They contain a fascinating portrait of a man living in the age of Rembrandt and Descartes, and bursting with a lust for the world that surrounds him. Emerging as thoroughly funny and charming, Hals reaches out from centuries past to touch and change Peter's life forever. A seamless merging of literary invention and historic fact, The Lost Diaries of Frans Hals is a remarkable, unforgettable novel.

    Boorstin explores the development of artistic innovation over 3,000 years. A hugely ambitious chronicle of the arts that Boorstin delivers with the scope that made his Discoverers a national bestseller.

    Shapiro tour de force.On March 18, 1990, thirteen works of art worth today over $500 million were stolen from the Isabella Stewart Gardner Museum in Boston. It remains the largest unsolved art heist in history, and Claire Roth, a struggling young artist, is about to discover that there’s more to this crime than meets the eye.Claire makes her living reproducing famous works of art for a popular online retailer. Desperate to improve her situation, she lets herself be lured into a Faustian bargain with Aiden Markel, a powerful gallery owner. She agrees to forge a painting—one of the Degas masterpieces stolen from the Gardner Museum—in exchange for a one-woman show in his renowned gallery. But when the long-missing Degas painting—the one that had been hanging for one hundred years at the Gardner—is delivered to Claire’s studio, she begins to suspect that it may itself be a forgery.Claire’s search for the truth about the painting’s origins leads her into a labyrinth of deceit where secrets hidden since the late nineteenth century may be the only evidence that can now save her life. B. A. Shapiro’s razor-sharp writing and rich plot twists make The Art Forger an absorbing literary thriller that treats us to three centuries of forgers, art thieves, and obsessive collectors. it’s a dazzling novel about seeing—and not seeing—the secrets that lie beneath the canvas.

    Most biographies focus on the years of her reign, during which she proved herself as adept a ruler -- and as shrewd an operator -- as England had ever seen. But while the history of her rule is fascinating, the story of how her remarkable character was forged seems vital to a full understanding of the woman who led England into a new age of prosperity, power, and artistic achievement. David Starkey's Elizabeth: The Struggle for the Throne explores the terra incognita of Elizabeth's early years, and the result is nothing short of captivating.Starkey finds that Elizabeth's early years ran the gamut from days of snug security as the daughter of Henry VIII and Anne Boleyn, and Henry's heir apparent, to the years of uncertainty after her mother's execution whenElizabeth was separated from court and virtually forgotten. She received a first-rate academic education, excelling in languages and rhetoric and exhibiting a strong interest in the Protestant religion her father had established in England. But the education she received from life itself would prove far more valuable for the monarch-to-be. After the death of Henry VIII and Edward VI (Elizabeth's half brother), Elizabeth's status as sister and would-be successor to the Catholic queen Mary put her in a dangerous position.It also put her in prison at Mary's command -- and perilously close to execution -- after plots to place Elizabeth on the throne were revealed. Starkey makes it clear that while others may have actually done the dirty work, Elizabeth was usually in the thick of these efforts. Her imprisonment taught her to cover her tracks, but it did not stop her maneuverings. While fervently professing her Catholic faith, she surrounded herself with Protestant advisers and attendants, and bided her time. She evaded another snare of her sister's when Mary attempted to neutralize Elizabeth by marrying her off to a Catholic Spaniard in exchange for naming Elizabeth her successor. Perhaps Elizabeth had learned early on from the plight of her mother that marriage had its drawbacks. Starkey, however, suggests that Elizabeth, in a moment of true regality, would not accept the crown if it came through bullying and capitulation. Again, Elizabeth bided her time.Her seeming patience -- for Starkey reveals that Elizabeth continued to plot -- paid off when Mary, never robust, entered her final illness. Elizabeth managed to convince the now irrational queen that she was, indeed, a staunch Catholic and vowed to preserve England as a Catholic realm. Upon Mary's death, Elizabeth ascended to the throne with no meaningful opposition, thereby beginning what would be a golden age, one of the most legendary reigns in history. Starkey lets us understand, for the first time, the forces that made her into the formidable woman -- and brilliant ruler -- that she would soon prove to be.

    In this dramatic, compelling fictional memoir Carolly Erickson lets the courageous, spirited Mary Queen of Scots tell her own story—and the result is a novel readers will long remember. Born Queen of Scotland, married as a young girl to the invalid young King of France, Mary took the reins of the unruly kingdom of Scotland as a young widow and fought to keep her throne. A second marriage to her handsome but dissolute cousin Lord Darnley ended in murder and scandal, while a third marriage to the dashing, commanding Lord Bothwell, the love of her life, gave her joy but widened the scandal and surrounded her with enduring ill repute. Unable to rise above the violence and disorder that swirled around her, Mary plucked up her courage and escaped to England—only to find herself a prisoner of her ruthless, merciless cousin Queen Elizabeth. Here, in her own riveting account, is the enchanting woman whose name still evokes excitement and compassion—and whose death under the headsman’s axe still draws forth our sorrow. In The Memoirs of Mary Queen of Scots, Carolly Erickson provides another in her series of mesmerizing historical entertainments, and takes readers deep into the life and heart of the sixteenth century’s most fascinating woman.

    Nazis pour into Oslo, a shroud of dread looms over the city, and eighteen-year-old Ingrid Solberg fears the worst. Under German rule, harsh rationing and the exorbitant cost of medicine threaten the lives of many, including Ingrid’s mother. And when Ingrid meets a young SS officer, she’s forced to make a desperate choice.Seventy years later, after the death of Ingrid in her adopted country of Canada, her son, Arnold, finds a disturbing letter in her belongings. Though mired in his own personal problems, Arnold puts his troubled life on hold and embarks on a journey to Oslo to understand his family’s history.As Arnold confronts the past, he discovers dark secrets and the long-lasting repercussions of decisions his mother made long ago. But as disturbing as his discoveries are, he has come too far to shrink from the ugly truth now…

    The Last Boleyn tells the story of the rise and fall of the Boleyns, one of England’s most powerful families, through the eyes of the eldest daughter, Mary.Although her sister, Anne, the queen; her brother, George, executed alongside Anne; and her father, Thomas, are most remembered by history, Mary was the Boleyn who set into motion the chain of events that brought about the family’s meteoric rise to power, as well as the one who managed to escape their equally remarkable fall. Sent away to France at an extraordinarily young age, Mary is quickly plunged into the dangerous world of court politics, where everything is beautiful but deceptive, and everyone she meets is watching and quietly manipulating the events and people around them. As she grows into a woman, Mary must navigate both the dangerous waters ruled by two kings and the powerful will of her own family in order to find a place for herself and the love she so deeply desires.

    Little has changed in the three centuries since white settlers drove the Montaukett Indians from the land. But for Conrad Labarde, a second-generation Basque immigrant recently returned from the Second World War, and his fellow fisherman Rollo Kemp, this stability is shattered when a beautiful New York socialite turns up dead in their nets.On the face of it, her death was accidental, but deputy police chief Tom Hollis - an incomer from New York - is convinced the truth lies in the intricate histories and family secrets of Amagansett's inhabitants. Meanwhile the enigmatic Labarde is pursuing his own investigation.

    Run-down yet romantic, The Big House stands not only as a cherished reminder of summer’s ephemeral pleasures but also as a powerful symbol of a vanishing way of life.

    Timothy and The Pale Blue Eye comes Courting Mr. Lincoln, the page-turning and surprising story of a young Abraham Lincoln and the two people who loved him best: a sparky, marriageable Mary Todd and Lincoln’s best friend, Joshua Speed.When Mary Todd meets Abraham Lincoln in Springfield in the winter of 1840, he is on no one's shortlist to be president. Rough and reticent, he’s a country lawyer lacking money and manners, living above a dry goods shop, but with a gift for oratory. Mary, a quick, self-possessed debutante with a tireless interest in debates and elections, at first finds him an enigma. “I can only hope,” she tells his roommate, the handsome, charming Joshua Speed, “that his waters being so very still, they also run deep.”It's not long, though, before she sees the Lincoln that Speed knows: a man who, despite his awkwardness, is amiable and profound, with a gentle wit to match his genius and a respect for her keen political mind. But as her relationship with Lincoln deepens, she must confront his inseparable friendship with Speed, who has taught his roommate how to dance, dress, and navigate the polite society of Springfield.Told in the alternating voices of Mary Todd and Joshua Speed, and rich with historical detail, Courting Mr. Lincoln creates a sympathetic and complex portrait of Mary unlike any that has come before; a moving portrayal of the deep and very real connection between the two men; and most of all, an evocation of the unformed man who would grow into one of the nation’s most beloved presidents.

    Their encounter will go on to alter all of their lives.Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams's final play.What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? Like The Master and The Hours, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.

    That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection.They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.Ottessa Moshfegh was awarded the 2013 Plimpton Discovery Prize for her stories in the Paris Review and a creative writing fellowship from the National Endowment for the Arts. She is currently a Wallace Stegner fellow at Stanford, and lives in Oakland, California.

    . .* What Isaac Asimov was like at 19.* The truth behind the great World SF Convention War of 1939.* How a teenager became a mover and shaker in the bizarre world of the pulp magazines.* The strange mating rites of the sf community.* How to represent most of the best sf writers and go broke.* The dreams of new worlds and universes behind a body of completely original writing that has enlarged the horizons of three generations of readers . . . and netted the writers ½¢ to 3¢ a word.From the moment he attended the first meeting of the Brooklyn chapter of the Science Fiction League, Fred Pohl was hooked. He and his friends founded and disbanded fan clubs with dizzying speed, then organized the fabled Futurians. At 19, he became editor of Astonishing Stories and Super Science Stories, and, except for the war and a brief fling in the advertising business, has been almost totally involved in science fiction ever since.As an agent, he created the market for hardcover sf; as editor of Galaxy in the 60s, he shaped the field for most of a decade; his Star Science Fiction series pioneered the concept of original anthologies; and along with all that he produced a number of truly outstanding works of sf, including: The Space Merchants (with Cyril Kornbluth) and, most recently Man Plus and Gateway, voted the Best Novels of 1976 and 1977, respectively.It's been a long road, from the scruffy Ivory Tower where the Futurians denned to a time when much that was science fiction is now reality—and Fred Pohl retraces it with candor, wit, and abiding love.

    A serial killer stalks his prey, scalpel in his hand and God's vengeance in his heart.       Five years after his restoration to the throne, Charles II leads his citizens by example, enjoying every excess. Londoners have slipped the shackles of puritanism and now flock to the cockpits, brothels and, especially, the theatres, where for the first time women are allowed to perform alongside the men.       But not everyone is swept up in the excitement. Some see this liberated age as the new Babylon, and murder victims pile up in the streets, making no distinction in class between a royalist member of parliament and a Cheapside whore. But they have a few things in common: the victims are found with gemstones in their mouths. And they have not just been murdered; they've been . . . sacrificed.     Now the plague is returning to the city with full force, attacking indiscriminately . . . and murder has found a new friend.

    She was Grace O'Malley, the sixteenth-century Irish woman who provoked awe, anger, admiration, and fear in the English men who, by persuasion and by the sword, came to conquer the land of her birth.