Changing Trains is a fictionalised memoire that will transport you back to the glorious 1980s - that time just before mobile devices, the internet and social media changed the world - and one working class boy's journey of discovery and sexual self awareness.

    would bring happiness and prosperity-instead they found a world of frustration. While Victor put long hours into his restaurant business, Jaqui devoted her life to her daughters, until they grew up and moved on. Even their eldest, Victoria, is torn trying to reconcile being the perfect Argentine daughter and an independent American woman. Antonio and Lucia Orteli face the same realities, especially when their only son Eric leaves their close-knit Argentine community in pursuit of his own dreams. When Eric unexpectedly shows up at the Argentine Club-the heart of the Argentine community in southern California-he starts a series of events that will bring these two families closer than ever. New relationships are formed and old ones are put to the test, as everyone must learn how to balance different cultures-and different dreams-without hurting those they love.

    Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditates on the condition of Chicanos in Anglo culture, women in Hispanic culture, and lesbians in the straight world. Her essays and poems range over broad territory, moving from the plight of undocumented migrant workers to memories of her grandmother, from Aztec religion to the agony of writing. Anzaldua is a rebellious and willful talent who recognizes that life on the border, "life in the shadows," is vital territory for both literature and civilization. Venting her anger on all oppressors of people who are culturally or sexually different, the author has produced a powerful document that belongs in all collections with emphasis on Hispanic American or feminist issues.

    Find out how the story begins, and how it ends. A book of 7 girls living in the most ratchet, drama filled, gossip spreading city of Atlanta. In this book I tap into the stereotypes of black girls from hoes, oreos, hood rats, and your average nerds, and boujie girls. Each having their own separate story to tell that makes this book one complete series. Find out how they find love, hate, heartbreak, and much more in the city of ATL.

    It centers around two sets of best friends who succumb to true love after overcoming a series of obstacles to their relationships. Desiree Hagan is a voluptuous counselor whose ex-husband left her because she gained weight. She spends her days comforting clients but all that comforts her is the remote control as she cuddles up with a series of romance novels. Does someone finally bring her comfort? Brandon Hughes life is too busy for commitments. The only commitment he is willing to make is to his career as a security analyst. Climbing the corporate ladder, and not romance, is his number one priority. Is he willing to change?Sparkle Mason's aggressive style and independence wards off the bravest of men. Professionally, she is very successful, but her personal life leaves a trail of failed relationships. Does she meet her knight in shining armor? Eric Lawson, a casualty of a long, draining relationship is looking forward to bachelor hood. The last thing he wants is another woman trying to pressure him into marriage. Will he be a lifelong bachelor or will the right woman change his mind?This is the reissued version with a new cover for Kindle.

    . . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."—Variety"Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears—lean, colloquial, and conversational for us and true to Chekhov's original work."—The Cincinnati EnquirerIn her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.

    A young, probably gay, boy named Gordo puts on a wrestler's mask and throws fists with a boy in the neighborhood, fighting his own tears as he tries to grow into the idea of manhood so imposed on him by his father. As he comes of age, Gordo learns about sex, watches his father's drunken fights, and discovers even his own documented Mexican-American parents are wary of illegal migrants. Fat Cookie, high schooler and resident artist, uses tiny library pencils to draw huge murals of graffiti flowers along the camp's blank walls, the words "CHICANO POWER" boldly lettered across, until she runs away from home one day with her mother's boyfriend, Manny, and steals her mother's Panasonic radio for a final dance competition among the camp kids before she disappears. And then there are Los Tigres, the perfect pair of twins so dark they look like indios, Pepito and Manuel, who show up at Gyrich Farms every season without fail. Los Tigres, champion drinkers, end up assaulting each other in a drunken brawl, until one of them is rushed to the emergency room still slumped in an upholstered chair tied to the back of a pick-up truck. These scenes from Steinbeck Country seen so intimately from within are full of humor, family drama, and a sweet frankness about serious matters - who belongs to America and how are they treated? How does one learn decency, when laborers, grown adults, must fear for their lives and livelihoods as they try to do everything to bring home a paycheck? Written with balance and poise, Cortez braids together elegant and inviting stories about life on a California camp, in essence redefining what all-American means.

    In his search for new friends and potential lovers, he becomes sucked into London’s gay drug culture, soon becoming addicted to partying and the phenomenon that is ‘chemsex’. Exploring his own journey through this dark but popular world, James looks at the motivating factors that led him to the culture, as well as examining the paths taken by others. He reveals the real goings-on at the weekends for thousands of people after most have gone to bed, and how modern technology allows them to arrange, congregate, furnish themselves with drugs and spend hours, often days, behind closed curtains, with strangers and in states of heightened sexual desire.Something for the Weekend looks compassionately at a growing culture that’s now moved beyond London and established itself as more than a short-term craze.

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    "An unflaggingly witty and often moving slice of life . . . Poor Super Man explodes on to the stage like a bold comic strip, complete with snappy captions and hard, bright, witty dialogue," writes the Edmonton Journal.

    Fine translations"--Handbook of Latin American Studies, v. 58.

    Bonsai is accessible yet profound—as one critic in Chile’s Capital newspaper put it, “Brief as a sigh and forceful as a blow.”

    While growing up in housing projects in Puerto Rico and Miami Beach, Jaquira Díaz found herself caught between extremes: as her family split apart and her mother battled schizophrenia, she was surrounded by the love of her friends; as she longed for a family and home, she found instead a life upended by violence. From her own struggles with depression and sexual assault to Puerto Rico’s history of colonialism, every page of Ordinary Girls vibrates with music and lyricism. Díaz triumphantly maps a way out of despair toward love and hope to become her version of the girl she always wanted to be.With a story reminiscent of Tara Westover’s Educated, Roxane Gay’s Hunger, and Terese Marie Mailhot’s Heart Berries, Jaquira Díaz delivers a memoir that reads as electrically as a novel.

    Not because she didn’t want to, but because she didn’t think girls from Connecticut married other girls. Yet here she is with Caroline, the love of her life, at their destination wedding on the Bermuda coast. In attendance—their respective families and a few choice friends. The conflict-phobic Tiny hopes for a beautiful weekend with her bride-to-be. But as the weekend unfolds, it starts to feel like there’s a skeleton in every closet of the resort.From Tiny’s family members, who find the world is changing at an uncomfortable speed, to Caroline’s parents, who are engaged in conspiratorial whispers, to their friends, who packed secrets of their own—nobody seems entirely forthcoming. Not to mention the conspicuous no-show and a tempting visit from the past. What the celebration really needs now is a monsoon to help stir up all the long-held secrets, simmering discontent, and hidden agendas.All Tiny wanted was to get married, but if she can make it through this squall of a wedding, she might just leave with more than a wife.

    This distinct group, known as the Ñ Generation (as coined by Bill Teck), are the bilingual children of Cuban exiles nourished by two cultural currents—the fragmented traditions and transferred nostalgia of their parents' Caribbean homeland and the very real and present America where they grew up and live.