A chocoholic grizzly bear, a talking Christmas tree, mince pie overdoses and a very bloody murder. Will poor old Saint Nick make it out alive? Sad, strange, funny and gruesome, this overlapping, multi-genre collection of tales has a little something for every reader. Curl up with a mulled wine and some fictional festive misery, and discover what Father Christmas really likes to drink when he wriggles down your chimney. Spoiler: it isn’t milk.

    These pieces encompass the pre- and postwar Irish American family life she circles in the early Temporary Shelter series, as well as a wealth of new fiction that brings her contemporary characters into middle age; it is their turn to face bodily decline, mortality, and the more complex anxieties of modern life. Gordon captures the sharp scent of feelings as they shift, the shape of particular lives in their hope and incomprehensibility. In The Neighborhood, a seven-year-old who has lost her father finds birthday parties, with their noisy games and spun-sugar roses on fancy cakes, her greatest trial. City Life explores the dark side of Manhattan apartment living. Intertextuality proposes a dream meeting between Proust's characters and the author's aging grandmother. Throughout, Gordon's surprising path to the center of a story is as much a part of the tale as the self-understanding her characters achieve in the process: What were they all, any of them, feeling?one narrator ventures. This was the sort of question no one in my family would ask. Feelings were for others: the weak, the idle. We were people who got on with things. With their powerful insights into how we make do, both socially and privately, these stories are a treasure of American fiction. Each is a joy to read and a chance to savor Gordon's clear vision: her ability to reveal at every turn what we need and what we wish for, and her willingness, always, to address what comes of such precious wishes.

    A lonely woman reflects on her failed marriage and the single act of violence, years buried, that brought about its destruction. In these eight beautifully written, achingly poignant, and occasionally heartbreaking stories, the fine line between right and wrong, good and bad, love and violence is walked over and over again.In "Good Girl," a depressed widower is forced to decide between the love of a good woman and the love of his own deeply flawed son. In another part of town and another time, thirteen-year-old Ellen, the central figure of "Theory of Realty," is discovering the menaces of being "at that age": too old for the dolls of her girlhood, too young to understand the weaknesses of the adults who surround her. The linked stories "Parts" and "Proof of God" offer distinct but equally correct versions of a brutal crime--one from the perspective of the victim's mother, one from the killer's.

    Though the characters may not be human, the situations in these stories bear an uncanny resemblance to the insanity of everyday life. In "The Toad, the Turtle, and the Duck," three strangers commiserate about animal bureaucracy while waiting in a complaint line. In "Hello Kitty," a cynical feline struggles to sit through his prison-mandated AA meetings. In "The Squirrel and the Chipmunk," a pair of star-crossed lovers is separated by prejudiced family members.With original illustrations by Ian Falconer, author of the bestselling Olivia series of children's books, these stories are David Sedaris at his most observant, poignant, and surprising.

    Brimming with humor, irony, and insights about the unpredictable nature of life, the unbearable beauty of fate, and the power that one moment, or one decision, can have to transform us, I Knew You'd Be Lovely delivers that rare thing—stories with both an edge and a heart.

    A town of spilled peaches fields its own game show. A mosquito fogger finds an unlikely friend. The stories in Mike Young's debut collection Look! Look! Feathers tap into the surreal and sad, the absurd and ragged dreams scratching at the edge of the American heart. Punks drive auctioned police cars, and necklaces of bluebird bones are sold from a roadside van. In these tales of the Pacific Northwest, Young finds magic burrowed under the moss of ordinary life.

    The straight road has never had so many turns as Glory hooks up with other casualties from the chemical generation. There?s ex-Sister Jacqueline who fled the convent of the Sisters of Patience with the baby Jesus under her arm, ever relapsing gun freak Dooley who wants to be sober but is always drunk and Zemecki, so immersed in his lonely torpor that he can only express love for his ex-girlfriend?s cat. In this streetwise and sardonic book, Glory finds love and work whilst steering clear of self-pity and ?happy-talk?: she very determinedly goes and gets some. Winner of the prestigious Whiting Award for young writers, Emily Carter is that rare combination: a writer who can do very dark lightly.

    Bender's prose is glorious, musical, and colloquial, an anthology of the bizarre. In 'The Rememberer', a man undergoes reverse evolution -- from man to ape to salamander -- at which point a friend releases him into the sea, while in another story a woman gives birth to her mother. A grief-stricken librarian decides to have sex with every man who enters her library. A half-mad, unbearably beautiful heiress follows a strange man home, seeking total sexual abandon: He only wants to watch game shows. A woman falls in love with a hunchback; when his deformity turns out to be a prosthesis, she leaves him. A wife whose husband has just returned from the war struggles with the heartrending question: Can she still love a man who has no lips?Contents:The rememberer --Call my name --What you left in the ditch --The bowl --Marzipan --Quiet please --Skinless --Fugue --Drunken Mimi --Fell this girl --The healer --Loser --Legacy --Dreaming in Polish --The ring --The girl in the flamable skirt.

    A New Yorker, trying not to be jaded, accompanies a cash-strapped pot grower to a “clothing optional resort” in California. A nerdy high-schooler has her first sexual experience at Geology Camp. A college student, on the night of her father’s funeral, watches a video of her bat mitzvah, hypnotized by the image of the girl she used to be . . . Frank and irreverent, Rebecca Schiff’s stories offer a singular view of growing up (or not) and finding love (or not) in today’s ever-uncertain landscape. In its bone-dry humor, its pithy observations, and its thrilling ability to unmask the most revealing moments of human interaction—no matter how fleeting—The Bed Moved announces a new talent to be reckoned with.

    What is it about J. D. Salinger and his body of work that has left such a lasting mark on American fiction? And who better to answer that question than the current generation of writers?Here are fourteen of the most vital voices in the contemporary American fiction scene pulling no punches in response to a writer who continues to beguile, charm, fascinate, and frustrate generations of readers. Contributors Walter Kirn, Ren? Steinke, Charles D’Ambrosio, Emma Forrest, Aleksander Hemon, Lucinda Rosenfeld, Amy Sohn, John McNally, Karen E. Bender, Thomas Beller, Benjamin Anastas, Aimee Bender, Joel Stein, and Jane Mendelsohn turn themselves inside out as they discuss their personal reactions to reading Salinger classics–not only The Catcher in the Rye but also Franny and Zooey, Raise High the Roofbeams, Carpenters, and the short stories–and explore, with begrudging gratitude, how Salinger helped to form the deepest reaches of their literary imaginations.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    In "Some Are Born to Sweet Delight, " a girl's innocent love for an enigmatic foreign lodger in her parents' home leads her to involve others in a tragedy of international terrorism. "The Moment Before the Gun Went Off" reveals the strange mystery behind an accident in which a white farmer has killed a black boy. "Once Upon a Time" is a horrifying fairy tale about a child raised in a society founded on fear.

    She might be the only one. When Mercy’s best friend, Ellen, shows up in the middle of the night, shaken and afraid. Mercy starts digging for a truth that might not even exist. Is it a mental illness or has the Missouri drought revealed something that could’ve remained hidden forever?

    Here, we meet Newton, the beloved chapter president; Oprah, the sensitive reader; Petey, the treasurer, loyal to a fault; Claire, the couch-surfing dropout who hopes to sell them drugs; and a girl known, for unexpected reasons, as God. Though the living room reeks of sweat and spilled beer, the brothers know that to be inside is everything.Fraternity celebrates the debauched kinship of boys and girls straddling adolescence and adulthood: the drunken antics, solemn confessions, and romantic encounters that mark their first years away from home. Beneath each episode lies the dread of exclusion. The closeted Oprah's hero worship gives way to real longing. A combat veteran offers advice on hazing. An alienated young woman searches for a sanctuary. And the shadow of assault hovers over every sexual encounter.Voiced by an off-kilter chorus of the young and desperate to belong, Benjamin Nugent's provocative collection pries the fraternity door off its hinges, daring us to peer inside with amusement, horror, and also with love.

    Once out of the fray -- far from our cubicles and the relentless rat race -- and back into nature, we find time to ponder bigger questions. Peelle has crafted eight stories that capture these moments: summers riding horses, life as a carnival worker, kidding season on a farm. Quiet and telling, her stories are filled alternately with supreme joy and with deep sorrow, desperation and longing, dreams born and broken -- set in landscapes where the clock ticks more slowly. Her landscapes are the kind of places you want to run away from, or to which you wish you could return, if time hadn't irrevocably changed them. A single thread runs through each of these stories, the unspoken quest to answer one of life's most primal questions: Who am I?Peelle's writing is calm and smooth on the surface -- even soothing in its descriptions of daily life on a farm, for example -- but her words can hardly contain the depth of emotion that lies beneath them. So make some time and find a big tree to sit beneath, take a deep breath, and dive into this quietly impressive collection.