A study of Arthurian romance and legend which draws together the different strands of Arthurian myth, from sources as diverse as Geoffrey of Monmouth, Malory, Chretien de Troyes, the Mabinogion, and the English Gawain cycles.

    The seamless and seemingly effortless blend of action and humour, the wonderful characters, the rich settings, the brilliant plot - all of it is perfect' James P. Blaylock

    Victory isn't enough: now Arthur wants to annihilate the Saxons by becoming The Dragon Lord. Mael and Starkad, an Irish adventurer and his giant Danish companion, are peerless warriors in a warrior age; men who have fought all across Europe for survival and pay and always for each other. Now they must seek an ancient skull from which Merlin's wizardry can raise a dragon, and also the weapons by which alone the dragon can be controlled. Accompanied by a priestess older than time, their search takes them from a monster-haunted lake, to the barrow of a thing no longer dead, and to a battlefield where the enmity of Briton and Saxon rises to a cataclysm which drowns the earth in blood. Yet one task remains. The fiery breath of the dragon Mael and Starkad have helped create can sweep the land clear of all life if it ever escapes from Merlin's control. And the dragon is about to escape!

    Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    It is based primarily on the 538-line Middle English poem Sir Landevale, which in turn was based on Marie de France's lai Lanval, written in a form of French understood in the courts of both England and France in the 12th century. Sir Launfal retains the basic story told by Marie de France and retold in Sir Landevale, augmented with material from an Old French lai Graelent and a lost romance that possibly featured a giant named Sir Valentyne. This is in line with Thomas Chestre's eclectic way of creating his poetry.In the tale, Sir Launfal is propelled from wealth and status – the steward at King Arthur's court – to being a pauper and a social outcast. He is not even invited to a feast in his home town of Caerleon in South Wales when the king visits, although Arthur knows nothing of this. Out in the forest alone, he meets with two damsels who take him to their mistress, the daughter of the King of Faerie. She gives him untold wealth and a magic bag in which money can always be found, on the condition that he becomes her lover. She will visit him whenever he wants and nobody will see her or hear her. But he must tell nobody about her, or her love will vanish at that instant.The story of a powerful (fairy) woman who takes a lover on condition that he obey a particular prohibition is common in medieval poetry: the French lais of Desiré, Graelant, and Guingamor, and Chrétien de Troyes's romance Yvain, the Knight of the Lion, all share similar plot elements. The presence of a Land of Faerie, or an Otherworld, betrays the story's Celtic roots. A final court scene may be intended by Chestre as criticism of the contemporary legal and judicial framework in late-fourteenth century England.[4] The equation of money with worth in the tale may satirize a late-fourteenth century bourgeois mentality.

    Henry Gilbert's classic collection includes the adventures of Arthur, Sir Lancelot, Merlin, Gwenevere, and many other famous characters. Filled with daring quests and chivalrous deeds, these stories will enchant readers of all ages. This edition features illustrations by the renowned artist, Walter Crane.

    But what evidence is there for a real figure beneath the myth and romance?Arthur's Britain assembles a wealth of information about the history of Arthur by delving into the shadowy period in which he lived. Drawing on evidence from written and archaeological sources, Leslie Alcock, who directed the famous excavation at Cadbury Castle in Somerset, England, sifts history from fiction to take us back to life between the fourth and seventh centuries. He also provides fascinating detail on how the Britons actually lived, worshipped, dressed, and fought to uncover the real world and people behind the Arthurian legends.

    Young Arthur de Caldicot practises his tilting and archery, learns to be a dutiful page to his father, and waits impatiently to grow up and become a knight. One day his father's friend Merlin gives him a shining black stone. When Arthur starts to see stories in the stone, his life quickly becomes entwined with that of his namesake, the boy who pulls the sword from the stone.

    In this absorbing story his courage and chivalry are tested to the full when he swears to save the honour of his King by marrying the Loathly Lady.Winner of the 1985 Kate Greenaway Medal.

    They conjure up vibrant images of medieval Europe, of chivalry and of romance. But did Arthur really exist, or is Camelot only a dream?In this lavishly illustrated survey, Christopher Snyder examines the realities and the impact of the Arthurian legends on history and the arts. Medieval texts and the latest archaeological discoveries are used to piece together a picture of the fifth and sixth centuries, when Arthur was believed to have reigned as champion of the Britons. The stories of Arthur -- the so-called "Matter of Britain" -- took shape as Welsh and Briton bards sang of the exploits of Arthur and his knights, in turn inspiring French poets like Chrétien de Troyes to compose the first chivalric romances of the Middle Ages. Snyder traces the development of Arthurian literature in medieval Europe, showing how writers brought the stories of the Grail and Tristan into association with Arthur.The nineteenth-century revival of interset in Arthur reached its height in the poetry of Alfred Tennyson, the paintings of the Pre-Raphaelites and the operas of Richard Wagner, while in the twentieth century Camelot found new adherents through novels, movies and computer games. The account of recent developments includes recommendations of Arthurian Internet sites.Never before has one book attempted such a thorough exploration of King Arthur's world.

    Enemies stalk the fringes of Britain. And Uther Pendragon is dying. Into this fractured and uncertain world the boy is cast, a refugee from fire, murder and betrayal. An outsider whose only companions are a hateful hawk and memories of the lost. Yet he is gifted, and under the watchful eyes of Merlin and the Lady Nimue he will hone his talents and begin his journey to manhood. He will meet Guinevere, a wild, proud and beautiful girl, herself outcast because of her gift. And he will be dazzled by Arthur, a warrior who carries the hopes of a people like fire in the dark. But these are times of struggle and blood, when even friendship and love seem doomed to fail. The gods are vanishing beyond the reach of dreams. Treachery and jealousy rule men’s hearts and the fate of Britain itself rests on a sword’s edge.But the young renegade who left his home in Benoic with just a hunting bird and dreams of revenge is now a lord of war. He is a man loved and hated, admired and feared. A man forsaken but not forgotten. He is Lancelot.Set in a 5th century Britain besieged by invading bands of Saxons and Franks, Irish and Picts, Giles Kristian's epic new novel tells - through the warrior's own words - the story of Lancelot, that most celebrated of all King Arthur's knights. It is a story ready to be re-imagined for our times.

    these tales constitute a powerful work of the imagination, ranking with Tokien's Lord of the Rings novels and T.H. White's The Once and Future King. Evangeline Walton's compelling rendition of these classic, thrilling stories of magic, betrayal, lost love, and bitter retribution include the encounter between Prince Pwyll and Arawn, the God of Death, which Pwyll survives by agreeing to kill the one man that Death cannot fell, and the tale of bran the blessed and his family's epic struggle for the throne.The Mabinogion is internationally recognized as the world's finest arc of Celtic mythology; Walton's vivid retelling introduces an ancient world of gods and monsters, heroes, kings and quests, making accessible one of the greatest fantasy sagas of all time.

    Paxson --Foreword / Andre Norton --To light such a candle / Eluki Bes Shahar --The grail of heart's desire / Judith Tarr --Lady of Avalon / Diana L. Paxson --With God to guard her / Kate Elliott --Appreciation / C.J. Cherryh --Sing to me of love and shadows / Deborah Wheeler --The wellspring / Katharine Kerr --Knives / Dave Smeds. A refuge of firedrakes / Susan Shwartz --Appreciation / Charles de Lint --The hag / Lawrence Schimel --Salve, Regina / Melanie Rawn --Tress of Avalon / Elisabeth Waters --Sparrow / Esther Friesner --The spell between worlds / Karen Haber --The stone mother's curse / Dave Wolverton. Appreciation / Paul Edwin Zimmer --Iontioren's tale / Paul Edwin Zimmer --Winter tales / Adrienne Martine-Barnes --Dark lady / Jane M. Lindskold --The lily maid of Astolat / Laura Resnick --Appreciation / Jennifer Roberson --Guinevere's truth / Jennifer Roberson.

    S. Eliot as one of the chief sources for his great poem "The Waste Land," Jessie L. Weston's From Ritual to Romance remains a landmark of anthropological and mythological scholarship. In this book she explores the origins of the Grail legend, arguing that it dates back to a primitive vegetation cult and only later was shaped by Celtic and Christian lore.To prove her thesis, Weston unites folkloric and Christian elements by using printed texts to prove the parallels existing between each and every feature of the legend of the Holy Grail and the recorded symbolism of the ancient mystery cults. Specifically, she finds the origin of the Grail legend in a Gnostic text that served as a link between such cults and later Celtic and Christian elaborations of the myth.With erudition and critical acumen, the author provides illuminating insights into diverse aspects of the legend: the task of the hero; the freeing of the waters; medieval and modern forms of nature ritual; the symbols of the cult (cup, lance, sword, stone, etc.); the symbolism of the fisher king; the significance of such deities as Tammuz, Adonis, Mithra, and Attis; the meaning of the adventure of the Perilous Chapel in Grail romances; and much more.Awarded the Crawshay Prize in 1920, this scholarly yet highly readable study will interest any student of the Arthurian legends, mythology, ancient religion, and Eliot's poetry.