Lavery comes a collection of darkly mischievous stories based on classic fairy tales. Adapted from his beloved "Children's Stories Made Horrific" series, The Merry Spinster takes up the trademark wit that endeared Lavery to readers of both The Toast and his best-selling debut Texts from Jane Eyre. The feature become among the most popular on the site, with each entry bringing in tens of thousands of views, as the stories proved a perfect vehicle for Lavery’s eye for deconstruction and destabilization. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Readers of The Toast will instantly recognize Lavery's boisterous good humor and uber-nerd swagger: those new to Lavery's oeuvre will delight in his unique spin on fiction, where something a bit mischievous and unsettling is always at work just beneath the surface.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently, alarming emotional complexities at play in the stories we tell ourselves, and each other, as we tuck ourselves in for the night.Bedtime will never be the same.The daughter cells --The thankless child --Fear not: an incident log --The six boy-coffins --The rabbit --The merry spinster --The wedding party --Some of us had been threatening our friend Mr.Toad --Cast your bread upon the waters --The frog's princess --Good fences make good neighbors

     Reviews "A wonderful collection of tales that range from creepy to silly to haunting. ...Gammell's drawings add just the right touch..." -- John Scieszka, Entertinment Weekly"Guaranteed to make your teeth chatter and your spine tingle." -- School Library Journal"Read these if you dare." -- The New York Times

     Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her next collection are as terrifying as they are socially conscious, and press into being the unspoken -- fetish, illness, the female body, the darkness of human history -- with unsettling urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can't let go of their idol; an entire neighborhood is cursed to death by a question of morality they fail to answer correctly.Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this new collection from one of Argentina's most exciting writers finds Enriquez at her most sophisticated, and most chilling.

    He lures grieving widows and mourning mothers into his studio with promises of catching the ghosts of their deceased loved ones with his camera. Despite the whispers around town that Moody is a fraud of the basest kind, no one has been able to expose him, and word of his gift has spread, earning him money, fame, and a growing list of illustrious clients.One day, while developing the negative from a sitting to capture the spirit of the young son of an abolitionist senator, Moody is shocked to see a different spectral figure develop before his eyes. Instead of the staged image of the boy he was expecting, the camera has seemingly captured the spirit of a beautiful young woman. Is it possible that the spirit photographer caught a real ghost? When Moody recognizes the woman in the photograph as the daughter of an escaped slave he knew long ago, he is compelled to travel from Boston to the Louisiana bayous to resolve their unfinished business—and perhaps save his soul. But more than one person is out to stop him . . .With dramatic twists and redolent of the mood of the Southern Gothic, The Spirit Photographer conjures the Reconstruction era South, replete with fugitive hunters, voodoo healers, and other dangers lurking in the swamp. Jon Michael Varese’s deftly plotted first novel is an intense tale of death and betrayal that will thrill readers as they unravel the dreadful mystery behind the spirit in the photograph and what ultimately became of her.

    Blending the miraculous with the macabre, and leavened by a mischievous gallows humor, these bewitching tales are like nothing being written in Russia-or anywhere else in the world-today.

    An antique bookseller and a mob enforcer join forces to retrieve the Atlas of Hell. Postapocalyptic survivors cannot decide which is worse: demon women haunting the skies or maddened extremists patrolling the earth.In this chilling twenty-first-century companion to the cult classic Darkness: Two Decades of Modern Horror, Ellen Datlow again proves herself the most masterful editor of the genre. She has mined the breadth and depth of ten years of terror, collecting superlative works of established masters and scene-stealing newcomers alike.Introduction / Ellen Datlow --Shallaballah / Mark Samuels --Sob in the silence / Gene Wolfe --Our turn too will one day come / Brian Hodge --Dead sea fruit / Kaaron Warren --Closet dreams / Lisa Tuttle --Spectral evidence / Gemma Files --Hushabye / Simon Bestwick --Very low-flying aircraft / Nicholas Royle --The Goosle / Margo Lanagan --The clay party / Steve Duffy --Strappado / Laird Barron --Lonegan's luck / Stephen Graham Jones --Mr. Pigsny / Reggie Oliver --At night, when the demons come / Ray Cluley --Was she wicked? Was she good? / M. Rickert --The shallows / John Langan --Little pig / Anna Taborska --Omphalos / Livia Llewellyn --How we escaped our certain fate / Dan Chaon --That tiny flutter of the heart I used to call love / Robert Shearman --Interstate love song (Murder ballad no. 8) / Caitlín R. Kiernan --Shay Corsham Worsted / Garth Nix --The atlas of Hell / Nathan Ballingrud --Ambitious boys like you / Richard Kadrey

    Contains the books Carry On, Jeeves, The Inimitable Jeeves and Very Good, Jeeves and the short stories Jeeves Makes an Omelette and Jeeves and the Greasy Bird.

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    They include "The Prisoner of the Caucasus," inspired by Tolstoy's own experiences as a soldier in the Chechen War, "Hadji Murat," the novella Harold Bloom called "the best story in the world," "The Devil," a fascinating tale of sexual obsession, and the celebrated "The Death of Ivan Ilyich," an intense and moving examination of death and the possibilities of redemption. Pevear and Volokhonsky's translation captures the richness, immediacy, and multiplicity of Tolstoy's language, and reveals the author as a passionate moral guide, an unflinching seeker of truth, and ultimately, a creator of enduring and universal art. "From the Trade Paperback edition."

    She gave up music, turning to writing instead and in 1886 published her first novel, A Romance of Two Worlds. In her time, she was the most widely read author of fiction but came under harsh criticism from many of the literary elite for her overly melodramatic and emotional writing.

    A rationalist Victorian visits a haunted house in order to explain the nature of its ghostly inhabitants.First published in Blackwood's, August 1859.

    J. Tudor.Welcome to Chapel Croft. Five hundred years ago, eight protestant martyrs were burned at the stake here. Thirty years ago, two teenage girls disappeared without a trace. And two months ago, the vicar of the local parish killed himself.Reverend Jack Brooks, a single parent with a fourteen-year-old daughter and a heavy conscience, arrives in the village hoping to make a fresh start and find some peace. Instead, Jack finds a town mired in secrecy and a strange welcome package: an old exorcism kit and a note quoting scripture. "But there is nothing covered up that will not be revealed and hidden that will not be known."The more Jack and her daughter Flo get acquainted with the town and its strange denizens, the deeper they are drawn into their rifts, mysteries, and suspicions. And when Flo is troubled by strange sightings in the old chapel, it becomes apparent that there are ghosts here that refuse to be laid to rest.But uncovering the truth can be deadly in a village where everyone has something to protect, everyone has links with the village's bloody past, and no one trusts an outsider.

    From the story about a beautiful young woman who shows up thirsty in the bathtub of the Frangipani Hotel in Saigon many years after her first sighting there, to a young woman in Houston who befriends an old Vietnamese man she discovers naked behind a dumpster, to a truck driver asked to drive a young man with an unnamed ailment home to die, to the story of two American sisters sent to Vietnam to visit their elderly grandmother who is not what she appears to be, these stories blend the old world with the new while providing a new angle of insight into the after-effects of the war on a generation of displaced Vietnamese immigrants as well as those who remained in Vietnam.

    Ghosts, ghouls, incubi: all have one thing in common. They know Booth for one of their own . . .

    LovecraftNew Tales of Terror!What would happen if Sir Arthur Conan Doyle's peerless detective, Sherlock Holmes, and his allies were to find themselves faced with Lovecraftian mysteries whose solutions lay not only beyond the grasp of logic, but beyond sanity itself. In this collection of original tales, twenty of today's cutting-edge writers provide answers to that burning question.Contributors include Neil Gaiman, Brian Stableford, Poppy Z. Bright, Barbara Hambly, Steve Perry, and Caitlin R. Kierman. These and other masters of horror, mystery, fantasy and science fiction spin dark tales within a terrifyingly surreal universe.Includes the Hugo Award-winning story A Study in Emerald by Neil Gaiman.Cover design: David StevensonCover Illustration: John Jude Palencar