A world that exists in the shadows of our own. A conflict we will never see. One woman stands between those determined to control history and those who will risk their lives for freedom.A world that exists in the shadows of our own.A conflict we will never see.One woman stands between those determined to control history and those who will risk their lives for freedom.Maya is hiding in plain sight in London. The twenty-six-year-old has abandoned the dangerous obligations pressed upon her by her father, and chosen instead to live a normal life. But Maya comes from a long line of people who call themselves Harlequins—a fierce group of warriors willing to sacrifice their lives to protect a select few known as Travelers.Gabriel and Michael Corrigan are brothers living in Los Angeles. Since childhood, the young men have been shaped by stories that their late father was a Traveler, one of a small band of prophets who have vastly influenced the course of history. Travelers are able to attain pure enlightenment, and have for centuries ushered change into the world. Gabriel and Michael, who may have inherited their father's gifts, have always protected themselves by living “off the Grid”—that is, invisible to the real-life surveillance networks that monitor people in our modern society.Summoned by her ailing father, Maya is told of the existence of the brothers. The Corrigans are in severe danger, stalked by powerful men known as the Tabula—ruthless mercenaries who have hunted Travelers for generations. This group is determined to inflict order on the world by controlling it, and they view Travelers as an intolerable threat. As Maya races to California to protect the brothers, she is reluctantly pulled back into the cold and solitary Harlequin existence. A colossal battle looms—one that will reveal not only the identities of Gabriel and Michael Corrigan but also a secret history of our time.Moving from the back alleys of Prague to the heart of Los Angeles, from the high deserts of Arizona to a guarded research facility in New York, The Traveler explores a parallel world that exists alongside our own. John Twelve Hawks' stunningly suspenseful debut is an international publishing sensation that marks the arrival of a major new talent.

    This remote world is mostly ocean, and it is a rare visitor who ventures beyond the safety of the island Dome. Outside it, only the native Hoopers dare risk the voracious appetites of the planet's wildlife. But somewhere out there is Spatterjay Hoop -- and Keech will not rest until he brings this legendary renegade to justice for hideous crimes committed centuries ago during the Prador Wars.While Keech is discovering that Hoop is now a monster -- his body and head living apart from each other -- Janer is bewildered by a place where the native inhabitants just will not die and angry when he finally learns the Hive mind's intentions for him. Meanwhile, Erlin thinks she has plenty of time to find the answers she seeks, but could not be more wrong. For one of the most brutal of the alien Prador is about to pay the planet a surreptitious visit, intent on exterminating all remaining witnesses to his wartime atrocities. As the visitors' paths converge, major hell is about to erupt in a chaotic waterscape where minor hell is already a remorseless fact of everyday life . . . and death.

    Now, as faster-than-light drive opens the stars to exploration, humans are finding other relics of the race they call the Monument-Makers - each different, and each heartbreakingly beautiful. But except for a set of footprints on Jupiter's moon Iapetus, there is no trace of the enigmatic race that has left them behind. Then a team of scientists working on a dead world discover an ominous new image of the Monument-Makers. Somehow it all fits with other lost civilizations, and possibly with Earth's own future. And distant past. But Earth itself is on the brink of ecological disaster - there is no time to search for answers. Even to a question that may hold the key to survival for the entire human race...

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    Now, he’s sure he’ll be the first person to die there.After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won’t have time to starve to death. The damaged machinery, unforgiving environment, or plain-old “human error” are much more likely to kill him first. But Mark isn’t ready to give up yet. Drawing on his ingenuity, his engineering skills — and a relentless, dogged refusal to quit — he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    The radioactivity acts as a catalyst for the bug spray, causing his body to shrink at a rate of approximately 1/7 of an inch per day. A few weeks later, Carey can no longer deny the truth: not only is he losing weight, he is also shorter than he was and deduces, to his dismay, that his body will continue to shrink.

    The world has been plunged into all-out nuclear war. Sailing near the Arctic Circle, the U.S.S. Nathan James is relatively unscathed, but the future is grim and Captain Thomas is facing mutiny from the tattered remnants of his crew. With civilization in ruins, he urges those that remain—one-hundred-and-fifty-two men and twenty-six women—to pull together in search of land. Once they reach safety, however, the men and women on board realize that they are earth's last remaining survivors—and they've all been exposed to radiation. When none of the women seems able to conceive, fear sets in. Will this be the end of humankind?

    There was no credit card, birth record, or passport for him in the International Data Bank. His names were many...any he chose. His occupation was taking megarisks in the service of a vast global detective agency. His interworld assignments were highly lucrative, incalculably vital, and terrifyingly deadly. And more often then not, his life was a living hell!Contents:1 · The Eve of RUMOKO · na Three for Tomorrow, ed. Robert Silverberg, Meredith, 1969 65 · ’Kjwalll’kje’k’koothaïlll’kje’k · na An Exaltation of Stars, ed. Terry Carr, Simon & Schuster, 1973 141 · Home Is the Hangman · na Analog Nov ’75 (Nebula Award for Best Novella, 1975)

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    Others examining the planet, Kelvin learns, are plagued with their own repressed and newly corporeal memories. The Solaris ocean may be a massive brain that creates these incarnate memories, though its purpose in doing so is unknown, forcing the scientists to shift the focus of their quest and wonder if they can truly understand the universe without first understanding what lies within their hearts.

    He’s still wondering years later when, jilted and newly jobless, he gets off a bus by chance in the Faraway Hills and steps unawares into a story that has been awaiting him there.Does the world have a plot? It’s what Rosie Rasmussen wants to know, too. Will her life have the fearful symmetry of the lives led inside the books she reads? Rosie, newly returned to her childhood environs in the Faraways, is reading the historical romances of dead Fellowes Kraft one after another to see her through the hard realities of a divorce. There is another history in Kraft’s vivid novels: there are angels and Elizabethan magicians and the boy Shakespeare; once upon a time these tales entranced Pierce Moffett too, and teased him with the traces of a very large story indeed…Pierce is on the track of a history he can’t quite believe in; Rosie is losing her place in her own story, forgetting why people love one another. They are two seekers, marked by loss, about to share a discover in Fellowes Kraft’s old house in the Faraway Hills. There is more than one history of the world.

    Among them is an American submarine captain struggling to resist the knowledge that his wife and children in the United States must be dead. Then a faint Morse code signal is picked up, transmitting from somewhere near Seattle, and Captain Towers must lead his submarine crew on a bleak tour of the ruined world in a desperate search for signs of life. On the Beach is a remarkably convincing portrait of how ordinary people might face the most unimaginable nightmare.