But trouble is Chicago private eye V.I. Warshawski's specialty. Her client says he's the prominent banker, John Thayer. Turns out he's not. He says his son's girlfriend, Anita Hill, is missing. Turns out that's not her real name. V.I.'s search turns up someone soon enough -- the real John Thayer's son, and he's dead. Who's V.I.'s client? Why has she been set up and sent out on a wild-goose chase? By the time she's got it figured, things are hotter -- and deadlier -- than Chicago in July. V.I.'s in a desperate race against time. At stake: a young woman's life.

    A tough-talking former cop, private investigator Kinsey Millhone has set up a modest detective agency in a quiet corner of Santa Teresa, California. She's a twice-divorced loner with few personal possessions and fewer personal attachments but with a soft spot for underdogs and lost causes.A IS FOR ACCUSED. That's why she draws desperate clients like Nikki Fife. Eight years ago, she was convicted of killing her philandering husband. Now she's out on parole and needs Kinsey's help to find the real killer. But after all this time, clearing Nikki's bad name won't be easy.A IS FOR ALIBI. If there's one thing that makes Kinsey Millhone feel alive, it's playing on the edge. When her investigation turns up a second corpse, more suspects, and a new reason to kill, Kinsey discovers that the edge is closer--and sharper--than she imagined.Librarian's note: there are 25 titles in this extraordinary series: "A" Is for Alibi (1982); "B" Is for Burglar (1985); "C" Is for Corpse (1986); "D" Is for Deadbeat (1987); "E" Is for Evidence (1988); "F" Is for Fugitive (1989); "G" Is for Gumshoe (1990); "H" Is for Homicide (1991); "I" Is for Innocent (1992); "J" Is for Judgment (1993); "K" Is for Killer (1994); "L" is for Lawless (1995); "M" Is for Malice (1996); "N" Is for Noose (1998); "O" Is for Outlaw (1999); "P" Is for Peril (2001); "Q" Is for Quarry (2002); "R" Is for Ricochet (2004); "S" Is for Silence (2005); "T" Is for Trespass (2007); "U" Is for Undertow (2009); "V" Is for Vengeance (2011); "W" Is for Wasted (2013); "X" (2015), and lastly, “Y” Is for Yesterday (2017). Work on "Z" had not begun at the time of the author's death in late 2017.

    Sughrue, a Montana investigator who kills time by working at a topless bar. Hired to track down a derelict author, he ends up on the trail of a girl missing in Haight-Ashbury for a decade. The tense hunt becomes obsessive as Sughrue takes a haunting journey through the underbelly of America's sleaziest nightmares.

    Though it goes against his better judgment, Navajo Tribal Police Lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer. There is palpable evil in the air, and Leaphorn's pursuit of a Wolf-Witch is leading him where even the bravest men fear, on a chilling trail that winds perilously between mysticism and murder.

    Her work as an actress has temporarily come to a halt. She believes there is no finer place to be "at liberty" than the sun-drenched isle of Corfu, the alleged locale for Shakespeare's The Tempest. Even the suspicious actions of the handsome, arrogant son of a famous actor cannot dampen her enthusiasm for this wonderland in the Ionian Sea.But the peaceful idyll does not last long. A series of incidents, seemingly unconnected - but all surrounded in mystery - throws Lucy's life into a dangerous spin, as fear, danger and death - as well as romance - supplant the former tranquility. Then a human corpse is carried ashore on the incoming tide... And without warning, she found she had stumbled into a nightmare of strange violence, stalked by shadows of terror and sudden death.

    From shopkeepers to kings, everyone wants the help of Sherlock Holmes, but can he solve these mysteries?

    As their relationship grows, they cross paths with the Chechen mafia; a man grown dangerous with age and thwarted hopes; two hapless stick-up artists; a very curious cop; and the original owner of the puppy, who wants his dog back. . . .

    She thinks more highly of snow and ice than she does of love.  She lives in a world of numbers, science and memories--a dark, exotic stranger in a strange land.  And now Smilla Jaspersen is convinced she has uncovered a shattering crime...It happened in the Copenhagen snow.  A six-year-old boy, a Greenlander like Smilla, fell to his death from the top of his apartment building.  While the boy's body is still warm, the police pronounce his death an accident.  But Smilla knows her young neighbor didn't fall from the roof on his own.  Soon she is following a path of clues as clear to her as footsteps in the snow.  For her dead neighbor, and for herself, she must embark on a harrowing journey of lies, revelation and violence that will take her back to the world of ice and snow from which she comes, where an explosive secret waits beneath the ice....

    Adam Banting, a somewhat aimless young scholar at Cambridge University, is called to his professor's office one afternoon and assigned a special summer project: to write a scholarly monograph about a famous garden built in the 1500s. Dedicated to the memory of Signor Docci's dead wife, the garden is a mysterious world of statues, grottoes, meandering rills, and classical inscriptions. But during his three-week sojourn at the villa, Adam comes to suspect that clues to a murder are buried in the strange iconography of the garden: the long-dead Signor Docci most likely killed his wife and filled her memorial garden with pointers as to both the method and the motive of his crime. As the mystery of the garden unfolds, Adam finds himself drawn into a parallel intrigue. Through his evolving relationship with the lady of the house - the ailing, seventy-something Signora Docci - he finds clues to yet another possible murder, this one much more recent. The signora's eldest son was shot by Nazi officers on the third floor of the villa, and her husband, now dead, insisted that the area be sealed and preserved forever. Like the garden, the third-floor rooms are frozen in time. Delving into his subject, Adam begins to suspect that his summer project might be a setup. Is he really just the naive student, stumbling upon clues, or is Signora Docci using him to discover for herself the true meaning of the villa's murderous past?

    Rush has achieved the kind of critical and commercial success most authors only dream about: He has a top agent and publisher in New York, and his twenty-eight mystery novels have sold millions of copies. Only Stephen King, one of the few mystery writers whose fame exceeds his own, is capable of inspiring a twinge of envy in Rush. But Rush is hiding a dark secret. Under the pseudonym "Jack of Spades," he pens another string of novels—noir thrillers that are violent, lurid, masochistic. These are novels that the upstanding Rush wouldn't be caught reading, let alone writing. When his daughter comes across a Jack of Spades novel he has carelessly left out, she picks it up and begins to ask questions. Meanwhile, Rush receives a court summons in the mail explaining that a local woman has accused him of plagiarizing her own self-published fiction. Before long, Rush's reputation, career, and family life all come under threat—and in his mind he begins to hear the taunting voice of the Jack of Spades.

    Two years earlier, Cody and three accomplices had been given suspended sentences for raping a Northern Cheyenne girl. Is someone seeking vengeance? Longmire faces one of the more volatile and challenging cases in his twenty-four years as sheriff and means to see that revenge, a dish that is best served cold, is never served at all.

    When the official verdict is suicide, his wealthy father hires fledgling private investigator Cordelia Gray to find out what led him to self-destruction. What she discovers instead is a twisting trail of secrets and sins, and the strong scent of murder. An Unsuitable Job for a Woman introduces P. D. James's courageous but vulnerable young detective, Cordelia Gray, in a top-rated puzzle of peril that holds you all the way (The New York Times).

    It has been seven years since she disappeared, and nobody said a word. Now, following the death of his wife, her father Leon feels compelled to find her. Rumour had it she ran off when her baby boy was born with the family's genetic disorder. Leon is not so sure. He wants to know the truth and he hires a private investigator to discover it - Ray Lovell. Ray starts to delve deeper, but his investigation is hampered by the very people who ought to be helping him - the Jankos. He cannot understand their reluctance to help. Why don't they want to find Rose Janko?

    Ten years later a corpse is discovered in the grounds and Phoebe's nightmare begins.

    Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little more than a set-up crew for the incoming shift, but after years in police purgatory, Billy is content simply to do his job.Then comes a call that changes everything: Night Watch is summoned to the four a.m. fatal slashing of a man in Penn Station, and this time Billy's investigation moves beyond the usual handoff to the day tour. And when he discovers that the victim was once a suspect in the unsolved murder of a twelve-year-old boy-a savage case with connections to the former members of the Wild Geese-the bad old days are back in Billy's life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family.Razor-sharp and propulsively written, The Whites introduces Harry Brandt-a new master of American crime fiction.