She never overcame her humble beginnings and when Willie Eubanks rescued her from the orphanage by marrying her, she ended up right back where she started. Living in the same cabin, she was born in twelve and a half years earlier. However, she grew to love Willie and was determined that she and Willie were not going to end up as her parents had. In addition, she wanted to make sure her children were not going to have to suffer through the same experiences she had.

    The exalted, memorable characters in Kirn's acclaimed debut short story col lection confront the real hard bargains in life that spring up from the business of simply living, and Kirn transforms these hard-luck stories into strapping moral lessons which evoke the bonds that unite us all.

    Jim Tomlinson’s characters each face the desire to reclaim dreams left behind, along with something of the dreamer that was also lost. Starkly rendered, these spiraling characters inhabit a specific place and class---small-town Kentucky, working-class America---but the stories, told in all their humor and tragedy, are universal.In each story the characters face conflict, sometimes within themselves, sometimes with each other. Each carries a past and with it an urge to return and repair. In “First Husband, First Wife,” ex-spouses are repeatedly drawn together by a shared history they cannot seem to escape, and they are finally forced to choose between leaving the past or leaving each other. LeAnn and Cass are grown sisters who conspire to help their prideful mother in “Things Kept.” “Prologue” is a voyeuristic journey through the surprisingly different lives of two star-crossed friends, each with its successes and pitfalls, told through their letters over thirty-five years. In “Stainless,” Annie and Warren divide their possessions on the final night of their marriage. Their realtor has advised them to “declutter” the house they are leaving, but they discover that most of the clutter cannot be so easily removed. The choices are never simple, and for every thing kept, something must be abandoned. Tomlinson’s characters struggle but eventually find their way, often unknowingly, to points of departure, to places where things just might change.

    Then his life and the city were destroyed. John's wife was murdered, and his search for the killer takes place amidst the storms of El Niño.

    Celebrated writer ZZ Packer takes the editorial helm of Algonquin's signature series, selecting 20 rock-solid stories that reflect the geography, people, and way of life in the South.

    As in her acclaimed novels The Siege and A Spell of Winter, world-class storyteller Helen Dunmore shows us with subtlety and humor precisely who her characters are and why we should care for them. In each taut, agile tale, they grow to surprise, concern, and move us as they negotiate situations that are often both mundane and bizarre: a cafeteria cook confronts her Polish pen pal in a meeting that is unexpectedly intense; a divorced mother gains insight from a parking meter; a boastful writer is put in his place in spectacular fashion; and in a chilling future, conception is ruthlessly controlled by the government. In several stories a soulful, curious woman named Ulli takes up residence in the reader's imagination -- stumbling across a strangely magnetic collector of religious icons, contemplating a youthful pregnancy, and remembering a troubled lover. In Ice Cream, Dunmore reveals both her poet's ear for the concise and piercing potentialities of language and the novelist's ambition of scope, proving her status as "a master of the shorter form" (The Sunday Telegraph). "Spellbinding ... She captures a moment in time and leaves us reeling at the echoes." -- Michael McLoughlin, The Irish News "Cool, elegant, and beautifully controlled, the stories collected in Ice Cream display Dunmore's virtuosity of language." -- Pamela Norris, The Independent on Sunday "All the senses are vibrantly alive in these stories." -- Katie Owen, The Sunday Telegraph

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    For Vincent, it is the latest in a string of violent events his family has faced since moving to England. But Vincent knows something that the thugs don't: he has in him the spirit of his father who, once upon a time in a far off country, also faced down fear to prove he was Grade A. Stroke of Luck: During a summer cricket match, Alan meets Rachel, and they start a relationship - but soon Alan discovers he is having an affair with a married woman. Though not a happily married one. Rachel's husband abuses her physically and psychologically and Rachel is at her wits' end. Alan vows to protect her - but her husband is not the only one who is a threat. Rachel is being secretly watched... The Walls: When Chris spots a beautiful woman across a crowded restaurant on his business trip to Texas, he never imagines that she would be interested in him, let alone be waiting for him when he returns to his hotel later that evening.As the two strangers talk, the true and haunting reason for their visits comes to light...

    The second collection drawn together by editor Wendy Martin, these twenty-four exquisite examples of contemporary writing feature stories by Joyce Carol Oates, Margaret Atwood, Mary Gaitskill, Alice Munro, Sandra Cisneros, and Lorrie Moore (to name a few).We Are the Stories We Tell is also available from Pantheon.

    We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    A. L. Kennedy’s men and women huddle in foreign hotel rooms, immobilized by travel-sickness and betrayal. They plan seductions on the line at a cheese shop. They’re undone by a passing embrace in the office men’s room. Their passion is so urgent and imperious that it invades the stories they tell their children.By turns chaste and ferociously sexy, funny and unbearably sad, every story in Indelible Acts is a testament to the lengths to which desire drives us. And all are marked by Kennedy’s wisdom and humanity, and language that captures the briefest tremor of the infatuated heart.

    As the gathered family settle in to their first Christmas together for some years, the grown siblings - Rodney, Johnny and Gwen - are surprised when they are invited to each put stickers on the furniture and items they wish to inherit from their parents.Disputed Land is narrated by Leonard and Rosemary's thirteen-year-old grandson, Theo, who observes how from these innocent beginnings age-old fissures open up in the relationships of those around him. Looking back at this Christmas gathering from his own middle-age - a narrator at once nostalgic and naïve - Theo Cannon remembers his imperious grandmother Rosemary, alpha-male uncle Johnny, abominable twin cousins Xan and Baz; he recalls his love for his grandfather Leonard and the burgeoning feelings for his cousin Holly. And he asks himself the question: if a single family cannot solve the problem of what it bequeaths to future generations, then what chance does a whole society have of leaving the world intact?

    When first hardship and then nuclear war devastate a suburban neighborhood one woman is the key for survival of the community.

    Jayne Anne Phillips has always been a master of portraiture, both in her widely acclaimed novels and in her short fiction.  The stories in Fast Lanes demonstrated the breadth of her talent in a tour de force of voices, offering elegantly rendered views into the lives of characters torn between the liberation of detachment and the desire to connect.Three stories are collected in this edition for the first time: in "Alma," and adolescent daughter is made the confidante of her lonely mother; "Counting" traces the history of a dommed love affair; and "Callie" evokes memories of the haunting death of a child in 1920's West Virginia.  Along with the original seven stories from Fast Lanes--each told in extraordinary first person narratives that have been hailed by critics as virtuoso performances--these incandescent portraits offer windows into the lives of an entire generation of Americans, demonstrating again and again why Jayne Anne Phillips remains one of our most powerful writers.

    How did he allow the other person to die? How did he help the other person to hang himself to death? He was terribly upset about this. The moment his eyes saw a rope in any form he used to remember everything.........