense of tension and foreboding is almost unbearable as we witness the boy's growing interest in Lawrence and the older man's blossoming at the chance of the tenderness he has been denied his whole life. In the end, an act of breathtaking courage and sacrifice will save both Lawrence and the boy, but by then your heart will have shattered into a million pieces. Miles Franklin-award winner Sofie Laguna's new novel is both dark and confronting, but transformative through the light, redemption and joy the author so masterfully conjures in its pages. You finish the book with a sense of wonder and exhilaration for what she has achieved and what the book has given you as a reader.

    First Paragraph:'P S,' they said. And 'Vanessa'. Or sometimes 'Ness'. PS. PS. PS. PS. Ness. Ness. Ness. It sounded through his half sleep like surreptitious mice foraging through tissue paper. It was as mysterious as the lateness of the hour — after nine o'clock — and only as far away as the kitchen door, ajar so as to hear him if he should call to them or have a nightmare. He turned in bed, listening to the whispering undertones, as steady and continuous as a tap left running and broken only by a cough or sometimes a chair scraping back on the linoleum; then a dish being taken from a cupboard and now and then a voice would catch on fire and break adrift from the murmurings, but always with the same word, Vanessa, said sharply like hitting a brass gong at dead of night and then someone would say, 'Shhh, was that him? Did he call out?' and tiptoeing would startle the old floorboards while a shadow grew larger and larger on his wall; bent to hear if he was stirring and so, annoyed with their secrets, he would feign sleep until whoever it was retreated to the kitchen and the whispering hissed up again like damp green eucalyptus logs burning.

    But for all the idyllic surroundings, Ettie can't help wondering where her dreams have disappeared to until fate offers her a lifeline, in the shape of a lopsided little cafe on the water's edge. When Bertie, its cantankerous septuagenarian owner, offers her "the Briny" for a fantastic price, it's an opportunity too good to miss. But it's a mammoth task, and she'll need a partner. Enter Kate Jackson, the enigmatic new resident of the haunted house on Oyster Bay. Kate is also clearly at a crossroads running from a life in the city that has left her lonely and lost. Could a ramshackle cafe and its endearingly eccentric customers deliver the new start both women so desperately crave?

    Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before. Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream. Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else, becomes everything after.

    If you loved THE DRY and SCRUBLANDS, you will love STILL.Darwin, Summer, 1963.The humidity sat heavy and thick over the town as Senior Constable Ned Potter looked down at a body that had been dragged from the shallow marshland. He didn't need a coroner to tell him this was a bad death. He didn't know then that this was only the first. Or that he was about to risk everything looking for answers.Late one night, Charlotte Clark drove the long way home, thinking about how stuck she felt, a 23-year-old housewife, married to a cowboy who wasn't who she thought he was. The days ahead felt suffocating, living in a town where she was supposed to keep herself nice and wait for her husband to get home from the pub. Charlotte stopped the car, stepped out to breathe in the night air and looked out over the water to the tangled mangroves. She never heard a sound before the hand was around her mouth.Both Charlotte and Ned are about to learn that the world they live in is full of secrets and that it takes courage to fight for what is right. But there are people who will do anything to protect themselves and sometimes courage is not enough to keep you safe.

    1965: As the United States becomes further embroiled in the Vietnam War, the ripple effects are far-reaching—even to the other side of the world. In Australia, a national military draft has been announced and Pearl Keogh, a headstrong and ambitious newspaper reporter, has put her job in jeopardy to become involved in the anti-war movement. Desperate to locate her two runaway brothers before they’re called to serve, Pearl is also hiding a secret shame—the guilt she feels for not doing more for her younger siblings after their mother’s untimely death. Newly arrived from Sweden, Axel Lindquist is set to work as a sculptor on the besieged Sydney Opera House. After a childhood in Europe, where the shadow of WWII loomed large, he seeks to reinvent himself in this utterly foreign landscape, and finds artistic inspiration—and salvation—in the monument to modernity that is being constructed on Sydney’s Harbor. But as the nation hurtles towards yet another war, Jørn Utzon, the Opera House’s controversial architect, is nowhere to be found—and Axel fears that the past he has tried to outrun may be catching up with him. As the seas of change swirl around them, Pearl and Axel’s lives orbit each other and collide in this sweeping novel of art and culture, love and destiny.

    He lives with his mother and sister Katie, all dutifully cared for by Aunt Dettie, their father's sister, who believes herself sympathetic to his pain. Their father abandoned the family some time ago, but when their mother begins to date again, Aunt Dettie reacts very badly. After an unexpected phone call, Aunt Dettie packs Sam and Katie into the backseat of her car and tells them that she's taking them to Perth to be reunited with their father. As Dettie drives the children across Australia in the middle of a sweltering and dangerous bushfire season, her behaviour becomes increasingly erratic, and the children begin to realise that there is something very wrong. Voiceless, Sam can only watch helplessly as the family trip becomes a smoke-filled nightmare.

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    The book is written in the saga form, spanning four generations from 1861 to the mid-1980s, though the path from past to present is neither straight nor defined. It is, rather, a broader and interwoven series of relationships in which the generations of the past continue to inform the present and all meld in the land and landscape. As Connie Laffey puts it: 'So closely meshed all of us, the nature of our closeness bound up with this place. With family.' The novel opens in the early 1980s with Connie Lafey and her middle-aged son, Reever, protesting against development which is decimating to the rainforest in the Mango area. Connie, anxious about Reever's safety—he has chained himself fifty feet up a celerywood tree—heads off to find help when she falls and concusses herself. The attendant delirium is the starting point for the narrative saga as the past and present converge in Connie's reverie. The narrative transports us back in time to the first generation of immigrants and the courtship and marriage of Cornelius Laffey and Jessica Olive in 1861.

    When bones are recently discovered near his abandoned ute, her mother informs her of the details surrounding that devastating day. Now, Lily is determined to find out what happened.Under the alias of Abby O’Brien, she leaves her job with the police force in the city and accepts a position as a personal nurse to care for Nathaniel and Matthew Kinsley’s mother.Arriving at the cattle station, Lily thinks she has a foolproof plan until she catches the eye of the elder Kinsley brother and sparks fly.Secrets are revealed, and the sordid past of the Nobles and Kinsleys comes to a head when Lily discovers a family she didn’t know existed.Will this news be the glue to hold her to a place she once called home, and can she learn to trust Nathaniel and accept his marriage proposal?

    The sign taunts a fool into feeling some sense of achievement, some kind of end- that you have reached a destination in the very least. Yet as the sign states, Darnmoor is merely a gateway, a waypoint on the road to where you really want to be.Darnmoor is the home of the Billymil family, three generations who have lived in this 'gateway town'. Race relations between Indigenous and settler families are fraught, though the rigid status quo is upheld through threats and soft power rather than the overt violence of yesteryear.As progress marches forwards, Darnmoor and its surrounds undergo rapid social and environmental changes, but as some things change, some stay exactly the same. The Billymil family are watched (and sometimes visited) by ancestral spirits and spirits of the recently deceased, who look out for their descendants and attempt to help them on the right path.When the town's secrets start to be uncovered the town will be rocked by a violent act that forever shatters a century of silence.Full of music, Yuwaalaraay language and exquisite description, Song of the Crocodile is a lament to choice and change, and the unyielding land that sustains us all, if only we could listen to it.

    But when the handsome John Beck-a former Methodist preacher turned novice whaler with a mysterious past-arrives at the Davidson's door pleading to join her father's crews, suddenly Mary's world is upended.As her family struggles to survive the scarcity of whales and the vagaries of weather, and as she navigates sibling rivalries and an all-consuming first love for the newcomer John, nineteen-year-old Mary will soon discover a darker side to these men who hunt the seas, and the truth of her place among them. Swinging from Mary's own hopes and disappointments to the challenges that have beset her family's whaling operation, RUSH OH! is an enchanting blend of fact and fiction that's as much the story of its gutsy narrator's coming-of-age as it is the celebration of an extraordinary episode in history.