Four physicians have failed to bring the young lad back to health, and his nurses seem unable to bring him comfort. Sir Robert decides that he and Elizabeth Lady Carey should have the keeping of the child – despite the disgrace that will come to them if he dies in their care. It’s not long before Sir Robert begins to suspect that foul play lies behind the young Duke’s condition. Is there a poisoner at Court? If so, will Sir Robert find the miscreant in time to save the Duke? Patricia Finney is the author of six novels featuring Sir Robert Carey, all of them written under the pseudonym P F Chisholm and all available on Kindle. Patricia Finney’s latest Elizabethan crime novel, Do We Not Bleed?, features the ambiguous James Enys, his elusive sister, and a young playwright, Will Shakespeare. Do We Not Bleed? is also available on Kindle.

    She's about to dive in for an evening swim, but the waters may not be as empty as they appear. Deep within, something is waiting. And it doesn't want to her to leave. Ever.

    Released as one of a limited number of digital shorts released to celebrate the publication of Jeffrey Archer’s magnificent seventh short-story collection, Tell Tale. Taken from Cat O’ Nine Tales, Jeffrey Archer's fifth collection of short stories, Don’t Drink the Water is a captivating, witty and ingenious short read.Richard Barnsley is in St Petersburg to close a pipeline deal that will make him rich beyond his wildest dreams. Having spent years bribing the Energy Minister, Anatol Chenkov, the deal should go through smoothly. However, the president of Russia wants preside over the signing ceremony which means he needs to finalise the contract in a matter of weeks. But then Richard’s home life unravels when he finds a letter from a divorce lawyer intended for his wife. He suspects she is waiting for the deal to be signed before divorcing him, which leads Richard to take drastic action . . .

    She discovers a book written by Julian Winslett, a British war hero and writer, who was a young boy she cared for while working as a 16-year-old nanny in Bengal. His book is about those old days, and features the two of them as named characters. The 1920s British Raj was an era of expansive homes and gardens, elegant rail travel, and very strict divisions between Indians, Anglo-Indians and the British. For the rulers of India, it was a glorious period; but for Menakshi, it's a time she'd rather forget. She'd pushed away all her old feelings for Julian…but now they're back. As Menakshi reads Julian's book, she returns to a vanished world where luxury and deprivation co-exist in the same grand bungalow--and romance breaks all rules in the hills of Darjeeling and on the Bengal-Nagpur Railway. Menakshi's own recollections add suspense as his family heads toward rupture, and she is torn between loyalty toward the children and her own secret dreams. THE AYAH'S TALE is a 202-page novella by Sujata Massey, author of THE SLEEPING DICTIONARY, a longer novel set in British India that was published by Simon & Schuster in 2013. She is also the author of the contemporary Rei Shimura mystery novel series set in modern Japan, which starts with THE SALARYMAN'S WIFE.

    1 New York Times bestseller Beautiful Ruins, a father-son story that underscores why Jess Walter is not only among the funniest writers working today but among the most bighearted and humane.Jay is nothing like his hard-drinking, skirt-chasing, blue-collar dad. He’s college-educated, works as a graphic designer, prefers white wine to whiskey, and is gay—a fact that’s been lost, with so much else, in the growing fog of his father’s dementia. When the woman with whom his dad has lived for decades throws him out (thanks to a little neighborly infidelity), Jay moves his dad to Boise to live with him—at least temporarily—until he can find an eldercare facility for the old man. But the search turns out to be far more complicated than Jay realized—what place will not only care for his dad but let him be who he imperfectly is, bad habits and all? The answer to that question takes father and son to a 1950s-style motor inn, the Town & Country Senior Inn, where the only therapy on offer is nostalgia and happy hour starts at 3:30.In turns hilarious and heartbreaking, Town & Country describes a son’s greatest act of tolerance and acceptance in a world—a distinctly American one—that hasn’t always shown him the same. It’s a story, as only Jess Walter could write it, about all the ways we cannot help but love each other even when, owing to political, regional, and generational divisions, we do not, and maybe cannot, understand each other.

    The narrator describes the frustration that the people of the community have with the artist, who is not only painting over one of their favorite places to play, relax in the shade, and hold on to the memories of a lost friend, but the artist is unwilling to accept the hospitality from anyone who tries to offer her food, or find out what she is up to. When the narrator and Lou go out into the country to meet up with their grandmother, they learn about graffiti from dad and grandmother who are watching the news, and they decide that they are going to deface the painting when they return back to Taliaferro Street. When they return, however, they find that the mural was a beautiful picture that not only reminded the community of all of the things that they loved about the wall, but celebrated the vibrant cultural richness of their community.

     When he made the choice to save two lives in 11th century Vinland, Tate had no idea his decision would create a rift that must be fixed. With one more mission to Vinland, Tate could erase all that had happened – yet how could he erase the son he loved more than his own life? Will he correct the mistakes he made? Or will the rift haunt Tate forever?

    This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Neither genre nor Granta shall be overlooked in the search for the very best new short fiction.The first book of the series includes stories published in 2010 by the following authors: David Rose, Hilary Mantel, Lee Rourke, Leone Ross, Claire Massey, Christopher Burns, Adam Marek, SJ Butler, Heather Leach, Alan Beard, Kirsty Logan, Philip Langeskov, Bernie McGill, John Burnside, Robert Edric, Michèle Roberts, Dai Vaughan, Alison Moore and Salley Vickers.Table of Contents:Flora – David RoseWinter Break – Hilary MantelEmergency Exit – Lee RourkeLove Silk Food – Leone RossFeather Girls – Claire MasseyForeigner – Christopher BurnsDinner of the Dead Alumni – Adam MarekThe Swimmer – SJ ButlerSo Much Time in a Life – Heather LeachStaff Development – Alan BeardThe Rental Heart – Kirsty LoganNotes on a Love Story – Philip LangeskovNo Angel – Bernie McGillSlut’s Hair – John BurnsideComma – Hilary MantelMoving Day – Robert EdricTristram and Isolde – Michèle RobertsLooted – Dai VaughanWhen the Door Closed, It Was Dark – Alison MooreEpiphany – Salley Vickers

    He has a secret that could drive any woman away. Can they find a love to overcome it all? A Sweet Western Romance from #1 Best Selling Author Emily Wood Kate is a widow who watched her whole life go up in flames. With nowhere else to turn, she heads west to live with her aunt and start a new life for herself and her daughter. As she struggles to provide a new life for her daughter, she finds herself attracted to man who has vowed to never love again. Can she overcome her lack of faith and trust someone enough to find love again? A Gentle Love is a clean western romance from #1 Best Selling author Emily Woods. If you like clean, historical fiction about women who must overcome tragedy in order to love again, you will love this sweet romance! Buy A Gentle Love and get lost in another sweet western romance today. Always FREE on Kindle Unlimited

    The short stories included in this selection are representative not only of Tagore's range, but they also enable us to revise the conventional view of Tagore as a short story writer. Writing them at a time when the form was not yet popular, Tagore eschewed the romantic strain prevalent in his day. His stories are fables of modern man, where fairy tale meets hard ground, where myths are reworked, and the religion of man triumphs over the religion of rituals and convention, where the love of a woman infuses the universe with humanity. He writes with concern about such issues as the Hindu revivalism in the late nineteenth century and the bondage of women. The rhythms of daily life, his rural encounters and childhood reminiscences, unfold in his tales, as does a sense of history, the reality of the political situation and its impact on individual lives. Tagore wishes to see the world of humanity not only reflected in his own life but also actualized in Bengali literature. His profound sensibility led him beyond the merely regional, his humanity stretching across east and west, fulfilling the purpose of his Jibandebata, his life's deity, Edited by Sukanta Chaudhuri, a well-known scholar and translator, this is an authoritative and readable translation of Tagore's short stories. An essential Tagore for the collector, it is one that will find its place on every discerning reader's shelf.

    Best known for his controversial plays and films, his short fiction has appeared in The New Yorker and Playboy. Seductive and provocative, each potent and pithy tale in Seconds of Pleasure finds men and women exploiting -- or at the mercy of -- the hidden fault lines that separate them: In “Time Share,” a woman leaves her family at their vacation home after discovering her husband in a compromising situation; a middle-aged man obsesses over a scab on the calf of a pretty young girl in “Boo-Boo”; and a vain Hollywood actor gets his comeuppance in “Soft Target.” LaBute infuses Seconds of Pleasure with his trademark wit and black humor, and unleashes his imagination in stories that offer unflinching insight into our very human shortcomings and impure urges with shocking candor.

    When a fellow passenger on his usual train goes missing, a man begins to wonder if everything is as it seems.

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    The investigation into his murder unearths a more than questionable lifestyle where it seems that everyone who knew him had a reason to see him dead. Detectives Steve Rickets and his partner Detective Sarah Branson follow a trail of dead ends that lead them scratching their heads. Is it the disgruntled business partner, the angry and upset daughter, the woman who secretly loves him, of the crime figure he owes thousands to? This classic who done it murder mystery will keep you guessing to the end. An unexpected twist will lead you right to the killer if you spot it. This short story of 12,000 words (appx) is ideal for lovers of hard boiled detective crime thrillers and murder mystery short stories.