To make matters worse, on the day his school bans hats (his preferred camouflage), Dylan goes up on his roof only to fall and wake up in the hospital with a broken leg—and a mandate to attend group therapy for self-harmers.Dylan vows to say nothing and zones out at therapy—until he meets Jamie. She’s funny, smart, and so stunning, even his womanizing best friend, JP, would be jealous. She’s also the first person to ever call Dylan out on his self-pitying and superficiality. As Jamie’s humanity and wisdom begin to rub off on Dylan, they become more than just friends. But there is something Dylan doesn’t know about Jamie, something she shared with the group the day he wasn’t listening. Something that shouldn’t change a thing. She is who she’s always been—an amazing photographer and devoted friend, who also happens to be transgender. But will Dylan see it that way?

    Right and wrong, justice and injustice—the differences are clear, and Will has spent his career drawing a line between them. Maybe his convictions have cost him relationships, but he’s not willing to compromise what he knows is right. Until the night he meets Amory Vaughn.As the head of his family’s philanthropic foundation, Vaughn knows very well that being rich and powerful can get him almost anything he wants. And when he meets endearingly grumpy and slightly awkward William Fox, he wants him more than he’s wanted anything. Vaughn is used to being desired for his name and his money, but Will doesn’t care about either.When Vaughn falls back on old habits and attempts to impress Will by stealing a painting Will admires, their nascent bond blows up in his face. But Vaughn isn’t willing to give up on the glimpse of passion he saw the night he took Will apart. Before Will knows it, he’s falling for the man he should have arrested, and Vaughn has to realize that some things can’t be bought or stolen. Love has to be given freely. But can a man who lives by the rules, and a man who thinks the rules don’t apply to him, ever see eye to eye? Heart of the Steal is a standalone romance with a happy ending. It features a Southern gentleman who thinks he’s always right, a buttoned-up FBI agent who secretly likes his buttons unbuttoned, and wall sex. And desk sex. And picnic blanket sex.

    He and his band Kiss & Tell are on their first major tour of North America, playing arenas all over the United States and Canada (and getting covered by the gossipy press all over North America as well). Hunter is the only gay member of the band, and he just had a very painful breakup with his first boyfriend–leaked sexts, public heartbreak, and all–and now everyone expects him to play the perfect queer role model for teens.But Hunter isn’t really sure what being the perfect queer kid even means. Does it mean dressing up in whatever The Label tells him to wear for photo shoots and pretending never to have sex? (Unfortunately, yes.) Does it mean finding community among the queer kids at the meet-and-greets after K&T’s shows? (Fortunately, yes.) Does it include a new relationship with Kaivan, the star of the band opening for K&T on tour? (He hopes so.) But when The Label finds out about Hunter and Kaivan, it spells trouble—for their relationship, for the perfect gay boy Hunter plays for the cameras, and, most importantly, for Hunter himself.

    But then Hollywood comes to film the wildly popular television series Wolf's Landing, and Bluewater Bay isn't so sleepy anymore. His retirement doesn't stick, either, because he's offered a part on the show-exactly the kind of complex role he'd always wanted, one that would prove him more than a glorified stuntman. The only catch? He has to stay in the closet-no matter how attractive he finds his costar.Carter Samuels is the critically acclaimed male lead on Wolf's Landing. And now, the man who inspired him to take up acting-and made him realize he's gay-is joining the cast, and sparks fly between them instantly. But Carter is out and proud and determined to stay true to himself.Remaining just friends is the only thing to do, as both the studio and Levi's disapproving, dysfunctional family keep reminding them. Except their friendship deepens by the day, tempting them with what they can't have but both desperately need.

    Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.

    She wears big green fisherman's boots. She's the founding (and only) member of NOLAW, the National Organization to Liberate All Weirdos. Emily wears sweaters with faux pearl buttons. She's vice president of the student council. She has a boyfriend.These two girls have nothing in common, except the passionate "private time" they share every Tuesday afternoon. Jesse wishes their relationship could be out in the open, but Emily feels she has too much to lose. When they find themselves on opposite sides of a heated school conflict, they each have to decide what's more important: what you believe in, or the one you love?

    Perfect for fans of The Walls Around Us and Bone Gap.Mercedes Moreno is an artist. At least, she thinks she could be, even though she hasn’t been able to paint anything worthwhile in the past year.Her lack of inspiration might be because her abuela is in a coma. Or the fact that Mercedes is in love with her best friend, Victoria, but is too afraid to admit her true feelings.Despite Mercedes’s creative block, art starts to show up in unexpected ways. A piano appears on her front lawn one morning, and a mysterious new neighbor invites Mercedes to paint with her at the Red Mangrove Estate.At the Estate, Mercedes can create in ways she hasn’t ever before. But Mercedes can’t take anything out of the Estate, including her new-found clarity. Mercedes can’t live both lives forever, and ultimately she must choose between this perfect world of art and truth and a much messier reality.“A dreamy and subtle work of art, The Gallery of Unfinished Girls explores love, family, and the maddening, magical drive to create art.”—Adi Alsaid, author of Let's Get Lost

    Sasha Bloom is standing right on top of one when her world literally crumbles around her. With her mother now dead and father out of the picture, Sasha moves in with her estranged grandparents.Living in her mom’s old bedroom, Sasha has no idea who she is anymore. Luckily, her grandparents are certain they know who she should be: A lawyer in the making. Ten pounds skinnier. In a socially advantageous relationship with a boy from a good family—a boy like Cole Edwards.And Cole has ideas for who Sasha should be, too. His plus one at lunch. His girlfriend. His.Sasha tries to make everything work, but that means folding away her love of photography, her grief for her mother, and her growing interest in the magnificently clever Lily Chen. Sasha wants to follow Lily off the beaten path, to discover hidden beaches, secret menus, and the truth about dinosaur pee.But being friends with Lily might lead somewhere new. Is Sasha willing to stop being the girl everyone expects and let the girl beneath the surface breath through?

    If only she could stop getting in her own way and find someone, anyone, willing to help. But her best friend Ellis MacQueen “fixes” problems by running away from them―including his broken relationship with his twin brother, Tommy. And Tommy’s depression has hit a new low, so he’s not up for fixing anything.In the wake of the town’s latest devastating storm, Tommy goes out for a swim that he doesn’t intend to survive. It’s his unexpected return that sets into motion a sea change between these three teens. One that tests old loyalties, sparks new romance, and uncovers painful secrets. And nothing stays secret in West Finch for long.

    If someone doesn’t like her, that’s their problem, and Elisa couldn’t care less. Particularly if that person is Darcy Fitzgerald, a snobby, socially awkward heiress with an attitude problem and more money than she knows what to do with. From the moment they meet, Elisa and Darcy are at each other’s throats -- which is a bit unfortunate, since Darcy’s best friend is dating Elisa’s sister. It quickly becomes clear that fate intends to throw the two of them together, whether they like it or not. As hers and Darcy’s lives become more and more entwined, Elisa’s once-dull world quickly spirals into chaos in this story of pride, prejudice, and finding love with the people you least expect.

     At twenty-three years old, he's suddenly the head of a multibillion dollar global corporation he is in no way equipped to run. His father is dying. His mother's run away. He's spent his entire adult life playing fast and loose with his life and his loves, but when he's dragged into a position of responsibility with the fate of the company on his shoulders, he goes spinning into freefall. And Brand Forsythe is the only man to catch him. Icy, detached, nearly twice Ash's age, the massive monolith of a British valet is impossible to deal with and like no servant Ash has ever met. Domineering and controlling, Brand quickly puts Ash's life in order. And quickly takes Ash in hand. Even if by day Ash has to project authority, leadership, and calm...by night he's discovering the breathless pleasure of giving up control. The shivering thrill of surrendering to Brand. The sweet taboo of being submissive to the man in even the smallest things. Ash can't quite understand why it feels so good to put himself in Brand Forsythe's capable, commanding hands. He only knows, as he faces the hardest decisions of his life...the only thing that can save him is the love of his cocky valet. Author's Note: If you're reading this, you likely know why this book exists. Bask in the petty, my darlings. Bask.