Author royalties donated to the Motion Picture and Television Fund.

    Instead of adultery and divorce, he uncovers a conspiracy reaching to the economic foundations of Los Angeles. Set in the 1930s, the film was directed by Roman Polanski and stars Jack Nicholson, Faye Dunaway, and John Huston.

    Despite his on-screen persona, Niven wasn’t always the perfect gentleman. He was insecure both privately and professionally and used people to get ahead. But he did, he said, ‘at least try to be a decent man.’ He knew he often failed, although it isn’t easy to find people who ever had a bad word to say about him. In this fascinating biography of the star, Munn looks at the funny stories and the sad underlying truth, from his outrageous days with Errol Flynn and their irrevocable split –‘You always know where you are with Flynn. He always lets you down’ – and numerous affairs with stars and prostitutes, to an attempted suicide, his horrific experiences in war-torn France and the breakdown and blame of his second marriage. This compelling text includes interviews with his second wife, Hjordis, John Huston, Rex Harrison, Laurence Olivier, Loretta Young (they discussed marriage once), Niven’s long-time friend Michael Trubshawe, Peter Ustinov, Ava Gardner and many more.

    A figure of speech inwhich a part is used for the whole, as in the screen for movies.From Charlie Kaufman, perhaps the most distinctive screenwritingvoice of our generation, comes a visual and philosophicadventure of epic proportions. Much as he did with hisgroundbreaking scripts for Being John Malkovich, Adaptation,and Eternal Sunshine of the Spotless Mind, Kaufman twists andsubverts the form and language of film as he delves into themind of a man who, obsessed with his own mortality, sets outto construct a massive artistic enterprise that could give somemeaning to his life. Starring Philip Seymour Hoffman,Samantha Morton, Michelle Williams, Catherine Keener,Emily Watson, Dianne Wiest, Jennifer Jason Leigh, HopeDavis, and Tom Noonan, and directed by Kaufman,Synecdoche, New York is an epic story of grand artistic ambitionsand creative madness.This Newmarket Shooting Script® Book includes:Exclusive introduction by Charlie KaufmanComplete Shooting ScriptExclusive Q&AColor photo sectionComplete cast and crew credits

    Turning The Tables is the first published history of the company which grew from a run-down bingo hall to become a national pay-per-view competitor... then crashed in a sea of debt. John Lister (author of Slamthology) gives an independent, objective and informative account that reveals hidden secrets and shatters common myths. From a little-known truth about ECW's most famous feud to a blow-by-blow account of what really happened in Revere, this book will give you the true story behind America's most controversial wrestling group.

    Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.

    Here together are the complete Clifton Chronicles, including all seven novels:Only Time Will TellThe Sins of the FatherBest Kept SecretBe Careful What You Wish ForMightier Than the SwordCometh the HourThis Was a Man

    Together with Tyler Durden – part-time projectionist, banquet waiter, soap-maker and anarchic genius – he creates Fight Club, where he and men like him can get away from their work-dominated, consumer-driven, image-obsessed lives.Soon there are fight clubs in basement bars across the country; men with cuts, bruises, stitches and missing teeth wherever you look. Tyler Durden has become an urban legend – but when he invents Project Mayhem, things begin to escalate. There’s only one thing to do: shut down Fight Club. But have they created a monster they can't control?This full-cast BBC radio dramatisation of Chuck Palahniuk's visceral, unflinching novel stars Patrick Kennedy as the Narrator, Sam Hazeldine as Tyler and Elaine Cassidy as Marla.Cast:The Narrator...Patrick KennedyTyler Durden...Sam HazeldineMarla Singer... Elaine CassidyBig Bob...Martin ShermanDoctor/Boss...Nigel WhitmeyRecruit One...Danny MahoneyMechanic...John SchwabTed...Sam DaleGlenda...Jane SlavinChloe...Ayesha AntoineDramatised by Tracey Malone and Ed WhitmoreProduced by Heather LarmourDuration: 1 hour approx.

    To appreciate this, though it is necessary to look at what happens on the screen without bringing preconceptions to bear.

    Set against the splendor and barbarity of the Roman Empire in AD 180, Gladiator tells an epic story of courage and revenge: The great Roman general Maximus (Russell Crowe) has been forced into exile and slavery by the jealous heir to the throne, Commodus (Joaquin Phoenix). Trained as a gladiator, Maximus returns to Rome, intent on avenging the murder of his family by Commodus, now emperor. The one power stronger than that of the emperor is the will of the people, and Maximus knows he can attain his revenge only by becoming the greatest hero in all the Empire. Russell Crowe heads up an international cast that includes Joaquin Phoenix, Connie Nielson, Oliver Reed, Derek Jacobi, Djimon Hounsou, and Richard Harris. Directed by Ridley Scott from a script by David Franzoni and John Logan, Gladiator is produced by Franzoni, Douglas Wick, and Branko Lustig, with Walter F. Parkes serving as executive producer.This is the official full-color companion book, featuring excerpts from the screenplay, historical sidebars and illustrations, details on period costumes and epic set designs, behind-the-scenes photographs from the location filming, and interviews with the screenwriters, actors, and director.

    But the elves turn out to be more dangerous than he bargained for, seeking to rip open the veil between Tallia and Llandra and unleash swarming hordes of unspeakable horrors. Even worse, Berry seems to be on their side!Determined to stop them, Randall races against time to find the one artifact that can save Tallia, or destroy it.

    In these films, based on the colors of the French flag and the principles of liberty, equality and fraternity--the three ideals of the French Revolution--Kieslowski has crafted three parables of contemporary existence. In "Blue," Julie loses her child and husband in a car crash. In order to shield herself from the intensity of her grief, she strips away all remnants of her former life. This attempt is doomed to failure as music inexorably brings her back to a purpose in life. In "White," Karol, a Polish hairdresser, is divorced and abandoned by his beautiful French wife and finds himself destitute on the Paris streets. He meets a fellow Pole, who ingeniously smuggles him back to Warsaw in a suitcase. Working on the black market, he soon rises to the top of Poland's emerging capitalist class. Still obsessively haunted by the image of his wife, Karol sets out to make her pay the price for her betrayal. The third and final part of the trilogy, "Red," explores a strange, tentative relationship that gradualy grows between a beautiful young model and an embittered, retired judge. It is through the wisdom of her innocence that he finds the courage to engage with life again. Kieslowski brings the trilogy to a close with an event that weaves the disparate threads into a seamless work of art.

    

    She is the highest-paid actress in town, with a luxurious estate, the respect of her peers, adoration of her fans, and a series of lovers that has included the first wife of her protégé, Rudolph Valentino. But reaching the top is one thing. Staying there is an entirely different matter. Nazimova dreams of producing a motion picture of Oscar Wilde’s infamous “Salomé.” It will be a new form of moviemaking: the world’s first art film. But the same executives at Metro Pictures who hailed Nazimova as a genius when she was churning out hit after hit now turn their backs because her last few movies have flopped. Taking matters into her own hands, Nazimova decides to shoot “Salomé” herself. But it means risking everything she has: her reputation, her fortune, her beautiful home, and even her lavender marriage. But will it be enough to turn her fortunes around? Or will Hollywood cut her out of the picture? From the author of the Hollywood’s Garden of Allah novels and based on a true story, “Chasing Salomé” takes us inside Nazimova’s struggle to achieve a new level of stardom by raising the flickers to an art form.

    An unruly bunch of bright, funny sixth-form (or senior) boys in a British boys' school are, as such boys will be, in pursuit of sex, sport, and a place at a good university, generally in that order. In all their efforts, they are helped and hindered, enlightened and bemused, by a maverick English teacher who seeks to broaden their horizons in sometimes undefined ways, and a young history teacher who questions the methods, as well as the aim, of their schooling. In The History Boys, Alan Bennett evokes the special period and place that the sixth form represents in an English boy's life. In doing so, he raises not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today.