And yet that's exactly what he's achieved, winning plenty of awards (and hearts) along the way. But how did a young musician go from selling CDs from his rucksack to becoming the millennial record-breaking international stadium act?Tracing his story from his bohemian childhood in Yorkshire and Suffolk to the release of his third album Divide, music journalist David Nolan chronicles Sheeran's musical life and times. Featuring exclusive interviews with friends, relatives, musical collaborators and key figures in his rise to stardom, Divide and Conquer tells the story of how Ed Sheeran went from school drop-out to one of the world's most successful musicians.

    New findings in molecular biology challenge the gene-centered version of Darwinian theory according to which adaptation occurs only through natural selection of chance DNA variations. In Evolution in Four Dimensions, Eva Jablonka and Marion Lamb argue that there is more to heredity than genes. They trace four dimensions in evolution -- four inheritance systems that play a role in evolution: genetic, epigenetic (or non-DNA cellular transmission of traits), behavioral, and symbolic (transmission through language and other forms of symbolic communication). These systems, they argue, can all provide variations on which natural selection can act. Evolution in Four Dimensions offers a richer, more complex view of evolution than the gene-based, one-dimensional view held by many today. The new synthesis advanced by Jablonka and Lamb makes clear that induced and acquired changes also play a role in evolution. After discussing each of the four inheritance systems in detail, Jablonka and Lamb put Humpty Dumpty together again by showing how all of these systems interact. They consider how each may have originated and guided evolutionary history and they discuss the social and philosophical implications of the four-dimensional view of evolution. Each chapter ends with a dialogue in which the authors engage the contrarieties of the fictional (and skeptical) I.M., or Ifcha Mistabra -- Aramaic for the opposite conjecture -- refining their arguments against I.M.'s vigorous counterarguments. The lucid and accessible text is accompanied by artist-physician Anna Zeligowski's lively drawings, which humorously and effectively illustrate the authors' points.

    Ten years in the writing (it was the book he retired to Walden to work on) and incorporating essays, passages from his journal, and some of his best poems, it is a superbly crafted achievement, its texture enriched by the idealism of the Transcendentalists, the delighted wordplay of an imaginative linguist, the individualism of a young America, and the earthiness of a lover of nature.Walden is a personal declaration of independence, a social experiment, and a voyage of spiritual discovery, set within the seasonal cycle of a year’s “Life in the Woods.” “Simplify, simplify” is the beat of its “more distant drummer”—to abandon waste and illusion, to get to the bottom of life’s essential needs, and to practice a new economy for humane living. Its witty and pointed rhetoric brings together language and nature, the human and nonhuman in unusual conjunctions that resonate with symbolic meanings. A manual of self-reliance as well as a masterpiece of style, it is one of the most fervently loved classics of American literature.The Maine Woods is an account of three trips taken by boat and canoe in 1846, 1853, and 1857 through an unexplored interior bypassed by westward expansion. It describes the virgin rivers and forests of Maine, the customs of woodsmen and Indian guides, the hunting of moose, and the effects of the timber industry and encroaching settlement. An early and eloquent plea for conservation by a far-sighted naturalist, its close observation of the American wild becomes an examination of “the motives which carry men into the wilderness.”Cape Cod is the bleakest of Thoreau’s works, resembling Melville’s prose in its vision of the titanic indifference of nature. Cape Cod appears as both ocean and desert, a vast expanse of shipwrecks and barren soil, peopled by hardy, weathered inhabitants who seem survivors from the age of the first Pilgrims. Based upon his own visits and upon accounts from the earliest times, it is an unsentimental study of human endurance in the face of hostile elements, historical change, and natural decay.

    It sparked a national debate on evolution, which continues to intensify across the country. From one end of the spectrum to the other, Darwin's Black Box has established itself as the key intelligent design text -- the one argument that must be addressed in order to determine whether Darwinian evolution is sufficient to explain life as we know it.In a major new Afterword for this edition, Behe explains that the complexity discovered by microbiologists has dramatically increased since the book was first published. That complexity is a continuing challenge to Darwinism, and evolutionists have had no success at explaining it. Darwin's Black Box is more important today than ever.

    The second half of the nineteenth century -- the so-called Gilded Age -- was a time when Americans were exploring the West and building a nation that would stretch from coast to coast.It was also a time of scientific ferment. Charles Darwin had shaken the very foundations of Victorian society with his theory of evolution by natural selection, and scientists across the civilized world were locked in a great battle over Darwin's idea. While the debate raged in Europe, the hunt for hard evidence increasingly focused on the American West, with its grand mesas, buttes, and badlands. "We must turn to the New World if we wish to see in perfection the oldest monuments of earth's history," advised Sir Charles Lyell, the father of modern geology, after a visit to America. "Certainly in no other country are these ancient strata developed on a grander scale or more plentifully charged with fossils."Could the answer to the history of life and the proof of evolution be found in those fossils? That was the question that two young American paleontologists--Edward Drinker Cope and Othniel Charles Marsh--set out to answer. But what began as a friendly contest quickly turned into bitter rivalry that would spill over into American science and politics and rage relentlessly for nearly three decades.        Cope and Marsh would battle on the prairies, in the halls of Congress, in science journals, and in the popular press. Both wealthy men, they launched lavish, western expeditions and raced across the plains and mountains searching for the remains of the magnificent beasts that once inhabited the continent. Along the way they would encounter George Custer, Sitting Bull, Buffalo Bill, and Red Cloud.         Among the most remarkable fossil discoveries of Cope and Marsh are a bevy of dinosaurs, including some of the best known beasts -- the Triceratops, the Stegosaurus, the Camarasaurus, and the Brontosaurus. Even today, Marsh holds the record for dinosaur discoveries.        Just as valuable, however, were some of Marsh's discoveries of ancient mammals and birds that provided the first real proof of Dar- win's theory--"The best support for the theory in twenty years," the great Darwin himself proclaimed.        The tale of Cope and Marsh is also the story of the rise of American science. When their story begins just after the Civil War, America was an intellectual backwater, with eminent scientists snookered by the great, fake stone statue The Cardiff Giant--a hoax unmasked by Marsh.        But even as Cope and Marsh waged war, they both fought to build up American science and its scientific institutions. Yet despite their discoveries and their Gilded Age celebrity, the names of Cope and Marsh have faded into the recesses of the library and archive. In The Gilded Dinosaur Mark Jaffe exhumes from those archives the notes, journals, and letters of Cope and Marsh to reanimate and retell one of the keenest rivalries in the history of science.