She and her family must leave their beloved Baba in their Ukrainian hometown in order to flee to Canada. Dreaming of fields of wheat, wealth and security, Lesia looks forward to a life in Canada, free from poverty and rumours of war. But the 160 acres of hardscrabble prairie look nothing like the wheat fields of her dreams. And even though there is no fighting in her new country, the First World War follows them there.SHORTLISTED FORThe Manitoba Young Readers’ Choice Award, The Snow Willow Award and The Rocky Mountain Book Award

    As a successful writer with an established career, a comfortable home and a supportive group of friends, her life was full. But then, 30 years after he broke her heart the first time, he walked into a book signing and back into her life. Spurred on by the idyll of a first love made good, they reconnect through emails—the bits and bytes of their messages re-forming into a real electricity between them. He is smitten. She is enthralled.    But, strangely, love has left her with a nasty case of writer’s block. She gathers all the strength she can find in the text around her—using optimistic horoscopes, evasive fortune cookies and the inanely unhelpful suggestions of books on writer’s block—to fight against the understanding that a love can’t be sustained on language alone. Then, in a surprising and wickedly delicious resolution, she recognizes that truth and fiction can be one and the same in matters of the heart, and that in a “he said, she said” story, the writer always gets the last word.    At A Loss For Words is another brilliant expression of Diane Schoemperlen’s gift for building the minutiae of everyday life into a profound understanding of women, men, love and imagination.

    Traveling to Northern Ontario and across the Great Lakes, Passage is a poetic voyage through divorce, family violence, legacy of colonization, and the affirmation of a new sexuality and gender. Previously published as a man, Passage is the poet's first collection written as a transwoman. Striking and raw in sparse lines, the collection showcases a vital Two Spirited identity that transects borders of race, gender, and experience. In Passage, the poet seeks to reconcile herself to the land, the history of her ancestors, and her separation from her partner and family by invoking the beauty and power of her ancestral waterways. Building on the legacy of other ground-breaking Indigenous poets like Gregory Scofield and Queer poets like Tim Dlugos, Benaway's work is deeply personal and devastating in sharp, clear lines. Passage is a book burning with a beautiful intensity and reveals Benaway as one of the most powerful emerging poets writing in Indigenous poetics today.

    A seemingly cold and dour spinster, her heart eventually softens to the loveable orphan girl. But for over a century readers have wondered, who was Marilla before Anne? In Louise Michalos's remarkable debut novel, readers are introduced to a spirited eighteen-year-old Marilla Cuthbert—a girl not unlike Anne herself—who is desperately in love, and whose whole life is spread before her. But when a moment of defiance brings life-changing consequences, a new Marilla begins to take shape, one who would learn to bear tragedy like a birthright, and loss as an inevitability, and who would hold steadfast to the secrets that could shatter the lives of everyone around her. Weaving its way from Marilla's early life in Avonlea to her coming-of-age in Halifax, Nova Scotia, and back, Marilla Before Anne is the story readers of Anne of Green Gables have longed for. Told with a refreshingly original East Coast voice, this exquisite, heartbreaking work of historical fiction takes readers on a journey back in time, to the Green Gables where Marilla Cuthbert lived, loved, and learned, long before Anne.

    . .I'm sure no daughter ever hadMore lovely parents . . . Yes, it's sad."But for their loss I shall not grieve;I'll hug the hope they still survive;Oh, I must make myself believeSomehow, somewhere they're still alive. . . ."Well, that's my only souvenir,A locket stained with many a tear."

    The personal and political crash into one language here, gothic as it is supple, meditating on visual art and myth, to desire, the practice of lynching and Hurricane Katrina. Always at its center, though, is the poet himself—confessing a double song of pleasure and inevitable pain.

    These mysteries become chilling knowing they are based on personal experiences of ordinary people, told to Dr. Helen Creighton; Canada's most respected and renowned folklorist, over twenty-eight years. When the moon is full and the wind is howling, prepare to be spooked by apparitions and things that go bump in the night.

    One of the most significant writers of the New York School—which unofficially included John Ashbery, Frank O'Hara, and Kenneth Koch, among others—Schuyler was strongly influenced by both art and music in his work, often incorporating rapid shifts in sound, shape, and color within his poems that almost gave his work the effect of a collage and engendered comparisons with Whitman and Rimbaud.

    In these fierce yet tender narrative poems, Thom draws from both memory and mythology to create new maps of gender, race, sexuality, and violence. Descended from the traditions of oral storytelling, spoken word, and queer punk, Thom's debut collection is evocative and unforgettable.Kai Cheng Thom is a trans writer and performance artist whose work has been published in Buzzfeed, Autostraddle, Asian American Literary Review, and xoJane. She writes regularly for Everyday Feminism.

    H. Auden endowed poetry in the English language with a new face. Or rather, with several faces, since his work ranged from the political to the religious, from the urbane to the pastoral, from the mandarin to the invigoratingly plain-spoken.This collection presents all the poems Auden wished to preserve, in the texts that received his final approval. It includes the full contents of his previous collected editions along with all the later volumes of his shorter poems. Together, these works display the astonishing range of Auden's voice and the breadth of his concerns, his deep knowledge of the traditions he inherited, and his ability to recast those traditions in modern times.

    Beginning in 1949, we follow the Chambers for the next fifty years through the many joys and disappointments of their lives: a childhood accident, a tragic illness ending in death, and a remarriage for Bill. Some of the children choose a traditional route, marrying and having children of their own. One forges her own very new path. The clan expands and changes; marriages fail and careers bloom. But despite the heart-aches and difficulties each member of the family faces, there is never a lack of love to be found. With writing so clear and crisp it rings with honesty and grace, Burnard's characters work their way under your skin and into your heart-an auspicious debut.

    From the ramblings of an opium-riddled adventurer to treatises on life from a mind rattled by the world; from the tragic end of a teen queen to a day in the life of a rock star; from the execution of the Self by the Other to the pull between rules and freedom, this is a landscape located halfway between imagination and reality, a world that rocks between imagination and reality, a world that rocks between sleep and wakefulness, sanity and insanity, sobriety and inebriation. A must for fans of The Matthew Good Band, this book isn't Disneyland, but it will take you on a ride you will never forget.

    Eilleen Hoffman has just told Danny, her con-artist lover and father of her youngest daughter Grace, to get out — for good. Once a teacher, Eilleen lived a middle-class life, but her taste in men coupled with a predilection for pills and booze has brought her down. Desperate to prevent her family from sinking deeper into poverty, Eilleen reluctantly goes on welfare. Eventually she turns to the only friends she has left, hustlers and hookers, to learn how a woman makes fast money, no investment necessary.With Eilleen on welfare and her older daughter Charlotte a teenaged runaway, child welfare authorities descend on the Hoffmans. As Eilleen trails through several attempts at drying out, the well-intentioned Children's Protection Society finally intervenes to apprehend Grace. With the threat of prolonged separation now a stark reality, Eilleen and Grace must rally to confront their demons with grit, determination and humour. Unblinkingly observed and brilliantly written, Going Down Swinging is about the powerful bond between mother and child. And with her skilful narrative interplay, Billie Livingston illustrates poignantly how the truth of our stories lies not so much in the black and white, as it does in the grey.