In any case he was overdue to die, but hitherto his amazing resolution, and that terrible strength of character that so astounded his porters, had kept him alive and moved his safari on.There is not doubt that he was a fearful man. . . .*This peculiar collection is a very real treat: we envy you the reading of it. Among the treasures in this volume are "The Last Dream of Bwona Khubla," "How the Office of Postman Fell Vacant in Offord-Under-the-Wold," "The Prayer of Boob Aheera," "East and West," "A Pretty Quarrel," "How the Gods Avenged Meoul Ki Ning," "The Gift of the Gods," "The Sack of Emeralds," "The Old Brown Coat," "An Archive of the Older Mysteries," and "A City of Wonder," and a section he called Beyond the Fields We Know, which included "Publisher's Note," "Idle Days on the Yann," "A Shop in Go-By Street," and "The Avenger of Perd�ndaris."

    He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character.Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars--the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life--until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother.THE GRIFTERS, one of the best novels ever written about the art of the con, is an ingeniously crafted story of deception and betrayal that was the basis for Stephen Frears' and Martin Scorsese's 1990 critically-acclaimed film of the same name.

    At once knowing and unabashedly romantic, The Thin Man is a murder mystery that doubles as a sophisticated comedy of manners.

    Then, with wild success just within reach, Dan's greedy partner and even greedier fiancée steal his work and leave him penniless, and trick him into taking the long sleep—suspended animation for thirty years.

    Headstrong, accomplished journalist Martha Gellhorn is confident with words but less so with men when she meets disheveled literary titan Ernest Hemingway in a dive bar. Their friendship—forged over writing, talk, and family dinners—flourishes into something undeniable in Madrid while they’re covering the Spanish Civil War.Martha reveres him. The very married Hemingway is taken with Martha—her beauty, her ambition, and her fearless spirit. And as Hemingway tells her, the most powerful love stories are always set against the fury of war. The risks are so much greater. They’re made for each other.With their romance unfolding as they travel the globe, Martha establishes herself as one of the world’s foremost war correspondents, and Hemingway begins the novel that will win him the Nobel Prize for Literature. Beautiful Exiles is a stirring story of lovers and rivals, of the breathless attraction to power and fame, and of one woman—ahead of her time—claiming her own identity from the wreckage of love.

    . . a hidden cache of coded clues . . . a story written by a phantom author . . . an unsolved murder in a gritty urban park-- all collide memorably in Emily Arsenault's magnificent debut, at once a teasing literary puzzle, an ingenious suspense novel, and an exploration of definitions: of words, of who we are, and of the stories we choose to define us. In the maze of cubicles at Samuelson Company, editors toil away in silence, studying the English language, poring over new expressions and freshly coined words-- all in preparation for the next new edition of the Samuelson Dictionary. Among them is editorial assistant Billy Webb, just out of college, struggling to stay awake and appear competent. But there are a few distractions. His intriguing coworker Mona Minot may or may not be flirting with him. And he's starting to sense something suspicious going on beneath this company's academic facade.Mona has just made a startling discovery: a trove of puzzling citations, all taken from the same book, The Broken Teaglass. Billy and Mona soon learn that no such book exists. And the quotations from it are far too long, twisting, and bizarre for any dictionary. They read like a confessional, coyly hinting at a hidden identity, a secret liaison, a crime. As Billy and Mona ransack the office files, a chilling story begins to emerge: a story about a lonely young woman, a long-unsolved mystery, a moment of shattering violence. And as they piece together its fragments, the puzzle begins to take on bigger personal meaning for both of them, compelling them to redefine their notions of themselves and each other.Charged with wit and intelligence, set against a sweetly cautious love story, The Broken Teaglass is a tale that will delight lovers of words, lovers of mysteries, and fans of smart, funny, brilliantly inventive fiction.

    He had come to see if the rumors were true—if an army of blue-suited soldiers had swept in from the East and utterly defeated his ancestral enemies. As Narbona gazed down on the battlements and cannons of a mighty fort the invaders had built, he realized his foes had been vanquished—but what did the arrival of these “New Men” portend for the Navajo?Narbona could not have known that “The Army of the West,” in the midst of the longest march in American military history, was merely the vanguard of an inexorable tide fueled by a self-righteous ideology now known as “Manifest Destiny.” For twenty years the Navajo, elusive lords of a huge swath of mountainous desert and pasturelands, would ferociously resist the flood of soldiers and settlers who wished to change their ancient way of life or destroy them.

    This is the bloody saga of Beecher Island.Historian Dee Brown dramatically recounts the nine-day siege between Plains tribes and Major James William Forsyth’s scouts. Based on historical sources, the novel is told from a variety of viewpoints, including that of Lieutenant Frederick Beecher, still wounded from the Civil War and charged with clearing out American Indian settlements to make way for the Kansas Pacific Railroad. Beecher is joined by General Sheridan and Major Forsyth, as well as the scouts—from seasoned frontiersmen to young boys—employed to take part in the perilous mission. On the other side are the famous American Indian players in the battle: Turkey Leg and Roman Nose. With this complex assortment of characters, Brown vividly recreates the 1868 siege, as well as the competing worldviews of life on the prairies. This ebook features an illustrated biography of Dee Brown including rare photos from the author’s personal collection.

    But though he’s started a new life, with a woman he loves, he’s still tormented by questions from his past.He returns to Angeles City where he once worked as the papasan watching over his bargirls. On the surface he’s there to sell his stake in a bar on the notorious Fields Avenue. In reality he’s come back to find Isabel—one of his old dancers, and the only person who can answer his questions, and quiet his demons. Because death is seldom an ending, and always haunts those left behind.THE PULL OF GRAVITY is an 82,000 word novel. PRAISE FOR BRETT BATTLES' PREVIOUS NOVELS:“The best word I can use to describe his writing is addictive.”—James Rollins, author of the Sigma Force series“Battles has a true gift…”—Crimespree magazine“...gripping, and always engaging...”—Tucson Citizen“Battles is a master storyteller.”—Sheldon Siegel, author of PERFECT ALIBIABOUT THE AUTHOR:Brett Battles is the Barry Award winning author of eight novels—including THE CLEANER, THE SILENCED, LITTLE GIRL GONE, SICK, and his first novel for younger readers, HERE COMES MR. TROUBLE—one novella, BECOMING QUINN, and several short stories. He is one of the founding members of Killer Year, and a member of International Thriller Writers, Mystery Writers of America, and Sisters in Crime. More info available at www.brettbattles.com.

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    "It can't be that marriage is the only--the only irrevocable thing If you had a partner that you couldn't go on with, you could come to SOME agreement You could make a sacrifice, but somehow you could end the association Peter," she said, earnestly, "when I think of marketing again--six chops and soup-meat and butter and baking powder--I feel sick When I think of unpacking the things I've washed and dusted for five years--the glass berry bowl that somebody gave us, and the eleven silver tea-spoons--I can't bear it "

    What follows is a rich, nostalgic look at one of our most cherished national pastimes and a remarkable story about fathers and sons, love and family, and the inimitable joy of finding your way home.

    Nora is an unflinching frontierswoman awaiting the return of the men in her life--her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home.Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. The way in which Lurie's death-defying trek at last intersects with Nora's plight is the surprise and suspense of this brilliant novel.Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely--and unforgettably--her own.

    It claims a home awaits him on the Oregon coast that will turn his world inside out. Suspecting a prank, Micah arrives at Cannon Beach to discover a stunning brand new nine-thousand square foot house. And after meeting Sarah Sabin at a nearby ice cream shop, he has two reasons to visit the beach every weekend.When bizarre things start happening in the rooms of the home, Micah suspects they have some connection to his enigmatic new friend, Rick, the town mechanic. But Rick will only say the house is spiritual. This unnerves Micah because his faith slipped away like the tide years ago, and he wants to keep it that way. But as he slowly discovers, the home isn’t just spiritual, it’s a physical manifestation of his soul, which God uses to heal Micah’s darkest wounds and lead him into an astonishing new destiny."An extraordinary read. Part The Screwtape Letters, part The Shack."--Robert Liparulo, best-selling author of Comes a Horseman"A profound spiritual tale spun with imaginative flair. I'm looking forward to more from Jim Rubart."--James Scott Bell, best-selling author of Try Fear"Unforgettable. The kind of book that is talked about long after the last page has been turned. The universe of readers is richer because of this debut novel."--Alton Gansky, author of Enoch and Certain Jeopardy"Two words about Rooms: blown away. It's been a long time since I read anything this unique and truly creative, and even longer since a book held me in such rapt attention during the moments I was reading it--and long after."--Deborah Raney, author of the Clayburn novels"A wonderful book . . . Since I began reading it, I've been captivated. It isn't often that a book pulls me so deeply into the fictive dream that I dream about it at night."--Terri Blackstock, author of Predator and InterventionWinner, Best Inspirational Novel of 2010--RT BOOK REVIEWS Reviewers' Choice Awards

    No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself.At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.