But her newfound independence is short-lived. In Nazi-occupied Paris, Chagall's status as a Jewish artist has made them all targets, yet his devotion to his art blinds him to their danger. When Ida falls in love and Chagall angrily paints an empty wedding chair (The Bridal Chair) in response, she faces an impossible choice: Does she fight to forge her own path outside her father's shadow, or abandon her ambitions to save Chagall from his enemies and himself? Brimming with historic personalities from Europe, America and Israel, The Bridal Chair is a stunning portrait of love, fortitude, and the sharp divide between art and real life.

    The problems of everyday living accumulate and begin to torture Joy, who blames her problems not on her work or on the accidental drowning of her illicit lover, but on herself. While painful and deeply serious, this is a novel of great warmth and energy: it's the wit and irony found in moments of despair that prove to be Joy's salvation. First published by Polygon in 1989 and Dalkey Archive Press in 1994, now available again.

    It should have been a lark, but on his first night Charley meets a woman whose story will forever change his life. For Lydia has seen tragedy. The Russian Revolution displaced her family, left her homeless, fatherless. And for reasons that elude Charley, Lydia pines for a man half a world away--a dope dealer and murderer whose sins Lydia seeks to absolve through her own self- destruction. Haunting, erotic, deeply effecting, Christmas Holiday explores two souls capsized by compassion--and the confusion that engulfed a generation in the days between the Great Wars.