What on earth possessed her?Could it have anything to do with Fanny's missing brother-in-law, who left her sister almost a year ago and ran away to Minsk, abandoning his family to destitution and despair?Or could Fanny have been lured away by Zizek Breshov, the mysterious ferryman on the Yaselda river, who, in a strange twist of events, seems to have disappeared on the same night?Surely there can be no link between Fanny and the peculiar roadside murder on the way to Telekhany, which has left Colonel Piotr Novak, head of the Russian secret police, scratching his head. Surely that could have nothing to do with Fanny Keismann, whatever her past, whatever her reputation as a wilde chayeh, a wild beast . . . Surely not.

    One need not accept his view of the world to experience it and enjoy it in all of its ambiguity, just as one does the stage.— Václav HavelPhilosopher, novelist, essayist, eccentric, no other Czech author has had a greater impact on underground culture than Ladislav Klíma (1878-1928). Mentor to artists as varied as Bohumil Hrabal and the Plastic People of the Universe, Klíma’s philosophy was radically subjectivist, and he felt it should be lived rather than merely spoken or written about. With Nietzsche as his paragon, he embarked upon a lifelong pursuit to become God, or Absolute Will, elucidating this quest in many letters, aphorisms, and essays. Yet among Klíma's fictional texts, the apotheosis of his philosophy is The Sufferings of Prince Sternenhoch, his most acclaimed novel. Ostensibly a series of journal entries, the tale chronicles the descent into madness of Prince Sternenhoch, the German Empire’s foremost aristocrat and favorite of Kaiser “Willy.” Having become the “lowliest worm” at the hands of his estranged wife, Helga, the Queen of Hells, Sternenhoch eventually attains an ultimate state of bliss and salvation through the most grotesque perversions. Klíma explores here the paradoxical nature of pure spirituality with a humor that is as darkly comical as it is obscene. This volume also includes his notorious text “My Autobiography.”

    Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap from which there appears to be no escape.

    In the 17th century, a young Italian scholar sailing from Venice to Naples is taken prisoner and delivered to Constantinople. There he falls into the custody of a scholar known as Hoja--"master"--a man who is his exact double. In the years that follow, the slave instructs his master in Western science and technology, from medicine to pyrotechnics. But Hoja wants to know more: why he and his captive are the persons they are and whether, given knowledge of each other's most intimate secrets, they could actually exchange identities. Set in a world of magnificent scholarship and terrifying savagery, The White Castle is a colorful and intricately patterned triumph of the imagination.

    During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.       One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

    Dolly mounts a solitary, crazy and comic protest against warmongers and bureaucrats, adopting a son along the way.

    In Sorokin’s scabrous dystopian satire, Day of the Oprichnik, American readers were introduced to his distinctive style, which combines an edgy avant-garde sensibility with a fondness for the absurd and even grotesque—all in the service of bringing out stinging truths about life in modern-day Russia.In The Blizzard, we are immediately immersed in the atmosphere of a 19th century Russia familiar to us from the works of Turgenev, Tolstoy, and Dostoyevsky. District doctor Garin is desperately trying to reach the village of Dolgoye, where a mysterious epidemic called the “Chernukha” is raging and threatens to spread throughout the country, turning people into zombies. The doctor carries with him a vaccine that will prevent the spread of this terrible disease, but is stymied in his travels by an all-consuming snow storm, an impenetrable blizzard that turns a drive that should last only a few hours into a voyage of days, and finally, a journey into eternity.The Blizzard dramatizes a timeless metaphysical predicament. The characters in this nearly post-apocalyptic world are constantly in motion, and yet somehow trapped and frozen—spending day and night fighting their way through the storm on an expedition filled with extraordinary encounters, dangerous escapades, torturous imaginings, and amorous adventures. In the fantastical realm Sorokin has invented, the reader also loses her bearings, subject to the vicissitudes of time and change, to both the movement of life and its stagnancy. Hypnotic, fascinating, and richly descriptive, The Blizzard is a seminal work from one of the most inventive writers working today.

    We drive at high speed along back roads, through woods, vineyards, and oat fields. The bike smells like gasoline and makes a lot of noise, and sometimes I’m frightened when the wheels slip on the gravel on the dirt road, but the only thing that matters is that I’m holding on to him, that I’m holding on to him outside.Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.Dazzlingly rendered in English by Ringwald in her first-ever translation, Besson’s powerfully moving coming-of-age story captures the eroticism and tenderness of first love—and the heartbreaking passage of time.

    reveals one of the most horrifying aspects of any war: the rape and torture of civilian women by occupying forces. S. is the story of a Bosnian woman in exile who has just given birth to an unwanted child—one without a country, a name, a father, or a language. Its birth only reminds her of an even more grueling experience: being repeatedly raped by Serbian soldiers in the "women's room" of a prison camp. Through a series of flashbacks, S. relives the unspeakable crimes she has endured, and in telling her story—timely, strangely compelling, and ultimately about survival—depicts the darkest side of human nature during wartime. "S. may very well be one of the strongest books about war you will ever read. . . .The writing is taut, precise, and masterful."

    A medical student and a pro-democracy protestor in Tiananmen Square in June 1989, he was struck by a soldier’s bullet and fell into a deep coma. As soon as the hospital authorities discovered that he had been an activist, his mother was forced to take him home. She allowed pharmacists access to his body and sold his urine and his left kidney to fund special treatment from Master Yao, a member of the outlawed Falun Gong sect. But during a government crackdown, the Master was arrested, and Dai Wai’s mother—who had fallen in love with him—lost her mind. As the millennium draws near, a sparrow flies through the window and lands on Dai Wei’s naked chest, a sign that he must emerge from his coma. But China has also undergone a massive transformation while Dai Wei lay unconscious. As he prepares to take leave of his old metal bed, Dai Wei realizes that the rich, imaginative world afforded to him as a coma patient is a startling contrast with the death-in-life of the world outside. At once a powerful allegory of a rising China, racked by contradictions, and a seminal examination of the Tiananmen Square protests, Beijing Coma is Ma Jian’s masterpiece. Spiked with dark wit, poetic beauty, and deep rage, this extraordinary novel confirms his place as one of the world’s most significant living writers.

    Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.Bruno Schulz's untimely death at the hands of a Nazi stands as one of the great losses to modern literature. During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

    He alone can penetrate appearances and grasp the iron laws determining the lives of all those who live in this place—this valley where nature is miserly and leaves little room for poetic contemplation or an excess of feelings. He alone remembers his protégé, Ramón, a shepherd, who, no more than a child, fell in love with Alba, the only daughter of the region’s most powerful and influential landowner. The rich and powerful conspire to thwart the love between Ramón and Alba, and in doing so they incite a feud that will extend beyond all reason. Thus begins a vigorous, dramatic story of rebellion and a heroic quest for freedom.

    In chapter one, the grandmother matriarch in the Soviet Union accidentally writes a bestselling autobiography. In chapter two, Tosca, her daughter (born in Canada, where her mother had emigrated) moves to the DDR and takes a job in the circus. Her son―the last of their line―is Knut, born in chapter three in a Leipzig zoo but raised by a human keeper in relatively happy circumstances in the Berlin zoo, until his keeper, Matthias, is taken away...Happy or sad, each bear writes a story, enjoying both celebrity and “the intimacy of being alone with my pen.”

    The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered?

    Highly visual and unforgettably sad, Without Blood is a haunting book about damage, longing, memory, and forgiveness. Ann Goldstein's superb translation captures Baricco's effortless prose style and gives people in Britain the opportunity to experience this gem of a novel that has already delighted hundreds of thousands of readers across Europe.