Tressa is determined to prove there's more to this cockeyed cowgirl than meets the eye and she’s just been handed the perfect opportunity to get "Ranger Rick" and a skeptical citizenry to finally take her seriously. How? By solving a murder no one else believes happened...No one, that is, except the killer. CALAMITY JAYNE RIDES AGAINTressa’s off to the State Fair to work at her Uncle Frank’s ice cream concession stand. But when a soft-serve saboteur appears at the same time her cousin, Frankie, goes missing, it's another fine, sticky mess she's gotten herself into. With a string of malicious pranks, to scary, psycho dunk-tank clowns, two geriatric Jessica Fletcher wannabes, a dishy state trooper, and a sister who may have her eye on a certain ranger-type, and it's mayhem on the midway time. GHOULS JUST WANT TO HAVE FUNTressa thinks she on to a scoop when eccentric and reclusive bestselling writer, Elizabeth Courtney Howard comes to Grandville to finish her latest book. So, what's stopping Tressa from scoring this journalistic coup? Only the fact that the skeletons to uncover in this little exposé are all in a closet in Haunted Holloway Hall--a house only Norman Bates could love.CALAMITY JAYNE GOES TO COLLEGEAce cub reporter Tressa Jayne Turner is back in college and nothing’s going to stop Tressa from making the grade. Well, except for a wrinkled roommate rekindling an old flame, maid of honor madness run amok, a botched betrothal that’s more than just schoolyard gossip and a campus criminal out to teach the student body a lesson—one one crime at a time. Failure is so not an option.CALAMITY JAYNE HEADS WESTTressa Jayne Turner’s off to Arizona to see her gammy hitched. Her cousin’s keeping secrets, Ranger Rick Townsend is sending signals—more of the smokin’ than smoke variety—and it seems Tressa’s not the only person with an attachment to “Kookamunga”, the fertility figurine she picked up at a roadside stand. Throw in a washed-up actress out to kick-start her career, a suspect spiritual advisor, locals with a cause, and a ten-year-old who’s a chip off a certain ranger’s blockhead and it’ll be a vision quest to make Thelma and Louise’s southwestern spree seem like amateur night at the OK Corral. May the best spirit guide win.ANCHORS AWEIGHTressa Jayne is off on a post-wedding cruise. Good food. Warm beaches. Romantic sunsets. Nothing can take the wind out of Tressa’s sails this time. Nothing that is except this particular Love Boat has Iceberg ahead! written all over it. Why? It’s a lo-cal “biggest loser” cruise, Tressa’s bad-boy faux fiancé and his marriage-minded aunt Mo are stowaways, and Tressa’s barely got her sea les before a dastardly murder plot bobs to the surface and Tressa Jayne knows just how Capt. Jack Sparrow feels when the rum is gone. Yo ho ho and a bottle of V-8!

    Now, a familiar posse runs the town called Marigold and its mining community with their sharp and newly deputized claws. After finding out that this shot of evil has infected her life again and now rules everyone still left on the mountain, she quickly begins to search for the root source of its existence, before it poisons the people and the land itself forever.

    They celebrate the wonders of nature and explore the nature of love and friendship.

    The word is out that the legendary city of Danvar has been found, and every diver, brigand, and pirate with a sarfer is racing to find it. But out in the dunes there's only one inarguable fact... The sand don't care, and it never did. Can people change? Two men who meet in the dunes over the lost city of Danvar have to find out if there can ever be such a thing as friendship, honor, and sacrifice in a world full of sand divers, pirates, brigands, and thieves.

    The barn is a big, scary place, but a very kind spider named Charlotte befriends him. Then life on the farm doesn't seem so bad--until Wilbur discovers a terrible secret. He won't live to see another spring. Charlotte promises to come up with a brilliant plan. Will she be able to save Wilbur before it's too late?

    Though abridged, the book maintains the drama and continuity of the original novel and is heavily illustrated with more than 200 original photographs and more than 150 paintings, drawings, engravings and artifacts. The selection of art represents some of the most important 19th-century marine painters and American fine art collections. Many images are drawn from logbooks, journals and scrimshaw belonging to mid-19th century whaler-artists. Rare photographs depict the port of New Bedford, whaling ships, life at sea, whaling methods, and items involved inthe business of whaling, which Melville researched and described in full detail. The pictures in "Moby Dick: A Picture Voyage" are accompanied by short captions and compendia that feature quotes from the novel, information about the artwork, reflections of Melville's real-life whaling experiences, and biographical anecdotes. The majority of images chosen for the book were obtained from the New Bedford Whaling Museum and the museum's new Kendall Institute, the largest repository of whaling prints and artifacts in the world. Images were also obtained from private collections, rare books, old films and libraries. "Moby-Dick: A Picture Voyage" will be the first version of the American classic to give readers a colorful look inside the real world of whaling as it was so eloquently described in Melville's own words. Noted Melville historian Laurie Robertson-Lorant, author of Melville: A Biography, has written the Introduction to the book. Editorial consultants include staff and curators at the New Bedford Whaling Museum and Kendall Institute.

    He is an extremely wealthy man, although no one knows where he or his money have come from. But Gatsby has a purpose: he is following a dream of love. Will his dream come true?

    

    And that evil is waking up. "An expertly layered work of impressive scope, The Jilted will leave you pondering the real-life differences between good and evil.” ~Kristen Mae, bestselling author of Red Water BLOODIED HANDS. WHISPERED WORDS. BURIED TRUTHS. It’s been two weeks since Chloe Anderson’s fiancé, Victor, disappeared with his daughter, and each night since, Chloe has awakened from the same horrible dream. She’s convinced the nightmares are trying to tell her something, especially when she finds Victor’s camera at an old antique shop downtown—a place where the shadows of the past roam the cobbled streets. Chloe takes a job at the shop, hoping Victor will return for his prized possession. But when she’s sent to do an antiques appraisal on the outskirts of New Orleans, she feels the energy of the sprawling plantation like an icy hand on her back, drawing her away from the shop—and sucking her in. Perhaps it’s the plantation’s mysterious owner triggering her long-dormant intuition. But intuition doesn’t explain the terrifying visions that now plague her waking hours, or the mutilated girl who stalks her from the shadows, vanishing when Chloe tries to speak to her. And the voices… Come to me. Watch out for the dark, child. Is this what Victor meant when he told her he’d felt possessed? Is she losing her mind the way he did? Now Chloe must look deep within herself, summoning a power she’s tamped down since childhood, because the thing that took Victor is an old, vicious darkness, far more ancient than the horrors that seep from every branch on the white-washed plantation—more appalling than the hideous acts of violence that lurk in each long-abandoned cemetery. And if she cannot defeat the evil, if she succumbs to the madness, the creature stalking the town will take Victor, take Chloe . . . and make sure no one leaves Cicatrice alive. For fans of Stephen King, Nick Cutter, and Thomas Heuvelt, this breathtaking supernatural thriller is a masterfully crafted novel about what horrors might exist on the other side—whether we believe they are there or not.

    The case of the sulky girl -- The case of the careless kitten -- The case of the fiery fingers.

    But when she and her all-female crew answer a mysterious distress call during a tropical storm, they stumble across an abandoned yacht worth millions. It seems like a dream come true, the Lotto, the Big Ticket to all their dreams... Until they discover what's waiting for them inside the ship... DERELICT A horror novella by Todd Travis

    The first novel, The Sins of the Fathers, appeared in 1975, and A Drop of the Hard Stuff—the 17th and most recent—was published in 2011. Over the years Scudder has also been featured in 11 short works of fiction; A Moment of Wrong Thinking, which first appeared in EQMM in 2002, is one of them.Short stories have provided me with the opportunity for a glance back at Scudder's life before the first of the novels, when he was a working member of the NYPD. A Moment of Wrong Thinking puts the spotlight on Vince Mahaffey, the veteran plainclothes cop with whom Matt was partnered in his early days on the job in Brooklyn. "They put me with him so he could teach me the ropes," Matt recalls, "and he taught me plenty,including some things they'd have just as soon I never learned." There are references to Mahaffey in several of the novels, but this story gives us a closer look at him.A Moment of Wrong Thinking is included in The Night and the Music, my collection of all 11 Matthew Scudder short stories.

    Almost immediately, she is drawn into the family’s dark and violent history and realizes that all is not as it first appeared. Wary guests, family secrets, and unexplained events leave her questioning what is real and what is illusion.What promised to be a fabulous weekend getaway at the family’s ancestral Georgian manor quickly devolves into a nightmare. Someone has an ulterior motive for keeping her trapped there, and by the time she discovers why, it may be too late.

    . . After his mother is sent to a nursing home for therapy following hip surgery, artist David Reid soon learns the truth about Haven. Once a magnificent seaside hotel on the coast of Maine, the property is now managed by a greedy corporation and a nursing staff who neglect and abuse the residents. Dealing with the inept staff is an endless battle. And to make matters worse, David's mother claims ghosts are haunting the facility. Are the spirits hallucinations caused by her medications? Or is Haven really haunted?