Until then the war had seemed far away, not something that would touch her or her teenage friends. Now Suzanne's family is kicked out onto the street as German soldiers take over their house as a barracks.Suzanne clings to the one thing she really loves--singing. Her voice is so amazing that she is training to become an opera singer. As Suzanne travels around for rehearsals, costume fittings, or lessons, she learns more about what the Nazis are doing and about the people who are "disappearing." Her travels are noticed by someone else, an organizer of the French Resistance. Soon Suzanne is a secret courier, a spy fighting for France and risking her own life for freedom.

    It's now 1943 and their life in Copenhagen is filled with school, food shortages, and the Nazi soldiers marching through town. When the Jews of Denmark are "relocated," Ellen moves in with the Johansens and pretends to be one of the family. Soon Annemarie is asked to go on a dangerous mission to save Ellen's life.

     It is 1943 in Nazi-occupied Denmark. Anett and her parents are hiding a Jewish woman and her son, Carl, in their cellar until a fishing boat can take them across the sound to neutral Sweden. The soldiers patrolling their street are growing suspicious, so Carl and his mama must make their way to the harbor despite a cloudy sky with no moon to guide them. Worried about their safety, Anett devises a clever and unusual plan for their safe passage to the harbor. Based on a true story.

    In this Robert F. Silbert Honor Book, narrated in the voice of Holocaust survivor Jack Mandelbaum, readers will glimpse the dark reality of life during the Holocaust, and how one boy made it out alive.When twelve-year-old Jack Mandelbaum is separated from his family and shipped off to the Blechhammer concentration camp, his life becomes a never-ending nightmare. With minimal food to eat and harsh living conditions threatening his health, Jack manages to survive by thinking of his family.Supports the Common Core State Standards

    When her Judaism is discovered, she is asked to leave and wanders from village to village, confused by the threat that hangs over her, but maintained by a fierce belief in her eventual return to her family.

    Carrie and Nick are billeted in Wales with old Mr Evans, who is so mean and cold, and his timid mouse of a sister, Lou, who suddenly starts having secrets. Their friend Albert is luckier, living in Druid's Bottom with warm-hearted Hepzibah Green and the strange Mister Johnny, who can talk to animals but not to human beings. Carrie and Nick visit him there whenever they can for Hepzibah makes life exciting and enticing with her stories and delicious cooking. Gradually they begin to feel more at ease in their war-time home, but then, in trying to heal the rift between Mr Evans and his estranged sister, and save Druid's Bottom, Carrie does a terrible thing which is to haunt her for years to come. Carrie revisits Wales as an adult and tells the story to her own children.

    Will the children be able to withstand the interrogation and harassment?

    There they must spin thread on treacherous machinery to make clothing and blankets for the German Army. As Eva struggles amid ever worsening dangers to save her life and that of her sick sister, readers witness how two teenagers strive to create home and family amidst inhumanity and chaos. Written in exquisite prose, this story of heartbreak and hope that is rich in detail and symbolism will deeply move readers of all ages.

    Thirteen-year-old Lisa has escaped from Nazi Germany on the Kindertransport. She arrives in London unable to speak a word of English, her few belongings crammed into a small suitcase. Among them is one precious photograph of the family she has left behind. Lonely and homesick, Lisa is adopted by a childless couple. But when the Blitz blows her new home apart, she wakes up in hospital with no memory of who she is or where she came from. The authorities give her a new name and despatch her to a children's home. With the war raging around her, what will become of Lisa now?

    We weren't even meant to be outside, not in a blackout, and definitely not when German bombs had been falling on London all month like pennies from a jar.*WINNER* BOOKS ARE MY BAG MIDDLE GRADE BOOK OF THE YEAR 2017*WINNER* LEEDS BOOK AWARDS 2018WATERSTONES CHILDREN'S BOOK OF THE MONTH MAY 2017THE BOOKSELLER EDITOR'S 9-12 PICK OF THE MONTHTHE TIMES CHILDREN'S BOOK OF THE WEEKFebruary, 1941. After months of bombing raids in London, twelve-year-old Olive Bradshaw and her little brother Cliff are evacuated to the Devon coast. The only person with two spare beds is Mr Ephraim, the local lighthouse keeper. But he's not used to company and he certainly doesn't want any evacuees.Desperate to be helpful, Olive becomes his post-girl, carrying secret messages (as she likes to think of the letters) to the villagers. But Olive has a secret of her own. Her older sister Sukie went missing in an air raid, and she's desperate to discover what happened to her. And then she finds a strange coded note which seems to link Sukie to Devon, and to something dark and impossibly dangerous.

    And when Margaret's older sister leaves for college, it looks like Margaret's days of waiting are over. But then disaster strikes. Its form: an English cousin named Courtney who has been forced to flee 1941 London because of the blitz. Not at all concerned with what's happening in Europe, Margaret Ann is soon fighting a war of her own as she watches her cousin Courtney get not only her room, but also the attention of her very own family and boyfriend. It's not until Margaret's only brother enlists in the navy that Margaret discovers an ally and a friend where at first she saw only a rival.Poet and novelist Doris Gwaltney has crafted a detailed, spirited, sometimes humorous, and always deeply felt novel about two girls coming of age and becoming friends in the shadow of the biggest war in modern history.

    It began on a rainy morning in Australia, as part of a game played by Mark and his friends. It was a storytelling game, and the four friends took turns weaving tales about fairies and mermaids and horses. But Anna's story was different this time: it was not a fairy tale or an adventure story. The story was about a young girl who lived during World War II. Her name was Heidi, and she was Hitler's daughter.As Anna's story unfolds, Mark is haunted by the image of Hitler's daughter. He wonders what he would have done in her place if he had known his father was an evil man leading the world into a war that was destroying millions of lives. And if Mark had known, would he have had the power and determination to stop him?

    While her father is away fighting in World War II, Molly finds her life full of change as she eats terrible vegetables from the victory garden and plans revenge on her brother for ruining her Halloween.

    He was put to work every day in a German factory, where he labored alongside Jewish prisoners from a nearby camp called Auschwitz. The stories they told him were horrifying. Eventually Avey's curiosity, kind-heartedness, derring-do, and perhaps foolhardiness drove him to suggest--and remarkably manage--switching places with two of the Jewish prisoners in order to spend a couple of harrowing days and nights inside. Miraculously, he lived to tell about it.Surely deserving of its place alongside the great World War II stories, this is an incredible tale of generosity, courage, and, for one Jewish prisoner whom Denis was able to help, survival. Amazingly, breathtakingly, it is told here for the first time.

    Then German soldiers take him away to be measured and assessed. They decide that Peter is racially valuable. He is Volksdeutscher: of German blood. With his blond hair, blue eyes, and acceptably proportioned head, he looks just like the boy on the Hitler-Jugend poster. Someone important will want to adopt Peter. They do. Professor Kaltenbach is very pleased to welcome such a fine Aryan specimen to his household. People will be envious. But Peter is not quite the specimen they think. He is forming his own ideas about what he is seeing, what he is told. Peter doesn't want to be a Nazi, and so he is going to take a very dangerous risk. The most dangerous risk he could possibly choose to take in Berlin in 1942.