In answer to countless requests from I Love Lucy fans around the world, Bart Andrews has revised, updated, and expanded his classic book on TV's most beloved series.B & W photographs throughout.

    

    I'm Inspector Carter. Take my case. This must be Charles Haversham! I'm sorry, this must've given you all a damn shock.After benefitting from a large and sudden inheritance, the inept and accident-prone Cornley Polytechnic Drama Society embark on producing an ambitious 1920s murder mystery. They are delighted that neither casting issues nor technical hitches currently stand in their way. However, hilarious disaster ensues and the cast start to crack under the pressure, but can they get the production back on track before the final curtain falls?The Play That Goes Wrong is a farcical murder mystery, a play within a play, conceived and performed by award-winning company Theatre Mischief. It was first published as a one-act play and is published in this new edition as a two-act play.

    They live alone with their dog Taliban, playing Playstation, watching porn; surviving. Occasionally their chaotic mum Maggie visits, sometimes she passes out on the front lawn. But when Jenny knocks on the door, the boys discover a world far beyond what they know, a world full of love, possibility and danger.

    One home that binds them together.When Edie Chadwick travels to Ireland to close up her uncle’s lakeside lodge, it’s as much to escape the burden of guilt she’s carrying as to break loose from the smart set of 1930’s London.The old house is full of memories – not just her own, but those of a woman whose story has been left to gather dust in a chest in the attic: a handwritten memoir inscribed with an elegant signature . . . Eliza DruryAs she turns the pages of the manuscript, Edie uncovers secrets she could never have imagined: an exciting tale of ambition, hardship, love and tragedy – a story that has waited a lifetime to be told. . ."A delightful story, rich, engrossing and vividly told" Rachel Hore"A compelling, atmospheric story brimming with period detail about two feisty, independent heroines who will steal your heart" Cathy Kelly"With a marvellously evocative setting, strong and believable lead characters and a pacey plot, Another Heartbeat in the House is a thoroughly compelling love story" Liz Trenow

    In James Goldman’s classic play The Lion in Winter, domestic turmoil rises to an art form. Keenly self-aware and motivated as much by spite as by any sense of duty, Henry II and Eleanor of Aquitaine maneuver against each other to position their favorite son in line for succession. By imagining the inner lives of Henry, Eleanor, and their sons, John, Geoffrey, and Richard, Goldman created the quintessential drama of family strife and competing ambitions, a work that gives visceral, modern-day relevance to the intrigues of Angevin England. Combining keen historical and psychological insight with delicious, mordant wit, the stage play has become a touchstone of today’s theater scene, and Goldman’s screenplay for the 1968 film adaptation won him an Academy Award. Told in “marvelously articulate language, with humor that bristles and burns” (Los Angeles Times), The Lion in Winter is the rare play that bursts into life on the printed page.

    But for the people of Laramie–both the friends of Matthew and those who hated him without knowing him–the tragedy was personal. In a chorus of voices that brings to mind Thornton Wilder’s Our Town, The Laramie Project allows those most deeply affected to speak, and the result is a brilliantly moving theatrical creation.

    An alternative title, All is True, is recorded in contemporary documents, the title Henry VIII not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays.[1]During a performance of Henry VIII at the Globe Theatre in 1613, a cannon shot employed for special effects ignited the theatre's thatched roof (and the beams), burning the original building to the ground.

    Here you'll meet, among many others, the 20s film idols snorting cocaine from an illuminated glass dance floor on the bank of the Thames, the model who escaped Soho's gangsters to become the queen of the nudie flicks and the genteel Scottish comedienne who, at the age of fifty-five, reinvented herself as a star of exploitation cinema, and fondly remembers 'the one where I drilled in people's heads and ate their brains'. Welcome to the lost worlds of British cinema.

    The proof is in this lighthearted collection of life lessons, ground rules, inspirational thoughts, and stirring reminders found in Rod Serling’s timeless fantasy series. Written by veteran TV critic, Mark Dawidziak, this unauthorized tribute is a celebration of the classic anthology show, but also, on another level, a kind of fifth-dimension self-help book, with each lesson supported by the morality tales told by Serling and his writers.The notion that “it’s never too late to reinvent yourself” soars through “The Last Flight,’’ in which a World War I flier who goes forward in time and gets the chance to trade cowardice for heroism. A visit from an angel blares out the wisdom of “follow your passion” in “A Passage for Trumpet.” The meaning of “divided we fall” is driven home with dramatic results when neighbors suspect neighbors of being invading aliens in “The Monsters Are Due on Maple Street.” The old maxim about never judging a book by its cover is given a tasty twist when an alien tome is translated in “To Serve Man.”

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    . . or save it? Arianne Casterton is devastated when her father and his new wife are killed in a train accident. Despite her faith in God, Arianne’s grief soon turns to despair when she discovers one-third of everything her father owned has been transferred automatically to his wife's son and heir, Jonas Prestwich—someone Arianne never knew existed. Jonas's mother married a backwoods papermaker much too soon after becoming a widow, embarrassing Jonas who lives among Philadelphia's elite. Though he's distressed by his mother's death within a year after losing his father, receiving a portion of the papermaker's inheritance feels like justice. God has blessed Arianne with the passion and talent for papermaking in her family's tradition, but the demands of keeping the business going are nearly overwhelming. When Jonas offers to expand her efforts into something more modern and profitable, Arianne is suspicious, reluctant to give up the art of handmade papermaking. But she realizes without his unwanted help she might lose everything anyway. The Cranbury Papermaker is the 2015 release from award winning writer Maureen Lang, author of thirteen previous Christian romance novels and novellas.

    It draws on her experiences as a Voluntary Aid Detachment nurse in London, Malta, and France, and illustrates her growing conviction of the wickedness of all war. Illustrated with many extraordinary photographs from Brittain’s own albums, and edited with a new introduction by Mark Bostridge, this is an elegy to men who lost their lives in a bloody conflict, and a volume of remembrance to mark the 90th anniversary of the Armistice.

    In the middle of the conflict is a most unlikely heroine. For Margery, the beautiful and spirited ward of Warwick the Kingmaker, freedom is the only prize worth having. But it is a prize that could cost her her life.Sent to France on a mission for King Edward IV, she finds herself the target of a man who may be one of the king's most dangerous enemies. Sir Richard Huddleston is bold, enigmatic, and devastatingly handsome. He is used to getting what he wants, and he wants Margery to be his wife. But what else does he want? Margery suspects that Richard has abandoned the king and the house of York and is conspiring with the rebel queen and the traitorous house of Lancaster.Caught between her role as a spy and a fierce passion that neither she nor Richard can deny, Margery finds her heart exposed to the ultimate danger: falling in love. Yet she cannot admit her real mission to Richard. For if she stays true to her noble cause, she'll save many men...and lose the one that matters most.

    In a passionate and witty behind-the-scenes expose, the author of 'All About All About Eve' takes on the classic 1959 Douglas Sirk film, Born To Be Hurt, starring Lana Turner.