Daphne du Maurier has instinct, with the result that every woman instinctively wants to read her." -New York Times Book ReviewMaria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' past affairs. Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.

    England is at war with France, and press-gangs wreak havoc by seizing young men for service. One of their victims is a whaling harpooner named Charley Kinraid, whose charm and vivacity have captured the heart of Sylvia Robson. But Sylvia’s devoted cousin, Philip Hepburn, hopes to marry her himself and, in order to win her, deliberately withholds crucial information—with devastating consequences.The introduction discusses the novel's historical and geographical authenticity, as well as its innovative treatment of gender and human relationshipsIncludes a new chronology, updated further reading, notes, and appendices

    Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.

    Quick-witted, resilient, and eager to please, she adapts to this cloistered world, learning rigid conformity and subjection to authority. Passionate friendships are the only deviation from her total obedience. Convent life is perfectly captured by Antonia White.

    "Elizabeth and Her German Garden" is a year's diary written by Elizabeth about her experiences learning gardening and interacting with her friends. It includes commentary on the beauty of nature and on society, but is primarily humorous due to Elizabeth's frequent mistakes and her idiosyncratic outlook on life. The story is full of sweet, endearing moments. Elizabeth was an avid reader and has interesting comments on where certain authors are best read; she tells charming stories of her children and has a sometimes sharp sense of humor in regards to the people who will come and disrupt her solitary lifestyle.

    One is the shy Caroline Helstone, who is trapped in the oppressive atmosphere of a Yorkshire rectory and whose bare life symbolizes the plight of single women in the nineteenth century. The other is the vivacious Shirley Keeldar, who inherits a local estate and whose wealth liberates her from convention.A work that combines social commentary with the more private preoccupations of Jane Eyre, Shirley demonstrates the full range of Brontë's literary talent. "Shirley is a revolutionary novel," wrote Brontë biographer Lyndall Gordon. "Shirley follows Jane Eyre as a new exemplar but so much a forerunner of the feminist of the later twentieth century that it is hard to believe in her actual existence in 1811-12. She is a theoretic possibility: what a woman might be if she combined independence and means of her own with intellect. Charlotte Brontë imagined a new form of power, equal to that of men, in a confident young woman [whose] extraordinary freedom has accustomed her to think for herself....Shirley [is] Brontë's most feminist novel."

    Actual opening line of the novel is: "To J. Halford, Esq. Dear Halford, when we were together last..."This is the story of a woman's struggle for independence. Helen "Graham" has returned to Wildfell Hall in flight from a disastrous marriage. Exiled to the desolate moorland mansion, she adopts an assumed name and earns her living as a painter.

    She lives with her husband Brace and her two children in a very new, very small, very white flat in Knightsbridge. As we follow Edith's fortunes we enter the enchanting world of Edwardian London, bewitched by the courtships, jealousies and love affairs of Edith's coterie - Hyacinth, Eugenia, Charles and Cecil, Vincy, Madame Frabelle and many more.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    Nancy Mitford's most famous novel, The Pursuit of Love satirizes British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely modelled on Mitford's own.The Radletts of Alconleigh occupy the heights of genteel eccentricity, from terrifying Lord Alconleigh (who, like Mitford's father, used to hunt his children with bloodhounds when foxes were not available), to his gentle wife, Sadie, their wayward daughter Linda, and the other six lively Radlett children. Mitford's wickedly funny prose follows these characters through misguided marriages and dramatic love affairs, as the shadow of World War II begins to close in on their rapidly vanishing world.

    Here Mary has spent thirty-five years, devoting herself to her sister, now dead, and to her father, Canon Jocelyn. Although she is pitied by her neighbours for this muted existence, Mary is content. But when she meets Robert Herbert, Mary's ease is destroyed and years of suppressed emotion surface through her desire for him. First published in 1924 this novel is an impressive exploration of Mary's relationship with her father, of her need for Robert and the way in which, through each, she comes to a clearer understanding of love.

    Set in Shropshire in the 1800s, it is alive with the many moods of Nature, benevolent and violent and the many moods -- equally benevolent and violent -- of the people making lives there. Prue Sarn is an unlikely heroine, born with a facial disfiguration which the Fates have dictated will deny her love. But Prue has strength far beyond her handicap, and this woman, suspected of witchcraft by her fellow townspeople, rises above them all through an all-encompassing sweetness of spirit. Precious Bane is also the story of Gideon, Prue's doomed brother, equally strong-willed, but with other motives. Determined to defeat the poverty of their farm, he devotes all his energies to making money. His only diversion from this ambition, he abandons her for the stronger drive of his money lust. And finally, it is the story of Kester Woodseaves, whose steady love for all created things leads him to resist people's cruelty toward nature and each other, and whose love for Prue Sarn enables him to discern her natural loveliness beneath her blighted appearance. Rebecca West, a contemporary of Mary Webb, called her, simply, "a genius," and G. K. Chesterton, another contemporary, asserted: "the light in the stories . . . is a light not shining on the things but through them." Critic Hilda Addison summed up Precious Bane: "The book opens with one of those simple sentences which haunt the mind until the curiosity has been satisfied . . . It strikes a note which never fails throughout; it opens with a beauty which is justified to the last sentence." When the book was first published in 1926 in America, the New York Times Book Review predicted: " on some bookshelves, we feel sure, Precious Bane will find almost a hallowed place."

    Sophia is twenty-one years old, carries a newt -- Great Warty -- around in her pocket and marries -- in haste -- a young artist called Charles. Swept into bohemian London of the thirties, Sophia is ill-equipped to cope. Poverty, babies (however much loved) and her husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with the dismal, ageing art critic, Peregrine, and learns to repent her marriage -- and her affair -- at leisure. But in this case virtue is more than its own reward, for repentance brings an abrupt end to a life of unpaid bills, unsold pictures and unwashed crockery ...

    But when she falls in love with Bosinney, a penniless architect who utterly rejects the Forsyte values, their affair touches off a series of events which can only end in disgrace and disaster.John Galsworthy tackles his theme of the demise of the upper-middle classes with irony and compassion.

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.