Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with.'So begins Tikka Molloy's recounting of the summer of 1992 - the summer the Van Apfel sisters, Hannah, the beautiful Cordelia and Ruth - disappear.Eleven and one-sixth years old, Tikka is the precocious narrator of this fabulously endearing coming-of-age story, set in an eerie Australian river valley suburb with an unexplained stench. The Van Apfel girls vanish from the valley during the school's 'Showstopper' concert, held at the outdoor amphitheatre by the river. While the search for the sisters unites the small community on Sydney's urban fringe, the mystery of their disappearance remains unsolved forever.Brilliantly observed, sharp, lively, funny and entirely endearing, this novel is part mystery, part coming-of-age story - and quintessentially Australian. Think The Virgin Suicides meets Jasper Jones meets Picnic at Hanging Rock.

    A love that should never have been hidden.In the small town of Gawler, South Australia, the tang of cut grass and eucalyptus mingles on the warm air. The neat houses perched under the big gum trees on Church Street have been home to many over the years. Years of sprinklers stuttering over clipped lawns, children playing behind low brick walls. Family barbecues. Gossipy neighbours. Arguments. Accidents. Births, deaths, marriages. This ordinary street has seen it all.Until the arrival of newlyweds Thomas and Elsie Mullet. And when one day Elsie spies a face in the window of the silent house next door, nothing will ever be ordinary again...In Kim Lock's third novel of what really goes on behind closed doors, she weaves the tale of three people with one big secret; a story of fifty years of friendship, betrayal, loss and laughter in a heartwarming depiction of love against the odds."With great care and compassion for the lives and losses of human beings, Kim Lock artfully weaves a moving and surprising story of the simple compexity of relationships and how they shape us" Sophie Green, author of The Inaugural Meeting of the Fairvale Ladies Book Club

    Mysteriously ominous things began to happen—blood in the bed, periods of blackouts, a feeling of being watched—though Bec remained oblivious of what was to come.Eleven years later she is replaced.A young woman, desperate after being arrested, claims to be the decade-missing Bec.Soon the imposter is living Bec's life. Sleeping in her bed. Hugging her mother and father. Learning her best friends' names. Playing with her twin brothers.But Bec's welcoming family and enthusiastic friends are not quite as they seem. As the imposter dodges the detective investigating her case, she begins to delve into the life of the real Bec Winter—and soon realizes that whoever took Bec is still at large, and that she is in imminent danger.

    Why worry that he didn't want children or a 9 to 5 job? Nothing and no one would come between them.But with the birth of their high-needs son, Eli, their extraordinary love is shackled into an ordinary life, their passion blunted by responsibility.Until Ryan can't take it anymore.Then, following a mysterious phone call late one night, Aisha leaves four-year-old Eli in the care of her elderly father Patrick - and doesn't come back.As Patrick struggles with the grandson he barely knows or understands, his frustration with his missing daughter and absent son-in-law quickly turns to fear.Particularly when blood is found in Aisha's abandoned car . . .

    Over the years more people have moved away than have arrived to stay in this old New South Wales farming town, and now only a handful of young families and elderly residents are left. The locals put a plan into action to entice newcomers: offering the town’s empty houses to newcomers from anywhere in Australia.  Who could resist renting a beautiful homestead for a dollar a week?There’s nothing left for Adele Devereux in Sydney: no job, no relationship, no hope, and no diagnosis for her shy, uncommunicative daughter Ali. So she packs her bags, takes her meagre savings, and moves her small family to the country. She never expects to meet Tom Wade, a man facing his own hopeless situation, but whose kindness reaches her daughter in an unexpected friendship. As the small town of Dulili attempts to regenerate itself, Adele finds herself drawn further in to the community – and into her attraction to Tom. Tom is not back in Dulili to build a relationship. He’s there to heal wounds, help his grandmother, and make new plans. Plans that don’t come with his grandmother’s new tenant, part of the Dulili dollar scheme. But as Adele and Ali effortlessly work their way into his thoughts and his heart, he realises that there are two crucial elements that he left out of his long-term plans – the chance to find love and renewed hope for the future.  .

    Two people. Family secrets.When Calla Maloney steps on the boat to Kangaroo Island, she’s filled with dread. Part of it is simple seasickness but the other part is pure trepidation. She’s not on a holiday but a mission: to track down her estranged brother, who she hasn’t seen since her family splintered two years before.Firefighter Sam Hunter left the island twenty years ago and has made a habit out of staying as far away as he can get. But when his father’s illness forces him home, he finds himself playing bad cop to his dad and reluctant tour guide to a redhead with no sense of direction.As Sam and Calla dig deeper into their long-buried family secrets, they discover that no one is an island and that opening up their hearts to love again might be the most dangerous thing they will ever do.

    Tell her: Thanks but no thanks. So long, good night.But Tate is a sucker for a damsel in distress and when a diary mix-up leaves Christina in his debt, it's Tate who gets more than he bargained for.What does a resourceful girl do when the best marketing brain in the business won't play ball? She bluffs. She cheats. And she ups the ante. But when the stakes get too high, does anybody win?Falling in love was never part of this branding brief.

    In this clever and explosive thriller, a feisty but flawed investigative journalist battles unexplained deaths, big business, trade unions and media manipulation amidst the gritty underside of Melbourne.She was slipping away. The further she fell, the closer the clouds seemed to come. Wispy transparent slipstreams of white. Cirrus. Pain smashed her head. Floating ... When investigative journalist Chrissie O’Brian lands a senior job at The Argus, she is desperate to escape the nightmares of her past. Her life has become a daily battle to numb the pain. But her job is something she does better than anyone else – and the only thing that’s keeping her anchored to this world. A face-off on the waterfront between the unions and big business is just the kind of headline-grabbing story to get her career back on track. But when a dockworker turns up dead, she becomes obsessed with unravelling the truth. When a gruesome threat lands on her desk, it's clear someone will do anything to stop her. But this is one battle Chrissie won't give up without a fight.

    From convict, bushranger and accused pirate, Cat transforms herself into an entrepreneur and pillar of colonial Tasmanian society. But how is she connected to a missing ship? And could she be involved in the disappearance of a priceless treasure that, one hundred and three years after her death, will be claimed not only by a foreign government but by unscrupulous men determined to use it for their own ends?Joanne, dean of history at the university and Cat’s descendant, is assigned the task of locating the missing artefact. Joanne believes the key may lie in a coded notebook she has inherited along with Cat’s other mysteries. But will she be able to decipher the message and put a century-old secret to rest? And will she survive to join her true love in the Governor’s House – a house that has come to mean as much to her as it did to her long-dead ancestor?

    Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: Insidiously. Irreparably. Like a puzzle, he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again. So Taylor consulted The Art of War and made a plan. Then she took the next step – one that would change her life forever. Then things get really out of control – and The Sunday Girl becomes impossible to put down.

    A young African boy, the son of one of her clients, has been murdered in a dingy back alley. Stella, in her forties and running low on empathy, heads into the night to comfort the grieving mother. But when she gets there, she makes a discovery that has the potential to uncover something terrible from her past — something she thought she'd gotten away with.Then Stella's neighbour Tania mysteriously vanishes. When Stella learns that Tania is the heir to a billion-dollar mining empire, Stella realises her glamorous young friend might have had more up her sleeve than just a perfectly toned arm. Who is behind her disappearance?Enlisting the help of her friend, Senior Constable Phuong Nguyen, Stella's investigation draws her further and further into a dark world of drug dealers, sociopaths, and killers, such as the enigmatic Mr Funsail, whose name makes even hardened criminals run for cover.One thing is clear: Stella needs to find answers fast — before the people she's looking for find her instead.Set in the bustling, multicultural innerwest of Melbourne, Good Money reveals a daring and exciting new voice in Australian crime fiction.

    But darkness is found both in the iconic setting as well as in the disturbing behaviour of one of the family.As he tilted the blinds she saw her mother in her tennis whites, standing at the kitchen bench, staring out into the dark bushland that bordered their houses. That was what Tricia did these days, looked into the bush as though it would attack one of them.On a sweltering day in a cliff-top beach shack, Jack and Lou Bright grow suspicious about the behaviour of their charismatic, unpredictable father, Charlie. A girl they know has disappeared, and as the day unfolds, Jack's eruptions of panic, Lou's sultry rebellions and their little sister Phoebe's attention-seeking push the family towards revelation.Twenty years later, the Bright children have remained close to the cliff edges, russet sand and moody ocean of their childhood. Behind the beautiful surfaces of their daily lives lies the difficult landscape of their past, always threatening to break through. And then, one night in late summer, they return to the house on the cliff...Gripping and evocative, Bluebottle is a story of a family bound by an inescapable past, from the award-winning author of The River Baptists and Hannah and Emil.

    A local surfer named Ray Carlson is found dead in a house not far from Portsea back beach. There’s a silver-handled kitchen knife deep in his chest, and blood everywhere.Detective Sergeant Zoe Mayer is scarcely back from extended leave, and still wrestling with her demons, but she is assigned the case, alongside her new service dog, Harry, whose instincts help her in unexpected ways.There’s an obvious suspect for the murder, and Zoe makes an arrest. But it’s all too neat, and none of Zoe’s colleagues believes her theory that the whole thing is a stitch-up.Except now someone is trying to hunt Zoe down.Superbly plotted, and vividly set in the beachside suburbs and hilly retreats around Melbourne, The Long Game is a mystery about a tough and clever investigator who won’t give up.

    And we come together – right there in the darkness. And even though there is no way to be certain of any other thing in the world, I am certain that I would risk anything to keep what is between the two of us. For love, I would risk anything, lose everything.Out of the Silence is a stunning debut novel about three Australian women from very different worlds: Maggie Heffernan, a spirited working-class country girl; Elizabeth Hamilton, whose own disappointment in love has served only to strengthen her humanity; and Vida Goldstein, a charismatic suffragist from Melbourne and the first woman to stand for Parliament in Australia.When Maggie’s life descends into darkness after a terrible betrayal, the three women’s lives collide. Around this tragedy Wendy James has constructed a masterfully drawn and gripping fiction. Based on a true story, it unfolds at the dawn of the twentieth century against the compelling backdrop of the women’s suffrage movement and a world on the brink of enormous change.The novel powerfully evokes the plight of women in the early 1900s – not least their limited options, whatever their class and education. However, at its heart this is a story of love – of love gone wrong; of its compromises and disappointments; but ultimately of its extraordinary transformative power.WINNER OF THE BEST FIRST AUSTRALIAN CRIME NOVEL, NED KELLY CRIME AWARDS 2006SHORTLISTED FOR THE DOBBIE LITERARY AWARD 2006 FOR BEST FIRST NOVEL BY A FEMALE AUTHOR

    Haunted by the assault, she hides from the world, finding solace in her mathematical theories. A few years later, her intellectual brilliance is discovered and she leaves conflict-stricken Pakistan for a better education in Melbourne, where she finds herself placed with Kate—a successful plastic surgeon facing emotional insecurities of her own.   Malika and Kate’s lives slowly intertwine as they find within each other what each has lacked alone. At first, Kate’s skills appear to offer a simple solution to Malika’s anguish, but when tragedy strikes, the price of beauty is found to be much higher than either of them could have known.  As Swallows Fly is a poignant portrayal of survival, identity and empowerment in a culture dominated by the pursuit of perfection. In a captivating and unforgettable debut, McMahon asks what might be possible if we have the courage to be flawed.